Well, is he wrong?

This, right here:

This is pretty stupid.

Breitbart:

HBO host Bill Maher is standing by his criticism of comic book legend Stan Lee’s legacy and is now saying the backlash over his comments about Lee prove his point that comic book culture is “stupid.”

Speaking to Larry King, Bill Maher spoke at great length about comics and Lee. The Real Time host said for a while he was unaware that so many people were attacking him over his November 18 slam on comics because he “doesn’t follow every stupid thing people lose their shit about” on social media.

…

“I don’t read comic books. I didn’t even read them when I was a child,” Maher told King. “What I was saying is, a culture that thinks that comic books and comic book movies are profound meditations on the human condition is a dumb fucking culture. And for people to get mad at that just proves my point.”

The second bite at his comic book controversy stemmed from his flippant comments about Stan Lee’s death in the days after the pop culture icon died.

“The guy who created Spider-Man and the Hulk has died, and America is in mourning,” Maher said. “Deep, deep mourning for a man who inspired millions to, I don’t know, watch a movie, I guess. But then twenty years or so ago, something happened – adults decided they didn’t have to give up kid stuff. And so they pretended comic books were actually sophisticated literature. The problem is, we’re using our smarts on stupid stuff.”

Bill Maher’s job is to hypnotize the masses of worker/consumer goyim with his subversive cleverness, and impose the Jewish worldview into our behavior patterns through entertainment.

Stan Lee, the dead Jewish comic book writer whose product he finds to be infantile, did this very same work, albeit through a different medium.

So what Bill is really saying here is that, as a Jewish information controller, he thinks it’s laughably stupid that people consume cultural products made by Jewish information controllers.

He should have thought that one through before saying it.

The thing about Bill Maher though is that his job is to just spout off whatever edgy thing crosses his mind. He’s also stoned all the time. He made a point about this on his show.

Obviously, his producers want the goyim to be stoned all the time, so they need to put up a role model of a guy who is also permanently stoned. The problem is that, being stoned, he just randomly spouts off whatever crosses his mind – like how pathetic he thinks it is that we actually consume Jewish cultural programming.

He was 95 years old. How do these Jews live so long, while remaining weak and sickly the whole time?

I’ve been sick and tired of Jew Hollywood’s constant stream of shitty superhero movies – they’re pumping out like, 3 of these every year now. And they’re almost all awful.

If there’s one person that can be blamed for this debacle, over almost anyone else, it’s Stan Lee of Marvel comics.

A Jew, of course.

He’s the one who created most of these characters. Some have gotten good stories over the years, but that’s mostly down to gentile writers doing their own spin on things.

And obviously, the original stories he created in the sixties were nowhere near as kiked as what Disney is putting out in these horrible films – just to be fair to the man, these were white characters doing heroic white things.

But his career’s constant is to put a Jewish twist on the superhero genre, and sell that to young goyim.

Washington Post:

Stan Lee, a writer and editor often credited with helping American comics grow up by redefining the notion of a superhero, including the self-doubting Spider-Man, the bickering Fantastic Four, the swaggering Iron Man and the raging Incredible Hulk, died Nov. 12 at a hospital in Los Angeles. He was 95.

“Redefining.”

Jews are always out there “deconstructing” and “redefining” things, aren’t they? Also: “subverting our expectations.”

What’s wrong with our expectations, kikes? Why do they all need to be subverted?

An attorney for Mr. Lee’s daughter confirmed the death in a statement. The cause was not immediately available.

Mr. Lee’s name became synonymous with the company that would become Marvel Comics, which he joined as a teenage assistant and stayed with for much of his adult life.

After toiling in comics for 20 years as a self-described hack, on the verge of quitting the business, he was ordered by his boss to emulate a line of superheroes done by rival DC Comics. Mr. Lee’s full-color, morally complex heroes helped foster a revival in a largely moribund profession.

Comics had entered a dark age after Senate hearings in the early 1950s that condemned the trade for contributing to juvenile delinquency. What followed was a comics code to monitor standards and ban content deemed immoral and unsuitable for children.

Enforcing morals and protecting children?

Oy vey!

Can’t have that, now, can we?

In the ’60s, Mr. Lee took a distinctly new approach to characters and setting, as well as to the very interaction with readers who had grown used to comics that were aimed solely at a younger audience and that featured flawless, square-jawed heroes who had uncomplicated morals.

In other words, heroes that were actual heroes and represented good role models for the youth. That just wasn’t interesting enough for Jews.

Michael Chabon, the Pulitzer Prize-winning author of the comic-book-themed novel “The Amazing Adventures of Kavalier and Clay,” said in an interview that Mr. Lee’s best-known characters were “vain, pompous, conceited. . . . Everything that works in comic books today is indebted to him for that.”

“There’s no question that Stan and the innovations he came up with saved the comic book and the superhero,” Tom Brevoort, Marvel’s senior vice president of publishing, told The Washington Post in 2011. “By crafting characters with feet of clay and personal problems — and not writing down to an audience that was perceived to be primarily 8-year-olds — Stan opened the doorway for more sophisticated and interesting treatments of any subject matter in comics. He made comics interesting and rel­evant and fun again.”

Lee told The Post in 2012: “All of our characters were freaks in their own way. The greatest example was with X-Men — they were hated because they were different. The idea I had, the underlying theme, was that just because somebody is different doesn’t make them better. . . . That seems to be the worst thing in human nature.”

X-Men was always as Jewish as it gets.

The adventures of Super-Jewess.

The whole X-Men story is basically how a persecuted minority saves an ungrateful majority and are actually more noble and selfless than anyone else.

They’re a Jew self-insert into goyim society, who are the filthy non-mutants in the story.

The traditional European hero is a strong, willful man fighting for his people and for glory. Our heroes are kings, demigods, saints, conquerors – or some mix of these. Not persecuted minorities living among foreigners.

Just look at Lord of the Rings. All of the heroes in that book are nobles – even Frodo is from an aristocratic family among the Hobbits. The other Hobbits are basically his squires.

These modern superheroes are a totally Jewish concept, and they push Jewish themes and morals. Yes, of course some gentiles have produced quality work using the same characters over the years. But the Jewish influence over the medium has been one of moral degradation.

Awhile back it was announced that Marvel was going to be turning the White Captain America comic book hero into a Negro.  Now the first comic book featuring the new Negro Captain America has come out.  As expected it is nothing but a cesspit of anti-White propaganda.

Guess who Captain America takes on as his primary nemesis?  He takes on a group of right-wing conservatives who oppose illegal immigration.  That’s right folks.  People who oppose hordes of illegal alien invaders coming into the country are actually portrayed as evil in this new comic book.  The agenda doesn’t get much more obvious does it?

Washington Times:

In the latest issue of Marvel’s revamped Captain America, the iconic superhero takes on a group of right-wing conservatives trying to stop illegal immigrants from crossing the border.

In “Captain America: Sam Wilson #1,” the superhero also known as Sam Wilson heads to the border to take on an “evil” militia group known as the Sons of the Serpent, who are patrolling the area between Mexico and Arizona, according to a video summary of the issue created by the MacIver Institute.

The Sons of the Serpent try to stop a group of illegal immigrants from crossing the border. They accuse the immigrants of invading a sovereign land to spread disease and crime, take American jobs and collect welfare — staples of the conservative case against illegal immigration.

This should not be a surprise considering that Marvel is owned by Disney which is run by the Jew Bob Iger.  Of course many of these comic book characters including Captain America were originally created by Jews in the 1940s and 1950s.  Jacob Kirby aka Jacob Kurtzberg and Stan Lee aka Stanley Lieber are two Jews who were heavily involved in coming up with many of these superhero characters.  Specifically, Kurtzberg came up with the original Captain America character.  This new Negro iteration of Captain America is just a more heavily Jewed over version of the original concept.

I honestly never understood the appeal of comic books and these superhero characters to begin with.  They always struck me as weirdly nerdy and gay.  The fact that they are now using them to more aggressively push anti-White themes is even more of a reason to boycott this Jewish garbage.