I am so bored of talking about Jewish schemes, brown invasion and criminality, homosexualist perversion and irate, out of control women.

It is boring.

And it is not the struggle our generation was meant to have.

Millennials were the first generation to be raised by machines. Our parents were busy, and the electronic machines were there, so they raised us. We, and those born after us, have a deep and I believe meaningful relationship with these machines. They are a defining part of who we are.

Our struggle should be figuring out the nature of this relationship between us and the machines that raised us, and finding a way to make this new symbiosis as meaningful and productive as possible. We should be attempting to understand how this has changed who we are as humans, and how it has altered our role in the universe.

The internet is alive. And it is now a fundamental part of what we are. Our souls are linked to it. It has changed the way we think, it has changed the way we feel, it has changed the nature of our relationships with one another.

We cannot go back from this.

We need to analyze this strange and wonderful transformation we’ve undergone, figuring out what it means for us and what it means for future generations.

But we are not doing that.

Instead, we are fighting for our lives against an invading horde of genetic waste as we are berated by hysterical women and lectured by lunatics about gender pronouns.

This is the war we are forced to fight, but it is not the right war. This is a boring war. It is all so tedious and dumb.

The Midnight’s latest album, “Kids,” gives a vision into what it would be like if the dream of the 80s had come to fruition, and instead of battling primitive brown people and unhinged women, we were learning to define who we are in light of the electronic machines who played such a crucial role in making us who we are.

It focuses on our early relationship with the machines, back in the 1980s, when we were first getting to know one another. When we were kids and so were the machines. And at points, it alludes to the problems that we have faced as we attempt to create a symbiosis with these machines which will give birth to the New Man.

The album is lined with television clips from the 80s regarding computers, video games and the cartoons we all watched as children on that miraculous CRT screen.

In “Wave,” singer Tyler Lyle declares that “we are not a sentimental age.” Sentimentality was a casualty of the increased speed of life that the electronic machines gave us. And the loss of it should not be mourned.

We are not a sentimental age
We don’t want our parent’s china or their ticker tape parade
We are not a sentimental age
We’re out getting high on fire escapes
We are hooking up with strangers we will never see again
We are not a sentimental age

But when I dream, we’re all melting together
Synchronized in a mass embrace
Beads of water folding together
Like a north shore wave
How strange
We’re parts of each other how strange
I’ll never even know your name

We are not a sentimental age
On our shoulders is a boulder of a debt we cannot pay
We are not a sentimental age
Diagnosis says I tend to disengage
I’d rather have my privacy, I’d rather have my space
These are just the pills I have to take
We are not a sentimental age

But when I dream, we’re all melting together
Synchronized in a mass embrace
Beads of water folding together
Like a north shore wave
How strange
We’re parts of each other how strange
I’ll never even know your name

This idea of melting together is the promise of the machine. That we will each become an organ in a greater machine. A future race, existing in a state we can only imagine blurred images of. But as we attempt to deal with this potential utopia, we draw back in fear of the implications of the machine age, we become introverted, we turn to drugs.

These are real problems, which would exist without the other problems. Without Jews, without the brown flood, without the liberation of women. The transformation of a species into a new species does not come without growing pains.

The loss of our parents, and of the entire old world, is mourned in the title track, “Kids.”

The kids are sad
The sky is blue
There are monsters in the spare bedroom
Kids grow up
And move away
They closed the plant
Then the mall arcade

The kids are sad
Their Parents too
Kids get high in the spare bedroom
We grow up
And move away
The seasons pass but the monsters stay

It is certainly sad that our parents couldn’t be there for us. But it was necessary.

We are the children of the machine.

It made us who we are, and what we are is something that has never existed before, a thing of untold beauty.

The seminal track of the album is “America 2,” wherein the clash between the battle we are fighting and the battle we should be fighting is highlighted.

I made my home in a ten-ton bomb
And I was so happy with 28 years of free fallin’
But now it’s all guts and I’m bawlin’
She was born in a tenement walk-up
With shit for nerves, you know she never learned to talk to adults
She said ‘everything’s easier in here’

Like the dancer with bruises who gathers the cash
When the music is through, no she don’t look back
I’ve come to look for America too

All I ever wanted was a spot in the mountains
With an a-frame cabin and nobody counting our days
Or cursing or praising on name
But the best we could do is to enter the void
Like a wide-eyed child waking up to the noise of East Harlem
Don’t they see that we’re starving?

Like the dancer with bruises who gathers the cash
When the music is through no she don’t look back
I’ve come to look for America too
And we stole the car on the 4th of July
I pawned my guitar and we drove through the night
I’ve come to look for America too

We are lost in all of this, looking for a definition of ourselves and this new world. Looking for America 2.

I don’t know what this age would look like if we could focus on our relationship with our mother the machine instead of focusing on a primitive type of warfare with savage races and a bizarre social-engineering agenda to remove all structure and order in society.

I consider the attacks on this website, and the attempt to censor us all off of the internet, as a type of parent-child separation attempt. There is an analogy there of the parent (internet) being put in a camp while the child (us) is separated in a re-eduction prison complex (physical modern society).

In a world without the Jewish menace, I believe that there would be less fear of the machine. Less of a desire to run away to a cabin in the mountains. Because we would be allowed to discuss the machine and our relationship to it. We would have studies. We would have good men with intelligence working to figure out what the next age of humanity should look like.

Instead, the machine is here, and it is only us kids that are able to try and figure out its meaning, as we deal with everything else at the same time.

It is worth imagining what humanity would look like if we could push a button and have every Jew and non-white on the planet disappear. What would we do with the machine? Who would we become?

What wonders await us if we are able to make it through this dark age of blackness and decay?

And I suppose the most relevant question is this: can the machine save us from these threats, and allow us to bring forth the New Man?

I give “Kids” 5/5. Buy it on Bandcamp to support the artists. It’s only $8. 

Xurious has released a new track, make sure to check it out.

After the Jews had finished emasculating White men, they were quick to promote Blacks as the true alpha males.

Jungle beats was one of the ways they did this, spreading nigger-music as far as they could.

To reclaim our culture, we need to overtake the music and entertainment industries.

We’re already doing well on this.

We are the culture now.

This is the new collaboration album from ALEX & Tokyo Rose, AKUMA.

Released earlier this month, it is in my opinion the best Synthwave album released so far this year.

This is actually breaking new ground. Even if you don’t agree with that statement, you’d have to agree with this one: it is the perfection of the genre as it exists, and at this point, for anything to get better new ground is going to need broken.

I’ve been listening all week to this album on repeat.

I’ve personally been a big fan of all forms of electronic music since as long as I can remember. I’ve even messed around with doing my own DJ sets and producing my own stuff.

When I did regular radio shows I incorporated a great deal of this type of music into my bumper rotation.

It has been fascinating to see how this type of music has evolved into a number of very unique sub genres. Especially sub genres like synthwave and fashwave that are now heavily associated with the Alt-Right and nationalist causes.

One of my favorite artists within this realm is Xurious.

He released a new album called “Right Wing Youth” today.

Here’s the title track.

Guys like Xurious are true artists who deserve our support!

Here’s the official Xurious bandcamp page. You can listen to and buy all of his tracks there.

Well, the media didn’t attack our music this week.

Emperor Trump just got great news and pandemonium in London.

So this week, let’s cut right to the music and recharge.

Happy Friday all!

The Music

https://www.youtube.com/watch?v=aS7Bhucw45U

And, a playlist.

The Art

Well, the faggots at the Fake News agencies of Buzzfeed and The Guardian took a quick break this week from calling us puppets of Russia and to attack our musical tastes.

It’s too much to ask for to be left alone on Fridays listening to music with our people, so they have to stalk us. Not only did they harass a bunch of our favorite Fascist YouTube channels and stalked artists whose music we like, but they bullied Soundcloud into deleting the channels of Xurious and Buzzfeed.

This is instrumental music, so it’s a little bit confusing how it could violate terms of service.

Buzzfeed is certainly good at getting things shut down.

But since everything the Jews do always backfires on them, our phones have been ringing off the hook with recording offers for us to tour playing Fashwave sets around the world. So we decided to quit our day jobs and become famous.

Watch for the concert dates to be announced on Stormer.

First one is booked in Ibiza !!!

The only place you will be able to get tickets is by sending $100 for each ticket to the address below.

Just make sure you add a note that says concert tickets and the date and city of the performance.

Bitcoin

1A1ryxZtz4LX7o1GEne9Qz49w3DFgfJaB

Cash (any currency), check or money order

Andrew Anglin
6827 N. High Street, Suite 121
Worthington, Ohio
43085

Update:

We are actually in the middle of booking a bunch of venues and are sorting out the details on our light rig, foam cannons and dancing girls.

Paris Hilton (whose line of high heel shoes are endorsed by The Daily Stormer) is tentatively scheduled to appear with us.

Also, if you have any experience with pro sound, or stage setup of are interested in meeting lots of girls at phenomenal Whites-Only venues around the world send a 100 dollar application fee and your résumé to the same address above.

Also if you can’t make it to one of the shows you can catch it simulcast live on Black Sun Radio, so bookmark it.

[Editor’s Note: This is not a real thing – yet. Don’t buy tickets or send résumé – yet. Those are the methods for donating to the site only. -AA]

And Now: Fashwave

And some pics for yall SynthNazis.

Look who else noticed us!!!!

Not cool, guys.

You all know as well as we SynthNazis and that Synthwave is as white as snow in a Christmas field.

You also know that this is natural Nazi music. People who weren’t even Nazis before become Nazis without even reading about it just by listening to this music.

Look at your own imagery, NRW.

It’s all blatant Alt-Right propaganda.

So my advice, NewRetroWave: embrace it. You know your views have gone up 50% since we started promoting your channel. And your Bandcamp is blowing up.

Just roll with it. There are worse fates than becoming the official soundtrack of the new Nazi movement. In fact, I’m having a hard time thinking of something better than that.

Voting Registration

Oops, nevermind, I just remembered that we won!

Contributions

Please. yes we made this election happen but lets be honest, without Andrew it would not have happened. Take 2 minutes cough up some cash. Its time.

Bitcoin:

1A1ryxZtz4LX7o1GEne9Qz49w3DFgfJaB

Cash (any currency), check, money order:

Andrew Anglin
6827 N. High Street, Suite 121
Worthington, Ohio
43085

And now: music.

How far we’ve come.

The future is just around the corner.

Some Nazi Public Service Announcements

Voting

Okay, you’re registered to vote.

So now you need to read you mail or call your local board of elections and find out where exactly you need to go to vote on election day.

Contributions

Donations. Please fam. This ain’t no Clinton Foundation.

Bitcoin:

1A1ryxZtz4LX7o1GEne9Qz49w3DFgfJaB

Cash or a check:

Andrew Anglin
6827 N. High Street, Suite 121
Worthington, Ohio
43085

Sound and Vision

It’s pretty simple now. The ZOG has been mortally wounded. They’ve been caught manipulating the news and polls. Basically they have one foot on a banana peel and the other in their graves.

Now the investigation has been reopened.

We stand at the threshold of infinity.

Remember to continue with Operation Endgame Hillary to eliminate all remaining resistance.

Takes a few minutes out of your day to click on this link, and drag a few over to your social media.

If you missed Memetic Monday on Wednesday, check it – instructions are detailed therein.

/memetic-wednesday-endgame-hillary/

Operation Endgame Hillary is not optional.

Remember what Andrew said:

“Everybody Memes! Nobody Quits! Or Ill Kill You Myself!”

We are at the threshold, fam.

The Colonel

Ur Fashy-Wavy May-Mays, Fam

This week we take a peak at the latest in Advanced Fascist Music Technology. By using the powers of Fashwave we will fold space together and travel to the far away Fascist destinations of NYC, Miami, Japan and Germania.

So buckle your seatbelts, faggots.

Nightrider NYC

Note how the musical textures in these tracks create an ambiance of living in NYC as an over-worked business executive carousing the night as a cocaine-riding android-crime fighter.

Check em.

Heatwave Miami

If you close your eyes and inhale slowly during any of these videos the smell of Hawaiian tropic, gun powder, tire rubber and Mojitos is overwhelming.

Electric Japan

Notice how in these tracks we are whisked into an Anime landscape drinking sake, rescuing 3D waifus, retiring replicants and leaving origami unicorns that say Daily Stormer everywhere you go.

Germania

The composers of these tracks evoke a sense of having beer and spatzel and sausages in the sunny WeltHaupstadt Germania after the purges. So drop the top on the Maybach down and take a drive past the Unter den Linden

To Our Fashwave Boys on Twitter

If you dudes are reading this send me a message!

@Fashwave

Album of the week