There are no gods here, only monsters ️

We’re thrilled to reveal the first look at #TheWitcherIV — our upcoming single-player open-world RPG. It marks the beginning of a new saga with Ciri as a protagonist, embarking on her own journey to become a professional monster slayer.… pic.twitter.com/Xu3YleR2iv

— The Witcher (@witchergame) December 13, 2024

They’ve replaced Geralt with a literal female protagonist.

They are claiming it is an organic move.

IGN:

CD Projekt has explained why it went with Ciri as protagonist for The Witcher 4 instead of continuing with Geralt as the main character.

The Witcher 4, just revealed at The Game Awards 2024 with a debut trailer, is the first in a new trilogy of Witcher games set after the events of The Witcher 3.

Speaking exclusively to IGN ahead of the reveal, executive producer Małgorzata Mitręga said Ciri was “the very organic, logical choice.”

“It was always about her, starting from Saga when you read it in the books. She’s an amazing, layered character. And of course, as a protagonist we said goodbye to Geralt previously. So this is a continuation. I guess for all of us it’s like she was meant to be. That was always her.”

Game director Sebastian Kalemba added that because Ciri is younger than Geralt, players will have more freedom to define her character in a way they couldn’t with Geralt. This also affords the developers more space to explore her character.

Hahahahaha.

She was always the main character!

You always wanted to play as a woman in your video game power fantasy!

It’s what everyone wanted!

Please, all of you: take a pledge right now to not buy this game.

You people keep buying these games and they keep making them.

I saw someone on the internet who bought Ubisoft’s “Skull and Bones.”

The only way to prevent these games is to refuse to buy them.

There are so, so many indie games now that do not do this shit.

Buy Chinese games. They’re better and not gay or vaginalized.

Don’t buy from CD Projekt, which is a vaginal company.

This team is ridiculous.

CyberPunk 2077 was bad enough, but they want to push it even further into the abyss.

The shocking thing here is that somebody actually did something.

This brand of taunting has been going on for so many years now, one would no longer expect anyone to do anything at all. But, no.

This time, a thing was done.

Reuters:

A Christmas Eve fire-bomb attack on offices of a comedy troupe that produced a “gay Jesus” Netflix special is being investigated as an attempted homicide, police said on Thursday, a day after a shadowy group claimed responsibility in a video that included a far-right religious statement.

A group identifying itself as “Popular Nationalist Insurgency Command of the Large Brazilian Integralist Family” said in a video circulated on social media late on Christmas Day that it carried out the attack on the headquarters of the Porta dos Fundos comedy group in Rio de Janeiro. The men in the video wore masks, and the group does not list the identities of any leaders or members.

The video showed masked men throwing Molotov cocktails and reading a statement against the 46-minute comedy that Netflix released three weeks ago.

Entitled “The First Temptation of Christ,” the program depicts Jesus as a young man bringing home a boyfriend to meet the Holy Family. Around 2 million people petitioned the streaming service to remove the show, saying it offended Christians.

That’s some pretty serious stuff, a bunch of people signing a petition like that.

If you made fun of the Jews like that, you would be declared a Nazi, deplatformed, fired from your job, and harassed by fake journalists outside your home.

If you make fun of the Moslems like that, they will literally do a terrorism on you like they did on Charlie Hebdo.

But if Netflix makes fun of the Christians, they’ll put their petitions out on the Internet, and then most likely continue paying their Netflix subscriptions.

Except that one time in Brazil, when they firebombed the studio.

State police told a news conference in Rio they had verified the contents of the video showing three men in ski masks lighting Molotov cocktails and throwing them at a glass-fronted office that is the Porta dos Fundos’ headquarters.

No one was hurt in the incident and a security guard put out the blaze, according to a statement issued by Porta dos Fundos.

Rio police said the incident was under investigation as attempted homicide and causing an explosion. They said they did not currently consider it a terrorist attack, though such a classification had not been discarded.

Police said a group with a similar name and symbol, the Brazilian Integralist Front, had denied any links to the video, so investigators were not certain the attackers in fact were part of the far-right group they claimed to belong to.

Police have images of four men involved in the attack but do not know their identities. Authorities said they have formed a task force to resolve the matter as quickly as possible before the group can act again.

The video claiming responsibility shows three men in black ski masks and dark green jumpsuits reading a statement in front of a flag bearing the Greek letter Sigma, the symbol of Brazil’s integralist movement from the 1930s, inspired by European fascism. There was also an Imperial Flag of Brazil, the national symbol under Brazil’s former monarchy but not used since the 1800s.

The statement, read in a sound-altered voice, criticizes the comedy as “blasphemy” perpetrated by left-wing Marxists seeking to weaken and divide the country, and criticizes Netflix for airing the special.

Netflix did not respond to a request for comment about the video claiming responsibility for the attack.

The fact that this happened in Brazil provides no evidence that it could happen in a first world country, where it would have a much greater impact on entertainment culture. Violence in Brazil is like syphilis on a nigger – it’s exactly where you expected it to be.

Still, it does warm the heart to know that somewhere, this happened.

Obviously, you should not do things like this. But these sorts of happenings should be inevitable in any society that is not completely fragmented and sedated.

We are being forced through a cultural revolution in which the consensus values of faith, family and country are being replaced with anal sex and tattoos. Historically, paradigm shifts of such velocity could only be achieved with organized violence, because the people being subjected to them would lash out against them.

When the day of the masturbation machines finally comes, Netflix will have more than just this to answer for.

Their Gay Jesus special, at the very least, is honest on its face about what it is. It is a ritual humiliation of conquered Christian countries, meant to rub your nose in the fact that Christianity and no other religion can be mocked with impunity in Christian lands, and no one will do anything at all about it.

If you do not want to watch this, you will not be forced to – not yet, anyway – and anyone who does watch it knows in advance that it is about mocking Jesus, and wants to see it.

But this is not the first time Netflix has made a mockery of the things we cherish. It is for their acts of deceit, when they have wrapped up their infection in something that looked like it might have been sort of good, that they will be most severely punished.

I am referring, of course, to The Witcher.

This is Now an Article About The Witcher on Netflix

When Netflix released The Witcher, there was nothing in the trailer or description that suggested that it was actually about a strong, empowered white wahmen melting with bliss because she humped a queer looking nigger, and then nagging the alpha chad white male lead character to death for four hours of screentime because he failed to respect her wahmenly independence sufficiently.

I actually thought that it would be about the white guy killing monsters with swords and magic. You know – because of the hack-and-slash RPG series, also called The Witcher, which was about a white guy killing monsters with swords and magic.

Oh, how naive I was.

Of course, everything actually has to be about empowered white wahmen falling in love with niggers, ripping out their own uteruses in exchange for magical powers, and then sexually dominating tall, ripped, square-jawed Aryan monster-slayer protagonists, who are helplessly bewitched into crawling after the sloppy scraps of their nigger-wrecked goo.

Because of their strongness, and empowerment.

Also, the Jew is the metaphorical golden dragon. Or, the golden dragon was the metaphorical Jew. The rare, majestic pinnacle of intelligent life which must hide his true, perfect form beneath the unsuspecting facade of a short, effeminate, sly old man, and enlist the protection of Black Panther-looking niggerbitches against mobs of evil white men who have driven his kind to the brink of extinction out of blind, hateful ignorance and lust to steal his treasure, but who will bestow upon the goy good enough to defend him his highest reward – his wise advice.

A Jewess produced this, of course.

Also, any character can be a nigger.

Previously white characters can be niggers. Dwarves can be niggers. Elves can be niggers.

Elves can also be pajeets, rescue a helpless Aryan princess, and deliver her safely to the whiteish elves of the magical hidden forest who initially want to kill her as an intruder until she is spared by the elven queen, who, in her superior wisdom, is a nigger.

In addition, I would almost complain that the plot made no sense. Three different story arcs, happening decades apart, were narrated simultaneously and it only became apparent that they were sequential, and not simultaneous, around five hours in. So, the biggest plot twist was actually just that they narrated the story in an intentionally confusing manner. The characters were one-dimensional and their decisions did not seem to advance their own goals.

Still, I did not expect or want a good story. I wanted to see a hack-and-slash video game series made into a hack-and-slash television series. Where violence was offered, it was not exceptional or even above average. The monsters were just gross and not really terrifying. The fights were flashy, disjointed movements with a camera jump rate that would make you think that Paul Joseph Watson did the video editing, and the human fight scenes in particular had the sort of static, turn-based feel of a 1980s kung fu movie.

Even this could have been satisfying in a campy sort of way if they had served up a lot of it, but there was actually not that much violence, certainly not enough to live up to the title. The epic final battle was literally just a bunch of skank witches waving their hands around and launching cheap special effects with the liberated power of their rancid vaginas.

On a minute-per-minute basis, The Witcher was mostly just a drama about people talking. It is all build-up, and no release. At the end, it leaves you not only with a feeling of twisted disgust in your stomach, but it mentally transports you to a nightmare world where petulant skanks who would rightfully be raped into silence escape this justice because they have magical superpowers from cutting out their uteruses, and so leave you with giant blue balls of incel rage, forever just out of reach of their cock-slappable faces.

And this is exactly how the Jewess who created this series wanted you to feel.

If gamers do not rise up against this abuse, all of our childhood video games will be repackaged as out-of-control skanks and super-niggers humping and complaining, forever.

I’m sure a brown woman will be totally believable playing a cute, 14-year-old Polish girl.

What’s the point of replacing Jew TV with internet streaming if companies like Netflix are even worse?

It was entirely predictable, if still breathtaking in its chutzpah, that Netflix was going to poz up their new adaptation of The Witcher series. People loved The Witcher because it was a genuine expression of traditional European culture – so of course Jews have to get their dirty little hands on it and taint it with their filth.

Fucking degenerates.

Comic Book:

A recently surfaced casting ad reveals that The Witcher Netflix series may be taking some creative freedom with one of the series’ star characters, Ciri.

According to a confidential National Youth Theatre ad listing, Netflix is looking “for a 16 or 15 year old BAME (black, Asian, minority ethnic) girl who can play down to 13/14.” The listing adds that the applicant must be under 18.

By the way, this is the production team for The Witcher show:

Women, cucks and brown people. Wonderful.

What’s noteworthy about this is that Netflix and co. are looking for a nonwhite actress. As you may know, in the source material, Andrzej Sapkowski’s book series, Ciri is depicted as racially white.

Obviously.

And quite the qt3.14, too.

The entire setting in The Witcher is inspired by medieval Polish history. Putting some brown people in there is going to ruin the entire feel of the thing, which is sure to turn off both fans and new viewers.

The listing continues, defining the character as resilient, relentless, brazen, and growing, and providing the following blurb about her background and involvement in the series’ plot:

“CIRI can often be found rough-housing with the Palace hands instead of sitting in finery at the knee of the QUEEN CALANTHE, her grandmother. That is, until Cintra is massacred by the Nilfgaardians and CIRI is orphaned, left to traverse THE CONTINENT, alone. She doesn’t know it yet, but she’s a direct descendent of LARA DORREN, an Elven Mage – which is why everyone in our series is after her. We follow CIRI as she evades her captors, and in the meantime, discovers her magical talents, her dark side, and the role she is to play in the coming apocalypse. We are looking for an extraordinary young talent to lead this series. She should be brave hearted and MUST have something truly special about her.”

Yes, Ciri, a princess with Elven blood, is going to be played by a nigger or a gook.

Have you ever heard of a monkey-faced elf? That’s a rhetorical question.

With the series poised to begin shooting next month, we should be finding out soon who Netflix has casted for the leading role. Earlier this week, it revealed that Henry Cavill of Superman fame has been cast as the series’ protagonist, Geralt of Rivia. It will be interesting to see if Netflix opts for another recognizable face for its secondary lead role, or goes for more of an unknown quantity.

At least they chose an actual White man for Geralt.

That’s actually a coherent pick there. I can believe it.

Some SJWs were actually suggesting he should be played by a nigger, too.

Smdh.

Frankly, I don’t think I can handle watching the show if Ciri is played by some ugly brown skank. I mean, even without that, the people behind this Netflix series would probably jam in as much gay and tranny stuff in there as they could, so it’ll certainly suck either way.

But wow, a brown Ciri.

I’m gonna need a stiff drink.

Jack, my old friend.

This game was announced six years ago, but it appears it may be finally released sometime late 2018 or early 2019.

It looks pretty good.

PC Gamer:

Cyberpunk 2077 was announced all the way back in 2012, but with The Witcher 3, its expansions, and Gwent at the top of the order during most of the time between now and then, we’ve only heard scraps about CD Projekt RED’s next open world RPG. All combined, though, the past five years of interview snippets and trailers paint Cyberpunk 2077 as a behemoth of a game, even bigger that The Witcher 3 and with possible multiplayer features on top of hundreds of hours of single-player roleplaying.

Now that The Witcher 3’s last expansion, the great Blood and Wine, has been out for over a year, we expect to start hearing and seeing more about Cyberpunk. Until then, here’s everything we know so far.

CD Projekt has mostly stuck with the “when it’s done” line, but we know that it plans to release Cyberpunk 2077 between 2017 and 2021, along with another, still unannounced RPG. We’ve been hearing about Cyberpunk since 2012, so the expectation is that it’ll be the first of the two to release. Our guess, then, is that Cyberpunk 2077 will release in late 2018 or early 2019.

Back in September 2016, we learned that CD Projekt applied for grants which suggest Cyberpunk 2077 could feature a “huge living city” and “seamless multiplayer.”

That’s backed up by this story from 2015, in which we learn that Cyberpunk 2077 will be “far bigger than anything else that CD Projekt Red has done before,” including The Witcher 3. So, if we take CD Projekt RED at its word, Cyberpunk 2077 will be exceptionally large and, hopefully, full of sidequests.

They’re also saying that they want to implement some kind of multiplayer. I’m not sure if it’s going to be like the cooperative multiplayer in the Borderlands series or more like the Halo arena PvP multiplayer, but they have assured us they’re going to tell the corrupt Jews to go fuck themselves by not implementing microtransactions.

.@PrettyBadTweets Worry not. When thinking CP2077, think nothing less than TW3 — huge single player, open world, story-driven RPG. No hidden catch, you get what you pay for — no bullshit, just honest gaming like with Wild Hunt. We leave greed to others.

— CD PROJEKT RED (@CDPROJEKTRED) November 19, 2017

While I’m skeptical of any game company saying they won’t implement microtransactions since Overkill studios swore they wouldn’t put in paid DLC/microtransactions, then proceeded to make all the content of the game cost a total of several hundred dollars AFTER the purchase of the base game, I think these guys might follow through on that.

They have a track record of making good games and DLC that are actually worth the money. The Witcher is probably one of the best RPGs since Morrowind.

Since I’m rather fond of futuristic games and RPG games, I’ll likely get this and write a review on it when it’s released.

Lead writer for Netflix’s The Witcher series. Yes, her name echos.

Being a creation of BASED Poles based on their own traditional fables, The Witcher vidya series is one of the single pieces of mainstream culture that isn’t a kikeed-out Jewfest.

Strong White male hero, hot chicks, violence – it is everything that Gamergate fought to preserve.

It was recently announced that the series would be adapted for TV.

As I previously reported, IGN was hoping that The White Wolf, Geralt of Rivia, would be played by a Wakandan.

Since then, I’ve been lurking on /tv/ checking if  new information regarding the series has come out.

Apparently Netflix wants this to be their next big thing and supposedly wants it to be the next Game of Thrones. As such, they are pissing money into the project.

The good news here is that if they want to make a lot of shekels, they might not make the lead roles non-White. Maybe.

It’s also speculated that the series will not draw from the books as a major source, but instead the games and “original” ideas.

The bad news is the lead writer in the above picture is a female Jew and the director is Neill Blomkamp, the the South African ultra-cuck behind the leftist propaganda films Elysium and District 9. One one of those is about Whites have built an advanced space society with advanced medical technology while non-Whites were stuck on Earth living in ghettos. The other a giant metaphor for South African apartheid – of course the oppressed aliens were the good guys.

The Media File:

A little background information first before I jump into all the propaganda points. Elysium takes place in the “far” future of 2154. However the director, Neill Blomkamp, says “This isn’t science fiction. This is today. This is now.” The world is divided into two classes of people. The people on Earth who are suffering and working hard to make a living. And then there are the people on Elysium. Elysium is an incredibly large space station which for all intents and purposes isn’t a space station. It has its own atmosphere, gravity and full habitation complete with homes, grass yards, trees, etc. Elysium houses the ultra-wealth who controls major corporations and lives a life with “no poverty, no war, no sickness.”

The main villain is Elysium’s Secretary of Defense, Jessica Delacourt played by Jodie Foster. She vigilantly defends Elysium from illegal immigrants. Immigrants whom are trying to go to Elysium to use their advance medical devices called Med Pods that can cure cancer on the spot. No, I am not making this up. Delacourt also uses some very questionable and mentally unstable agents on Earth led by a man called Kruger (played by Sharlto Copley) to shoot down these illegal immigrant ships.

One of the beginning scenes features, Delacourt defends Elysium from a group of immigrants. And by defend, I mean, by killing the immigrants. Delacourt represents the natural progression of the Republican’s immigration policies. From self deportation, building a giant wall at the border, and a mandatory verification for jobs, Blomkamp uses Delacourt to illustrate what will eventually happen if Republicans get their way in immigration policy. Obviously, this differs from the Democrat’s view of converting them into citizens. This becomes even more apparent when Max to literally make everyone a citizen of Elysium.

Delacourt and President Patel argue about Delacourt’s methods. Patel might not represent Obama specifically, but Patel does imply a minority (at least in America). Additionally, Delacourt’s reaction is to rig the system to become the next president. This mimics the recent arguments of Democrats against the new Voter ID laws, recently enacted to prevent the rare voter fraud. Democrat’s complaints: the new Voter ID laws unfairly discriminates against minorities which helped them win the past two presidential elections.

It goes on.

Even if they don’t make the leading roles some kind of diversity pick, there will certainly be an endless amount of poz. My best guess will be that they will somehow turn the sorceresses – a group of super-cunts with magic who try to play politics – into even bigger strong independent woman super-cunts. They will also probably be well respected as strong independent women with great insight.

In the games (I haven’t read the books yet) this is not the case at all. They are either distrusted or outright hated by pretty much everyone, and kings only keep them around because they have a habit of throwing temper tantrums and nuking everything with fireballs from the sky.

Obviously, most nobles and kings prefer to have male sorcerers as advisers and will cut out or kill the witches whenever possible.

I also think they will likely make the Scoia’tael (Elven and Dwarven guerrillas trying to reclaim their racial homelands from Human colonists) into an analogy for Syrian refugees from Somalia and DACA babies. Of course, being the true hero of the oppressed, Geralt would help them at every turn.

That’s just a prediction however, I might be wrong. But even if I am wrong with how they do it, I doubt I am wrong in saying this will be a massive poz-fest killing yet another piece of European culture.

A feel which hasn’t been felt since the Bloody Baron quest.

IGN has released a list of 15 actors who they want to see play Geralt of Rivia in the new Netflix series “The Witcher.” The first actor they pick is some dindu which was on “The Wire.”

They also picked either a Jap or a happa and another dindu.

IGN:

The Witcher’s Geralt of Rivia is one of the most iconic characters in all of games, so whoever is chosen to carry the mantle of the legendary White Wolf in the upcoming Netflix series will have plenty of expectations to live up to. Thankfully, Netflix has a proven track record when it comes to investing in big-budget productions like Daredevil and Altered Carbon, which is a good sign for fans of The Witcher, since the series will undoubtedly need a large budget to achieve the same scope that the novels and video games have already established.

In anticipation of Netflix’s journey into the expansive world that author Andrzej Sapkowski created, we’ve compiled a diverse list of 15 actors we think capable of portraying Geralt. The White Wolf may have Polish roots, but we still don’t know what direction the story will follow, so we wanted our dream casting call to include more than one ethnic group. There’s also still no word on when in Geralt’s life the series will take place, so we made sure to consider some younger actors who could rise to the challenge if called upon.

These kikes are trying to remove any trace of White heroes in the eyes of the normies. Not only will they butcher a great game series by letting these Hollywood perverts touch it, but they are more than likely going to make the White Wolf some kind of monkey.

Worse, the games are based on Polish folklore and history. If they really need to make another terrible TV adaption of a good game (they really don’t) the actor should be Polish or at least Slavic.

These Jews need to leave my vidya alone already. The Jew-boxes were bad enough, now the normies are going to think of this ape’s ugly mug anytime someone mentions The Witcher.

WE WUZ GERALT.