Fox News is getting a little bit edgier (probably because of Tucker Carlson). They were trying to go leftist after the election, now they’re getting harder core.

Of course, the edgiest people have to themselves be diverse.

Look, I’m not even against a half-Japanese guy being considered “American.” He looks basically white. I don’t think he should be deported to Japan.

What I am against is the fact that white people aren’t allowed to say this stuff, and instead we have to bring in some mixed race person and hide behind that. It’s a chronic problem.

We have the moral high ground and don’t need moral authority from half Asians.

Fox News:

Actor Dean Cain spoke out against the “woke-ism” raging through America in an interview on “Fox & Friends” Monday. The “Superman” actor responded to Marvel’s recent decision to politicize Captain America, saying he’s tired of “anti-Americanism.”

Marvel is facing backlash for its latest comic, “The United States of Captain America,” which says the American dream isn’t real.

Issue 1 of the new comic states: “…The first American dream is the one that isn’t real. It’s one some people expect to just be handed to them… When the truth is, it never really existed in the first place… other cultures. Immigrants… We’re at our best when we keep no one out. A good dream is shared. Shared radically. Shared with everyone. When something isn’t shared, it can become the American lie.”

The former “Superman” TV star said it appears the “cool, the fashionable thing to do is to bash America and to hate America.”

“I am on the exact opposite side of the fence. I love this country. It’s not perfect. We are constantly striving for a more perfect union, as we all know. But I believe she’s the most fair, equitable country ever with more opportunity than anyone’s ever seen. And that’s why people are clamoring to get here from all over the globe,” he added.

Cain said wokeness is becoming pervasive, affecting the media, actors, and celebrities and indoctrinating children in schools.

Are Asian genes just totally recessive?

Guy really doesn’t look half Japanese.

I think there is a difference when the dad is Asian and the mom is white, instead of the other way, which is the reverse.

Keanu Reeves has a Chinese father and white mother.

So maybe it’s just that an Asian man has to be really high-quality to be able to seduce a white woman with his small penis, whereas any old slope skank is down to love you long time so big penis white man?

Master Chief has got me on the Good News beat.

And have I got some good news for you…!

去年、富山市内の用水路で倒れていた高齢の男性に気付き、救助につなげたとして警察から表彰された猫が、春の全国交通安全運動に合わせて一日警察署長に任命されました。https://t.co/VLGh1UgDE3#nhk_video pic.twitter.com/IpPo3PEgid

— NHKニュース (@nhk_news) April 14, 2021

You know that saying that all cops are bastards?

Well, I found the exception that confirms the rule.

Sputnik News:

Last year, Koko’s owner noticed that was staring suspiciously at a ditch – it turned out an elderly man was lying in it, out cold. Fortunately, rescuers arrived in time and saved the OAP, all thanks to the cat.

If it were a black cat, it would’ve just stolen his wallet and left.

The police department in Japan’s Toyama city appointed a cat named Koko as police chief for a day, NHK reported on 13 April. The honour was bestowed on Koko for his bravery after he helped save an elderly man.

During the ceremony to appoint Koko as the boss, he was sporting his own police uniform, including a peaked hat, which fitted puuurrrfectly. The cat then left his paw print on a certificate to declare his commitment to fighting crime in the area.

Despite only assuming the position for the day, Koko had time to teach some kids about traffic safety at the local school. His owner then answered students’ questions after the class.

Koko looked like he was feeline great about his new role and was obviously happy to fuurrrther his career with the police force.

Oh now that’s just too much, Russky.

But yeah – feelgood story of the week.

I wish we had cat cops in America instead of murderous female cops.

He was 95 years old. How do these Jews live so long, while remaining weak and sickly the whole time?

I’ve been sick and tired of Jew Hollywood’s constant stream of shitty superhero movies – they’re pumping out like, 3 of these every year now. And they’re almost all awful.

If there’s one person that can be blamed for this debacle, over almost anyone else, it’s Stan Lee of Marvel comics.

A Jew, of course.

He’s the one who created most of these characters. Some have gotten good stories over the years, but that’s mostly down to gentile writers doing their own spin on things.

And obviously, the original stories he created in the sixties were nowhere near as kiked as what Disney is putting out in these horrible films – just to be fair to the man, these were white characters doing heroic white things.

But his career’s constant is to put a Jewish twist on the superhero genre, and sell that to young goyim.

Washington Post:

Stan Lee, a writer and editor often credited with helping American comics grow up by redefining the notion of a superhero, including the self-doubting Spider-Man, the bickering Fantastic Four, the swaggering Iron Man and the raging Incredible Hulk, died Nov. 12 at a hospital in Los Angeles. He was 95.

“Redefining.”

Jews are always out there “deconstructing” and “redefining” things, aren’t they? Also: “subverting our expectations.”

What’s wrong with our expectations, kikes? Why do they all need to be subverted?

An attorney for Mr. Lee’s daughter confirmed the death in a statement. The cause was not immediately available.

Mr. Lee’s name became synonymous with the company that would become Marvel Comics, which he joined as a teenage assistant and stayed with for much of his adult life.

After toiling in comics for 20 years as a self-described hack, on the verge of quitting the business, he was ordered by his boss to emulate a line of superheroes done by rival DC Comics. Mr. Lee’s full-color, morally complex heroes helped foster a revival in a largely moribund profession.

Comics had entered a dark age after Senate hearings in the early 1950s that condemned the trade for contributing to juvenile delinquency. What followed was a comics code to monitor standards and ban content deemed immoral and unsuitable for children.

Enforcing morals and protecting children?

Oy vey!

Can’t have that, now, can we?

In the ’60s, Mr. Lee took a distinctly new approach to characters and setting, as well as to the very interaction with readers who had grown used to comics that were aimed solely at a younger audience and that featured flawless, square-jawed heroes who had uncomplicated morals.

In other words, heroes that were actual heroes and represented good role models for the youth. That just wasn’t interesting enough for Jews.

Michael Chabon, the Pulitzer Prize-winning author of the comic-book-themed novel “The Amazing Adventures of Kavalier and Clay,” said in an interview that Mr. Lee’s best-known characters were “vain, pompous, conceited. . . . Everything that works in comic books today is indebted to him for that.”

“There’s no question that Stan and the innovations he came up with saved the comic book and the superhero,” Tom Brevoort, Marvel’s senior vice president of publishing, told The Washington Post in 2011. “By crafting characters with feet of clay and personal problems — and not writing down to an audience that was perceived to be primarily 8-year-olds — Stan opened the doorway for more sophisticated and interesting treatments of any subject matter in comics. He made comics interesting and rel­evant and fun again.”

Lee told The Post in 2012: “All of our characters were freaks in their own way. The greatest example was with X-Men — they were hated because they were different. The idea I had, the underlying theme, was that just because somebody is different doesn’t make them better. . . . That seems to be the worst thing in human nature.”

X-Men was always as Jewish as it gets.

The adventures of Super-Jewess.

The whole X-Men story is basically how a persecuted minority saves an ungrateful majority and are actually more noble and selfless than anyone else.

They’re a Jew self-insert into goyim society, who are the filthy non-mutants in the story.

The traditional European hero is a strong, willful man fighting for his people and for glory. Our heroes are kings, demigods, saints, conquerors – or some mix of these. Not persecuted minorities living among foreigners.

Just look at Lord of the Rings. All of the heroes in that book are nobles – even Frodo is from an aristocratic family among the Hobbits. The other Hobbits are basically his squires.

These modern superheroes are a totally Jewish concept, and they push Jewish themes and morals. Yes, of course some gentiles have produced quality work using the same characters over the years. But the Jewish influence over the medium has been one of moral degradation.

The ideal role-model for little girls: arrogant, annoying super-skanks.

Feminists are constantly on the lookout for new ways to be even more insufferable than they already are. But their biggest obstacle is that girls are naturally sheepish and submissive – it takes a lot of social conditioning to get little girls into the bossy feminist mold.

But doing so is vitally important – if men actually have the option of interacting with modest, pleasant women, none of us are going to tolerate the feminist’s bitch behavior.

Thankfully, the Jews have just the thing to guide young girls towards acting as annoying as possible.

The Mary Sue:

A new study confirms a deeply held belief by all of us here at The Mary Sue: that female superheroes give young girls more confidence and inspire them to be leaders. The study, “Superpowering Girls,” was conducted by the Women’s Media Center with support from the BBC, surveyed 2,431 participants (male and female) focusing on the age ranges of 5-9 and 10-19.

Of course, no one asks the obvious question: do we want girls to be “confident” and “leaders?”

Because the obvious answer is no.

Even in the current year, most women don’t want a female boss.

The study shows a clear confidence gap between the genders: 70% of girls 15-19 identify themselves as “confident” compared to 81% of boys in the same age range. When it comes to identifying as “brave”, only 69% of girls identified as such, compared to 82% of boys. And, perhaps the most upsetting, 57% of girls said they feel “not listened to” compared to only 38% of boys.

Unsurprisingly, this is a retard-tier study, in which they measure how these children feel instead of measuring objective reality. I’d be much more interested in knowing whether these kids are actually brave or confident, rather than knowing if they feel like they’re brave or confident.

The study authors should have given these kids a knife and told them to do a caged death match with a rabid pitbull if they want a free PS4, and measured how many had the balls to do it.

That’s science.

Frankly, even this would be mild compared with what the Spartans had their boys go through to prove their manhood.

The point is, realistically, no 8-year-old girl is actually going to be brave. So them saying they “feel” brave just means they’re delusional.

But where do superheroes fit into all this? According to the study, the top role models for girls ages 5-9 are parents and family members, with female sci-fi/superheroes coming in third. Wonder Woman ranks as the favorite hero for girls of all ages, with girls 5-9 listing Supergirl as their second favorite.

For boys, it’s Batman, followed by Spider-man. Black Panther was number 2 among African American kids of all ages. And despite the pop culture proliferation of superheroes, 2/3 of girls say that there are not enough strong, relatable female role models. And the lack of female role models doesn’t just affect girls. Boys have overwhelmingly said they want to see more female sci-fi/heroes, and 2 out of 3 boys say they enjoy watching female superheroes just as much as male ones.

Oh, there’s plenty of female superheroes.

Far too many, in fact.

The keyword here is “relatable.”

None of these characters are relatable because the idea of a woman doing dangerous things and fighting bad guys is absurd on its face.

In the early days, it was understood that these heroes were absurd and goofy, and it was done as fan-service – i.e. an excuse to draw women in skimpy outfits.

For the kids. 

Now, they’re making these new female superheroes into diesel-dykes who behave like the most overbearing cunts you’ve ever seen, while simultaneously being Mary Sues who can do no wrong.

No wonder girls can’t relate.

What’s most interesting is the impact that these female heroes have on girls. 9 out of 10 girls find sci-fi/superheroes to be positive role models, which the majority of girls thinking that female heroes are smarter and more powerful than their male counterparts. A whopping 70% consider female heroes to be smart, compared to only 42% of male heroes.

That’s no surprise, considering that most of these superheroes are written by feminists, soyboys and Jews these days. They make sure to write all the male characters as buffoonish incompetents, and all the female characters as wise and effective leaders.

Girls also said that female heroes made them feel “strong”, “brave”,”motivated”,”confident”,”inspired” and “positive” to an overwhelming degree. And these female heroes matter to girls in a big bad way: 58% strongly agree that female heroes “make them feel like they can achieve anything they put their mind to”, compared to 45% of boys when asked about male superhero impact. The numbers jump even higher for Girls of Color, with 63% finding female heroes empowering compared to 52% of Caucasian girls.

If you want your girls to have good role models, make them watch anime instead.

Best waifu.

Basically, pretty much all forms of entertainment directed at the youth these days is totally subversive. You have to go back to the 80s to find American cartoons which are more or less tolerable – but probably even earlier.

Letting girls watch superhero crap is a recipe for disaster.

Batwoman: fighting crime, when she gets time off from the carpet munching.

So I guess all the remaining white comic book characters are weird sex perverts now, and the stories are based around what types of things they like to stick in their orifices.

Wew.

I remember, when I was a kid, superheroes just kinda beat up villains and stuff. Time really does fly.

One Angry Gamer:

There’s going to be a new television series on the CW Network based around Batwoman. The show is scheduled to premiere during the 2019 line-up of new shows appearing on the network.

According to the IMDB news page, the show will be themed around Batwoman as an openly lesbian crime fighter who puts social justice at the top of her priorities. This isn’t hyperbole or opinion, this is literally part of the description.

Here’s the IMDB excerpt:

“Armed with a passion for social justice and a flair for speaking her mind, Kate Kane soars onto the streets of Gotham as Batwoman, an out lesbian and highly trained street fighter primed to snuff out the failing city’s criminal resurgence.

“But don’t call her a hero yet. In a city desperate for a savior, Kate must overcome her own demons before embracing the call to be Gotham’s symbol of hope.”

But what if my hope is that all perverts get thrown off rooftops?

Who’s gonna be the symbol for my hope, then?

What’s the point of throwing superheroes off rooftops? They’ll just land in that stupid knee pose anyway.

If lesbian social justice hasn’t been a strong enough theme around video games, cartoons, comic books, and movies lately, then CW is going to make sure you get your fill of it with the upcoming Batwoman television series.

Batwoman will also be part of the CW’s ever-expanding Arrowverse, which includes Arrow, The Flash, Supergirl and Black Lightning.

The IMDB page notes that Caroline Dries who helmed CW’s The Vampire Diaries will be at the helm, and will have help from fellow executive producers Greg Berlanti and Sarah Schechter.

As noted in the BBC news piece, Batwoman was re-introduced to the DC Comics universe as a lesbian under the Kate Kane run back in 2006. So far, her entire story-arc and character development centers around her lesbianism, as depicted in her outing in the cartoon movie Batman: Bad Blood back in 2016.

Yeah, the perverts being hired to write these stories aren’t content to make characters who “just so happen” to share their own mental illnesses, they have to make that the focus of the entire story. They have to cram the whole thing down the audience’s throat.

Just the idea of having women fighting is ridiculous to begin with, and was only swallowed because of the plot device of “superpowers.”

But Batwoman doesn’t even have superpowers – she’s just a normal girl. No, scratch that, she’s worse than a normal girl, she’s a lesbo.

I doubt the average lesbo could beat a 10 year old boy, let alone hardened criminals.

Having little girls fight can only work if it’s supposed to be goofy and funny.

This is inherently funny, because it takes the absurdity and runs with it.

But this feminist hero bullshit is taking itself very seriously. As such, it now mostly appeals to the mentally deranged, rather than normal White guys. Add to that the SJW narratives, and it’s no wonder that no one is interested in comics anymore.

Remember Captain Sweden, the high-heeled superhero who fought the patriarchy, promoted LGBTP rights and saved maidens from Moslem rapists (by letting the Moslems rape him instead)?

Remember that he was supposed to shame Swedes, rather than inspire them?

Yeah… that’s not how it works up north.

Breitbart:

The Swedish language version of the classic comic book hero ‘The Phantom’ has been mocked by a Polish broadcaster after an issue was released of the superhero beating up “Polish nationalists” with a gay pride flag.

The story occurs in the latest issue of Sweden’s Fantomen magazine which sees the Phantom, a popular superhero in Sweden who was created by United States comic book artists in 1936, attend a gay pride parade in Warsaw and attack “Polish nationalists” who protest the event, Aftonbladet reports.

Armed with a gay pride flag on a flagpole, the Phantom attacks the nationalists after declaring: “I have to act quickly before blood flows on the streets!”

Mikael Sol, editor of Fantomen, explained that the writer of the issue, Philip Madden, lives in Poland and based the story on trends he claimed to be going on inside the country.

“I thought it became a nice symbolism with the colourful flag, which stands for tolerance, against the colourless grey dressed villain who stands for intolerance. I understand clearly that the cover is controversial, but sometimes you have to feel comfortable and stand safe in your choice,” Sol said.

Sol said that he expected reactions to the issue and got one from Polish broadcaster Telewizja Republika whose English-language programme Poland Daily mocked the comic book in a video posted on Twitter.

Now that’s an interesting twist. While most of Fantomen’s staff are Eternal Swedes, the actual writer of the issue is none other than an Eternal Anglo.

Every. Single. Time.

That rubs me the wrong way, it does.

I mean, everyone knows that Sweden and the UK are competing for the title of “Europe’s Most Cucked Nation.” Whenever a Paki drives a van of peace though a crowd of Londoners, Sweden urges its Somalis to go a little wilder with the grenades. Whenever the UK bans another sharp weapon from the dinner table, Sweden forces more soldiers to piss sitting down.

The race really is tied at the moment, and an Englishman contributing to the Swedish side feels like cheating.

It’s not right, dammit.

Seriously though, it’s pretty sickening that the writer of the anti-Polish issue, Philip Madden, lives in Poland.

What sort of (white) person writes a comic about a superhero who attacks the people who were kind enough to let you live in their country?

Moreover, if Madden hates nationalism and “homophobia,” why is he living in one of the whitest and most traditional countries in Europe instead of his native England?

As usual, the motto for these hypocrites is “enrichment for thee, but not for me.”

It’s great that the Poles mocked this issue of Fantomen, but they should really kick its writer out of their country. Considering the destruction it has wrought upon Europe, Poland should have zero tolerance for his kind of politics – even if it is sugar-coated in comic book form.

Personally, I’m excited about the coming wave of KANGZ memes.

It’s one thing to lie about the Iran protests or Donald Trump. But the Jew media has reached an absurd new low in the fake news narratives they’re peddling.

The Washington Post has the audacity to claim that Americans are actually enthusiastic about the upcoming Black Panther superhero movie.

Even my dog’s BS meter just went off.

What’s next, WaPo? Are you going to start running stories about how Bernie can still win?

These Jews have abandoned all pretense of being a serious publication.

Washington Post:

There’s a Black Panther party going on all around the country.

Superhero fans, movie fans and especially connoisseurs of black culture — American and African — are all eagerly awaiting the debut of Marvel’s “Black Panther” movie starring comic book’s first black superhero with an enthusiasm not often seen in American cinema.

Yeah, there’s just one little problem with that assertion.

It’s completely false. And you can find out in about 10 seconds of googling.

Black Panther interest vs last Marvel movie, Thor.

Nobody cares about Black Panther as a character, and more importantly, nobody cares about niggers. So the odds that normal White people would have even a faint interest in seeing an Afro-centric propaganda piece masquerading as an action movie are astronomically low.

“Black Panther” viewing parties are already being scheduled around the country for its February release, smack dab in the middle of Black History Month. There are lines of clothing based on the movie’s African style being prepared — the bright colors and Afrofuturism styles of Wakanda are in for the spring. And Grammy-winning rapper Kendrick Lamar was just named to produce the soundtrack.

All these are just signs that Hollywood is really trying hard to push this crap, not indicators of organic interest in their stupid Kangz movie.

Also – Afrofuturism? Lol.

African past.

African present.

African future.

I’ve got your Afrofuturism right here:

Complete with a rocket ship made from logs and bat guano.

And people are already calling the yet-to-be seen movie one of the most important of 2018, despite the fact that the character that has only appeared once on the silver screen and until now, has not occupied the same pantheon as comic book stalwarts like Superman, Batman and Spiderman.

These kikes really want this movie to not be the flop it’s obviously destined to be. So they’re using this social engineering 101 technique saying “oh, yeah, everyone is excited about it, people are calling it the most important movie ever even though no-one’s seen it yet…”

We at the Daily Stormer try to avoid making predictions about the future. But I’ll take personal responsibility for this one: Black Panther is going to be a huge flop compared with all other recent superhero movies like Thor and Captain America (and DC movies for that matter).

Probably Blacks will go see it, I guess, and bugmen comic book diehards, but the mainstream public is going to skip it.

But for some fans, none of that matters because the Black Panther holds a unique position in the superhero world and especially in the African and black diaspora.

“As the father of two little black boys I’m super excited to have a superhero that looks like them on screen,” said Glen Greezy of New York City, who along with more than 900 of his friends on Facebook, plan to hit Times Square and see the movie together on opening weekend. “Other super heroes are great and I see their movies too, but something about having a black man as the main character in a superhero movie is extra appealing.”

And that’s exactly why it’ll flop. If having a Black hero is extra appealing to Blacks, then it’s extra unappealing to non-Blacks. And non-Blacks are over 85% of America.

Combine that with the fact that the movie doesn’t have any big name actors, that the director is a mostly unknown nigger, and that no one cares about the original comic book character, and you’ve got a recipe for a massive failure.

And that’s just in America – things only get worse when you start thinking about China and other foreign markets.

This random Chinese man was given the choice between watching Black Panther or getting kicked in the balls repeatedly. He made the right choice.

All of this is perfectly obvious. Hollywood knew all of this when they started making this movie. The goal was never to make a lot of money, but to create propaganda. So in this sense, it doesn’t matter if no-one sees the movie, as long as everyone thinks the movie is very popular. And that’s where fake news articles such as this one come in. They manufacture fake hype to create the perception that the movie is certain to be a hit, even though there’s absolutely no indication that this is so.

Don’t buy it.

Real Marvel characters are now all lesbian women and Blacks. Keeping the original cast is basically White supremacy.

When I watch Marvel movies, they appear to me to be positively dripping with disgusting SJW nonsense such as hardcore feminism, affirmative action casting decisions and anti-White plotlines.

However, for the well-thinking folks at the Washington Post, this isn’t nearly enough.

After all, the source for these movies, the comics themselves, are so far-gone from sanity that they make recent cinematic efforts look like they went through third Reich censors.

They must have cut the scene where female Thor makes out with Black captain America from the latest Thor movie.

The infamous bisexual gay rights columnist Zachary Zane writes for the Washington Post:

Queer youth have long been drawn to graphic novels and comic books. For them, it’s more than a form of entertainment. Comics tackle the feelings of shame and not fitting in — feelings that queer adolescents know all too well.

Joey Stern is a founding member of the group Geeks OUT, a group dedicated to “celebrate our shared geekiness and to focus and promote our own unique LGBT voice within that community.” He is also leading organizer of Flame Con — New York City’s first LGBTQ comic convention. Before launching Flame Con two years ago, Stern told Slate: “When I was a kid I developed a passion for reading, and I loved the philosophical debates in comics like X-Men. I loved the message that you can be different, and special, but conflicted about that. Comic books gave me a way to see that in myself.”

The very concept of a “hero” is to have a role model for what the ideal man should be: a fearless, strong warrior who slays the enemies of the tribe and brings back the loot.

Yet when a Jew pervert like Joey Stern is exposed to comic book characters, the only lessons he gets out of it are related to anal sex.

Well, that wouldn’t be surprising from modern comic books…

This speaks to why queer readers are drawn to comic books, but also why they have been frustrated with the lack of LGBTQ representation in Marvel’s cinematic universe. The 17-film franchise has yet to feature a non-heterosexual character.

Tessa Thompson’s Amazonian-esque character, Valkyrie, in “Thor: Ragnarok” was supposed to change that. Valkyrie is a member of an elite group of female warriors dedicated to defending the citizens of Thor’s home planet, Asgard. In an interview with Rolling Stone, Thompson pointed out that Valkyrie is bisexual, citing Valkyrie’s “Fearless Defenders” storyline, which included a romantic tryst with anthropologist Annabelle Riggs.

Thompson went so far as to pitch director Taika Waititi on depicting her character’s sexuality more visibly. Apparently, Thompson convinced Waititi to shoot a glimpse of a woman walking out of Valkyrie’s bedroom. Rolling Stone reported that the director eventually cut the scene because “it distracted from the scene’s vital exposition,” which feels like a flimsy excuse at best.

Yeah, I’m sure exposing a side character as a sexual deviant for absolutely no plot-related reason in the middle of another scene wouldn’t have hurt the narrative of the movie.

Man, these people are retarded.

The fact is that heroism is inherently inimical to being a homo – or being a woman for that matter. A hero is someone who climbs the hierarchy of men to reach the pinnacle of manhood through his brave deeds, and then gets women because of his high status and quality.

The most basic hero story of all is the man who kills the dragon, brings back the gold and gets the virgin as a reward for his accomplishment.

All this sex and moralizing just makes for crappier hero stories.

Is it any wonder that the entertainment media is struggling? You can’t make compelling media when you load everything up with so much POZ that the core ideas become obscured.

The reason why I never liked (((Marvel))) or (((DC Comics))) was because they always has trash heroes and poorly written stories. Especially after waking up to the problems facing our people, I have never found a reason to consume their media, seeing it as nothing but subversive propaganda with faggoty ‘role models.’

Is there anyone who still believes that these companies are focused on making money?

They’re literally and knowingly throwing money by the windows on stupid projects their own consumer research has indicated no one is interested in.

But Marvel knows better – it’s the customers who are wrong.

Also: TOP KEK at DC making a SJW Joker.