Remember goyim, only whites can be racist.

Breibart reports on the recent live production called The Wiz Live! which is a remaking of The Wizard of Oz,  but this time, using an all-Dindu cast. But it seems that white folks, finally, are starting to realize the double standards:

NBC’s The Wiz Live! was a massive success for the network Thursday night, drawing an estimated 11.5 million viewers for the special live broadcast of the 1974 Tony-winning  musical – however, some social media users, apparantley unaware of the musical’s history, called the show racist for its use of an all-black cast.

The original Wizard of Oz didn’t include any black people because back then they weren’t running around trying to be in everything that didn’t include them. But these days, it’s another story.

The funny thing is that we don’t see Whites running around demanding to be Shaft, nor do we don’t see Asians running around demanding to be Rocky Balboa, but we do constantly see Blacks trying to change everything they can. But if Whites did, for some stupid reason, try to make an all-White Shaft movie, we all know it would be called racist for sure. Maybe Asians could get away with having an all-Asian cast for Shaft, as they are seen as a “minority,” but I’m not so sure anymore; the feels of Blacks are so sensitive theses days.

But why is it that Blacks, who can now read and write (thanks to the white devil) don’t just simply make up their own new stories and with their own black characters from scratch? Why must they literally steal everything, including things from our culture: changing comic books characters, copying our fashion, claiming Jesus was black, and even making absurd claims that all of our inventions are actually theirs because Egypt?

Well, we must first find out who’s idea was it to negrofy The Wizard of Oz in the first place.

“If you run into any racists today yelling and moaning about this all black version of The Wizard of Oz that NBC seemingly pulled out of its ass and you really want to piss them off? Just tell them the movie was directed by the late great Sidney Lumet. Possibly the whitest white man who’s ever lived,” he wrote.

Now that we’ve found out who did it, let’s see if this Sidney Lumet was actually the whitest man who’s ever lived.

…I think most of you already know where this is going.

Wikipedia tells us:

Lumet was born in Philadelphia. He studied theater acting at the Professional Children’s School of New York and Columbia University.

Lumet’s parents, Baruch and Eugenia (née Wermus) Lumet, were both veterans of the Yiddish theatre. His father, who was an actor, director, producer and writer, was a Polish Jewishemigrant to the United States who was born in Warsaw. Lumet’s mother, who was a dancer, died when he was a child. He made his professional debut on radio at age four and stage debut at the Yiddish Art Theatre at age five

The Wiz, sadly, is nothing new. It was created by the Jew back in 1978, and included a cast of Michael Jackson and Diana Ross. This kind cultural appropriation has been happening slowly for decades, and of course was pushed by the Jew. Blacks, who are too busy worrying about “muh dik,” simply don’t have the time to try and create their own things, and instead, just jump at every opportunity to steal whatever is ours because the Jews tell them it’s all theirs to begin with.

What I don’t understand is why not call it Da Wiz Yo! which would have been more appropriate.

Here is a clip of this abomination created by the Jew.

I heard it was da SHEEEIITTT.

One of the most respected of British actresses has thrown the world into a tizzy, and probably ended her own career, by stating the obvious fact that theatre is a White invention.

The Guardian:

Dame Janet Suzman was responding to the views of Meera Syal, the actor and writer who appealed last week to the theatre industry to do more to cater for Asian audiences. “Theatre is a white invention, a European invention, and white people go to it. It’s in their DNA. It starts with Shakespeare,” Suzman said.

The Shakespearean actor, who was born in, and has worked in, South Africa and whose aunt was the anti-apartheid campaigner Helen Suzman, has been a vocal opponent of racism. She was made a dame in 2011 for services to drama.

Suzman said: “I’ve just done a South African play. My co-star is a young black man from the slums of Cape Town. Totally brilliant actor. I saw one black face in the room, at the Print Room. I rail against that and say why don’t black people come to see a play about one of the most powerful African states?

“And they don’t bloody come. They’re not interested. It’s not in their culture, that’s why. Just as their stuff is not in white culture,” she said.

“Fair’s fair. Theatre is a totally European invention, as is tragedy. Other countries don’t do tragedy. It’s an invention by the Greeks.”

Asked about Syal calling for theatres to cater for Asian audiences, Suzman said: “Catering is probably the correct word. It’s as if one was ordering food for a special wedding where the tastes are different.

“Some people are vegetarians and some are not. I don’t know what to say. Until the Asian writers make plays that will appeal, how can one say that?

“Stuff’s going on at the National [Theatre], which is an adaptation of that brilliant novel written by a white woman about the slums of [Mumbai]. If that’s catering, then it’s brilliantly catered for. East is East, which is bloody well thought through. But it’s up to writers to do it.”

The PC police, AKA the Jewish Police, cannot allow anyone to get away with ever saying anything positive about White people or even acknowledging that White people are a group of people which exists. So Suzman must be lynched, of course.

The same thing would happen if a scientist were to say “White people invented science,” or if a programmer were to say “White people invented computers, or if a pilot were to say “White people invented air planes,” or if an electrician were to say “White people invented electricity,” and so on.

It is simply not allowed for anyone to speak about White people as a group with interests.

Conversely, no one would be lynched for saying it is hard to market rap music or sushi rolls to White people (it isn’t difficult to market these things to White people, however, because White people have diverse interests and are capable of appreciating things which originate with other cultures).

We might also note here that theatre is not popular among non-Whites, generally, because it is “high culture,” meaning it is a spiritual, rather than a pragmatic or sensuous pursuit.

Europeans are the only race which has ever developed high culture.