DaBaby is somehow becoming more shucky and jivey.

His newest video, “WIG,” is probably the funniest one yet. He’s in a weave store with a bunch of black women who have been camped outside to get their wigs – and throughout the video, he’s grinding up on a black female midget while making his funny faces.

This nigga is literally like a more extreme version of a racist advertisement from the 19th century.

For those unaware of the context:

“Shucking and jiving” is a reference to American negro behavior that is specifically designed to entertain white people. It has been argued that this was a kind of evolutionary mechanism of black men to get better treatment from slave masters. If a slave owner found a black man entertaining, he was much more likely to allow the slave in the main house, and to put him in charge of other slaves.

What makes it interesting is that it is a kind of humor that never would have been developed by Africans among other Africans – it was specifically adapted for white people’s amusement.

After slavery, you had minstrel shows (the blackface minstrel shows are more relevant to modern leftist talking points, but the original minstrel shows were all real black people). Then you had these ostentatious blacks integrated into early cinema. Then there were blaxploitation films – and Richard Pryor. Pryor was not hated by blacks, but they just weren’t interested in him, as it was comedy designed for whites.

If you watch Pryor, it is mostly self-deprecating jokes about black people and jokes about the black views on white people, mixed with extreme physical comedy and vulgarity. It only makes any sense in relation to white people. It is very funny.

Eddie Murphy, Martin Lawrence, Chris Rock, etc. are shuck/jive descendants of Pryor.

All of the biggest rappers have employed some form of shuck ‘n’ jive since rap started, because this is now just a part of black culture whenever they interact with whites, but most of them walk a line between shucking and appealing to blacks. (For example: Snoop leaned into shucking a lot more than Dr. Dre.)

DaBaby is basically pure shucking and I can’t see that blacks would even get this bit. It’s totally designed for white consumption. You can picture this guy doing these dances and making these faces in a show at the wedding of a daughter of a slave owner.

Even when he talks about drugs or violence, it’s always in this silly and skittish way. But most of it is just sex humor, affected dance motions and funny faces. Black people apparently enjoy this more than I would expect, but I think black appreciation of DaBaby is with some black version of irony.

Shucking and jiving is much less offensive than other forms of black behavior.

Frankly, I’m surprised that after DaBaby was banished from the mainstream for saying he hates gays, there hasn’t been a leftist/Jewish campaign accusing him of appealing to racist tropes.

The Daily Show, which is apparently still on with this completely unfunny South African mulatto, stole my bit on the Trump Nigger Tape.

I have been saying since the first mention of such a tape that it would turn into a meme and cause the population of America to start saying “the n-word” all the time.

I have made a very strong argument that Trump supporters get permission from Trump as THE LEADER for what they are and are not allowed to say and think.

I have not heard anyone else give this specific analysis, meaning the writers of this show – who have to keep very much on the edge of things to make this foreign mulatto seem funny – are reading this site to get their bits.

Huffington Post:

“The Daily Show” correspondent Roy Wood Jr. explained exactly why he definitely does not want an alleged recording of President Donald Trump using a racial slur to be released.

On Wednesday’s episode, Wood noted that “whenever Trump crosses a line, it only emboldens people to follow him.”

…

“The last thing we need is his supporters hearing him say the N-word, ’cause then the floodgates open, we’re going to hear Trump supporters using that word everywhere,” Wood added. “They’re going to turn this world upside down.”

The correspondent Roy Wood Jr., as you can see in the above clip, is an American negro and actually does the bit pretty funnily.

The reason that American negroes are funny and watching this South African negro is like watching goats graze is because American negroes have developed “shuck and jive,” a specific form of negro behavior meant to endear them to white people.

Wikipedia:

Shuckin’ and jivin’ (or shucking and jiving) is a slang term for the behavior of joking and acting evasively. More generally, the term can also refer to the speech and behavioral mechanisms adopted in the presence of an authoritative figure. Shuckin’ and jivin’ usually involves clever lies and impromptu storytelling, used to one-up an opponent or avoid punishment. In Ribbin’, Jivin’, and Playin’ the Dozens: The Persistent Dilemma in Our Schools, Herbert L. Foster writes: “Shuckin’ and jivin’ is a verbal and physical technique some blacks use to avoid difficulty, to accommodate some authority figure, and in the extreme, to save a life or to save oneself from being beaten physically or psychologically.”

That is to say that American blacks, as an underclass – first literal slaves, then second-class citizens – developed a method of entertaining whitey in order to gain favor with them.

This is a social adaptation, and may even be a biological adaptation that is specific to American blacks – a very specific skill which other blacks from various global regions (they are everywhere) do not possess. It is the single reason that black comedians are funny to white people – because they have developed a method of entertaining white people.

Dave Chappelle is probably the best modern example of this phenomenon.

Chris Rock too.

Both comedians integrated self-criticism of their own race into their comedy, which makes white people even more comfortable with them.

It is not hard to see how this behavior would be beneficial. During slavery, the one who could make the master laugh with physical comedy and exaggerated, outrageous gestures would be preferred by the master. He might even be brought in as entertainment for dinner parties and such, just as we, as white people, will turn on black comedy shows for entertainment.

If the black is entertaining, he is offering a lot more value than some mopey nigger that just grunts and picks cotton. Someone who makes you laugh is always more pleasant to be around than someone who does not, and you are always going to feel more favorable to them. The funny slave would then get better food, fewer work hours and – get this – his pick of the female slaves.

And that is how it could be biological. The slave master would let the funny slave bang whichever of the female slaves he wanted, thus transferring the shuck and jive gene.

In the post slavery era, the funny ones would have also gotten better jobs and higher status, and then also more breeding opportunities.

Even now, it is financially beneficial for a black man to be entertaining to whites. No one wants a big scary mean stupid negro hanging around – so if you have to have negroes around, you’re going to pick the funny ones.

Furthermore, modern rap music that is sold to white people is also a form of shuckin and jivin.

It’s also why Muhammed Ali was popular with whites.

So, I was not surprised by Comedy Central’s choice to replace the “looks huwhyte to me” Jew Jon Stewart Liebowitz with a diversity hire. What I was very surprised by is that they chose to replace him with a negro who does not have the shuck and jive adaptation and thus is not funny.

In the clip at the top of the page, when you see the non-American negro switch to the random shuck and jive negro, you’re like “this show would be funnier if that other negro was hosting it.”

It’s a very interesting concept, this negro ability to entertain white people, and the exuberance with which they perform the act. Alleged “negro intellectuals” resent this, because they apparently understand what it is… but there aren’t very many alleged negro intellectuals, are there? The individual quoted in the above Wiki quote, Herbert L. Foster, is actually Jewish, however. So I can only imagine that it was a Jew who chose the unfunny, non-shucker, non-jiver mulatto Trevor Noah to host the Daily Show, presumably to try to acclimate whites to the idea of negro funnymen as something other than shuckers and jivers.

Noah attempts to do the same type of Jewish comedy that Jon Stewart did, and fails miserably. It’s incredible that he is still on the air.

Stephen Colbert’s Comedy Central show also had a negro, Larry Wilmore, who – though American – does not shuck or jive replace him.

He was even worse, as he tried to pretentiously talk down to white people. That is something that, consciously or unconsciously, not even the shittiest of shitlibs are interested in.

Wilmore’s show was canceled in 2016 after a 68% drop in viewership.

Noah experienced a 38% drop.

Anyway, this is interesting information, I believe, which could be useful for future understandings of race relations in America.

Because it is the main reason that white Americans tend to feel some sympathy for negroes. If they were all just purely the standard violent psychopaths we report about here on the Daily Stormer – scary, monster creatures – there would virtually no sympathy.

That is to say: the shuck and jive adaptation has been extremely evolutionarily advantageous to the negro. So we cannot say they didn’t evolve. At least a portion of them did evolve – into cartoons, which are capable of garnering sympathy from whites due to their entertainment value.