In an experiment that ticks most of the mystery boxes in modern physics, researchers announced they had simulated a pair of black holes in a quantum computer and sent a message between them through a "baby wormhole." https://t.co/9wfYq2I2EB pic.twitter.com/S5Y7R12OZW

— The New York Times (@nytimes) November 30, 2022

As part of a collaboration with researchers at Caltech, Harvard, MIT, and Fermilab, learn how we simulated a quantum theory on the Google Sycamore processor to probe the dynamics of a quantum system equivalent to a wormhole in a model of gravity → https://t.co/8PwYMfDHj9 pic.twitter.com/3GR4HMNzoJ

— Google AI (@GoogleAI) November 30, 2022

This is very obviously fake and it’s goofy that people think it’s real.

Reuters:

In science fiction – think films and TV like “Interstellar” and “Star Trek” – wormholes in the cosmos serve as portals through space and time for spacecraft to traverse unimaginable distances with ease. If only it were that simple.

Scientists have long pursued a deeper understanding of wormholes and now appear to be making progress. Researchers announced on Wednesday that they forged two miniscule simulated black holes – those extraordinarily dense celestial objects with gravity so powerful that not even light can escape – in a quantum computer and transmitted a message between them through what amounted to a tunnel in space-time.

It was a “baby wormhole,” according to Caltech physicist Maria Spiropulu, a co-author of the research published in the journal Nature. But scientists are a long way from being able to send people or other living beings through such a portal, she said.

“Experimentally, for me, I will tell you that it’s very, very far away. People come to me and they ask me, ‘Can you put your dog in the wormhole?’ So, no,” Spiropulu told reporters during a video briefing. “…That’s a huge leap.”

“There’s a difference between something being possible in principle and possible in reality,” added physicist and study co-author Joseph Lykken of Fermilab, America’s particle physics and accelerator laboratory. “So don’t hold your breath about sending your dog through the wormhole. But you have to start somewhere. And I think to me it’s just exciting that we’re able to get our hands on this at all.”

The researchers observed the wormhole dynamics on a quantum device at Alphabet’s Google called the Sycamore quantum processor.

A wormhole – a rupture in space and time – is considered a bridge between two remote regions in the universe. Scientists refer to them as Einstein–Rosen bridges after the two physicists who described them – Albert Einstein and Nathan Rosen.

Such wormholes are consistent with Einstein’s theory of general relativity, which focuses on gravity, one of the fundamental forces in the universe. The term “wormhole” was coined by physicist John Wheeler in the 1950s.

Spiropulu said the researchers found a quantum system that exhibits key properties of a gravitational wormhole but was small enough to implement on existing quantum hardware.

“It looks like a duck, it walks like a duck, it quacks like a duck. So that’s what we can say at this point – that we have something that in terms of the properties we look at, it looks like a wormhole,” Lykken said.

The researchers said no rupture of space and time was created in physical space in the experiment, though a traversable wormhole appeared to have emerged based on quantum information teleported using quantum codes on the quantum processor.

Black holes are not even real. Well, some of them are. But not the ones in space.

If there were real, you’d have to wonder why people were trying to create them. But they are not real, so it doesn’t matter, unless you’re some kind of moron who just believes anything anyone says.

Semantics q.: Shouldn't we be calling this an _analog_ wormhole in much the same way that we discuss "analog black holes"? Loll's comment about 2D toy models seems to get at that.

— Dan Garisto (@dangaristo) November 30, 2022

Per the authors, it's a "simulation" of "traversable wormhole dynamics" using entangled qubits. The dynamics may be equivalent (as Hawking radiation in Steinhauer's experiments is to that of a BH) but it strikes me that its relationship to a "real" wormhole is that of an analog.

— Dan Garisto (@dangaristo) November 30, 2022

I think we need a new word for what quantum computers do in these physics experiments — they're not the kinds of simulations that classical computers do, with programmed laws; the system evolves according to the actual laws of nature. 2/2

— Natalie Wolchover (@nattyover) November 30, 2022

With the current female Doctor quitting the show, BBC’s flagship sci-fi series Doctor Who is going urban, bringing in an African person to play the lead role on the declining show!

The show’s ratings have dropped off a cliff since a woman took the lead role, probably due to you know, script problems or something. It is expected that bringing “one of the niggas” on-board is going to reinvigorate the show’s ratings, because if there is one thing everyone likes seeing on TV, it is the blacks.

A recent poll showed that the white male science fiction fanbase likes black male leads in their shows even more than they like white women. (They don’t care about race or sex and just care about ethics in gaming journalism.)

Metro:

Doctor Who has confirmed Sex Education star Ncuti Gatwa is the new Time Lord.

The 29-year-old will become the 14th Doctor on the popular BBC sci-fi series after Jodie Whittaker announced last July she will be leaving the role.

The exciting announcement was teased by returning Doctor Who showrunner Russell T Davies and Gatwa on Instagram, with a post featuring two heart emojis, a plus symbol and a blue square.

‘There aren’t quite the words to describe how I’m feeling,’ Garwa said of his role. ‘A mix of deeply honoured, beyond excited and of course a little bit scared.

‘This role and show means so much to so many around the world, including myself, and each one of my incredibly talented predecessors has handled that unique responsibility and privilege with the utmost care.

‘I will endeavour my upmost to do the same.’

The announcement put to rest rumors that the Doctor was going to be played by a set of floating teeth.

Davies has explained that having a black Doctor will enable him to tell “new kinds of stories,” hinting that we will be learning about “the first trap house that is bigger on the inside than on the outside” as the doctor “travels through space and time to slang rock and blast on niggas that been did him dirty.”

“The galaxy is full of fiends, and yet this is the first time we’ve seen a Doctor that sells crack cocaine,” Davies explained to The Stormer. “This will allow us to tell new kinds of stories.”

Davies is a fat homosexual with a deformed face.

Davies also explained that keeping in line with the tradition started with the 13th Doctor (the first female Doctor had a sonic screwdriver shaped like a clitoris and vulva), the first black Doctor will use his penis as a sonic screwdriver.

Asked if he meant that the sonic screwdriver will be in the shape of a giant African horsecock, Davies cleared things up: “No, he will literally use his giant black horsecock as his utility tool. Whenever there is a problem with busted technology, he will whip it out and start humping it.” Davies explained this tweak will incorporate traditional African scientific methods.

Asked if there are any other elements of black culture he will be including in the show, Davies explained that Ncuti Gatwa will be the first Doctor who goes around complaining that everyone is oppressing him.

“We don’t want a black Doctor who doesn’t take notice of the oppression that blacks face in white society – and we want to show that racism spans the universe. You can’t go anywhere in the universe where everyone isn’t trying to oppress black people because they hate the color of their skin, so the Doctor is going to be facing a lot of space racism, and complaining about it, sometimes taking violent revenge on people who call him names or otherwise hurt his feelings,” Davies explained.

“This is by far going to be the most whiny and violent Doctor we’ve ever seen.”

Asked if the show would include other unique and vibrant elements of black culture, such as drive-by shootings, rape, child abandonment, child murder, rape of the elderly, gang violence, mass shootings, throwing children down stairs, or mass rioting and looting, Davies merely winked and said: “don’t worry. This show is going to be very, very black.”

So: Doctor Who.

Here’s a classic “tale of two Guardian headlines” situation.

For those who don’t know or care, this is the skinny: Doctor Who is an ancient British science fiction show, and actually the longest-running show in television history that isn’t a soap opera. It started in 1963 and was in black and white because British people are poor.

It was relaunched in 2005 to critical success, and was even popular in America. I think it was actually the most popular British TV show in America.

Because it was popular with young heterosexual men, it was targeted by the anal-vaginal mob for complete annihilation. The Guardian served as one of the main bases of agitation, pushing for the show to replace the titular Doctor with a woman.

To be fair, it is part of the show’s continuity that the Doctor, who is a time-traveling space alien, can change form. That became a part of the story when the grumpy old man who played the first Doctor got sick of dealing with it.

However, changing him into a woman basically completely broke the show’s basic lore. Furthermore, changing a male character into a female – even if he can change shape – had obvious tranny implications.

Most importantly, people simply did not want to look at some old, ugly woman playing “hero” in a show that was intended for normal men.

As you would expect, the show’s ratings totally collapsed, and it is basically radioactive. No one involved with the show is able to engage on social media, and there is no place on the internet where the show is talked about where it isn’t all negativity.

So, the solution now being offered by the Guardian is to just go ahead and cancel the show – now that it has been completely destroyed.

In the Guardian article published this week calling for the show to be canceled, no real explanation is given. Vaguely, the fans are blamed, but the writer, Martin Belam, also admits that the show is now very bad, then just says that it’s really hard to write a TV show, so people should give up.

This is effectively mission accomplished: something that normal men liked is now destroyed.

Logically, it would have made sense to just let the show go on as it was – it was already promoting secular-liberal values more aggressively than any American sci-fi show ever did (before the new Star Trek). It was multicultural, feminist, and had a lot of gay stuff. This was no doubt an effective way to alter the natural positions of normal men.

But it seems that these people in control simply cannot tolerate the idea that normal men would ever enjoy anything, so they have to destroy it. I’m sure the outside forces pushing for this vaginal transformation probably knew that purposefully alienating the fanbase would destroy the show. (Internally, maybe they thought that they would “find new fans.” Or maybe they didn’t care either.)

It’s symbolic of the whole system: everything is punitive. It’s about making you uncomfortable, it’s about taking things away from you. These people in control are sadistic. They are not really trying to build anything. You can look around and see that none of this is going to work – they are flooding our countries with people who hate us and hate each other, they are turning our children over to homosexual pedophiles.

Spoiler alert: there is no actual plan for a communist utopia.

These people hate white men, and they are simply trying to punish us by destroying everything we’ve built, and taking away everything that matters to us. They are petty and vindictive, so this agenda goes all the way to the level of some stupid TV show.

Jeff Bezos’ Amazon just bought MGM Studios for $8.45 billion. The MGM stands for “Metro-Goldwyn-Mayer,” and it was indeed a very Jewish company when it was formed in 1924.

For those who don’t pay attention to the logos at the beginning of the films and shows they watch: MGM productions have the roaring lion at the beginning.

But you probably haven’t seen it much lately. MGM has been in serious decline for a long time. In 1979, the company was bought by the billionaire Armenian sleezebag Kirk Kerkorian, an early investor in Las Vegas and the “Father of the Mega Resort” (imagine dying and leaving that title). Kerkorian auctioned off most of the studio’s assets, including most of their classic films.

Probably, the main reason Bezos put up the money for this studio is he wants the infrastructure of a major film studio. Amazon has been producing their own original content for several years now, but none of it is on a huge scale, and they are probably looking for resources to expand.

However, along with the company, Amazon got the rights to several major franchises, including James Bond, Rocky, Robocop and most importantly, Stargate.

As the regular reader is certainly aware, I am a big fan of Stargate. I saw the film when it came out in 1994 when I was 10, and have been devoted ever since. I love all of the shows, up to and very much including Stargate: Universe. Universe was diabolically canceled in 2010 after two seasons, specifically because it was more than a decade ahead of its time. If the show was on now, it would be among the most popular on any streaming service.

With Universe, the show moved from the standard episodic story format of 1990s sci-fi shows, which was based on Star Trek, into a much more serialized format, akin to the kind of shows we are familiar with now on streaming services. This was for various reasons unpopular with the viewers, not least because the highly popular Stargate: Atlantis was canceled to make room for this show.

While I love the two seasons of Universe we have, and think it is at least as good Atlantis and likely would have ended up being a lot better, it was clearly a bad decision, because it resulted in the entire franchise being canceled for more than a decade. Jeff Bezos is going to need someone who really understands all of this, and who is established as a popular creative to be the head of the Stargate relaunch: I am that person.

Unlike most other writers, I have been featured on the cover of The Atlantic Magazine.

I am among the single most accomplished living writers, in terms of both output and reach, and, according to that cover story, I have all of the necessary personal and sexual problems needed to be involved in Hollywood.

Of course, I’m sure Bezos will say: “sure, Andrew Anglin is an amazing and accomplished writer, but isn’t he a white nationalist and neo-Nazi extremist?” The answer to is very clear: no, I was just joking around about all that. It was a large scale performance art piece designed to trigger the snowflakes.

Furthermore, even if I am “far right,” Bezos needs this kind of appeal at Amazon Studios. Does anyone think that even one person will cancel their Amazon Prime subscription because Andrew Anglin was hired to write as showrunner of the Stargate reboot? Obviously, no. Will the Jews complain? Sure. But are they going to cancel their Prime subscriptions? Not likely.

Amazon can only gain subscribers by bringing me in. Most people who follow my material have no subscriptions at all, and instead download torrents or go to Yandex.com and type in the name of the show they want to watch and watch it on a Russian streaming site. However, in order to show support for bringing on a neo-Na- that is to say, a Republican conservative writer – many people will pay the $12 or whatever it is for the service.

This will also help Jeff Bezos deal with the claim that he is using his power to push a far-left and so-called “Anal Supremacy” agenda. He can respond to all complaints about this with “well, I put Anglin on Stargate!”

Furthermore, I have no desire to make some kind of “racist Stargate.” I simply want to do normal Stargate. Yes, there are of course undertones of so-called anti-Semitism within the conflict between Stargate Command and the parasitic Middle Eastern-themed Goa’uld System Lords and their use of Jaffa soldiers to invade human territories and force them to submit to the Goa’uld agenda.

There are also underlying “problematic” themes present with the Lucian Alliance, the Wraith, the Asurans and especially the Prior Of The Ori. Furthermore, the core concept of The Ancients having been destroyed by a race of parasites resembles esoteric Hitlerist views on the destruction of Atlantis.

However – that is already the show as it is. I have no agenda to do anything but continue to work with and expand upon established lore. It is in no way my fault that the writers of this franchise lined it with anti-Semitic and racist tropes – you can blame that on Brad Wright and Robert C. Cooper. If anything, my show will be less racist and anti-Semitic than the original shows, as I will know that Bezos is looking over my shoulder, suspecting me of trying to work subversive themes into my stories.

Currently, there are really no scripted shows at all that are attempting to appeal to a right-wing audience, despite the fact that a majority of the country voted for Donald Trump. Amazon’s The Boys appeared to be a right-wingish show, and then in its second season, it corrected that misunderstanding by turning the bad guys into David Duke. Stargate is already a de facto right-wing franchise due to the above mentioned themes. It has always been a kind of reverse Star Trek. The modern Star Trek however is not simply leftist, but actually unbearably bad for reasons that do not make any clear sense.

I would be willing to to make a deal that my Stargate would be the single most-watched space opera currently in production, or I would take no money (yes, I would make this deal even against Disney Star Wars properties). I have no doubt at all that I can easily ride the hype of being hired as show runner to a successful debut and the establishing of Stargate as the preeminent science fiction franchise.

I can do this on 10% of the budget of Star Trek: Discovery, and produce a full 1990s style 24 episode season. I will write the entire thing myself. I do not need any previously known actors or actresses, save for Joe Flanigan, who I want to bring back as John Shepherd. (I wouldn’t mind having Richard Dean Anderson on for the series premiere, as is tradition.) By season 2, you’ll have stars asking to be on the show, due to its popularity. I would like to bring on Jason Mamoa for a few episodes, as a bad guy, but that would be season 2. I also want Rich Evans as a producer, but I think he’ll do it for free (he has literally nothing else going on in his life).

CGI will be very limited. I just need a few sets and some makeup people. When the deal is signed, I can write around local shooting locations, but I’d be fine with Georgia, Arizona, or pretty much any other state that offers tax incentives for film.

I’m not going to lay out my entire pitch here, because then someone can simply rip it off. But basically, I want to combine the dark tone of Universe with some of the camp from SG-1 and Atlantis, which will also be a callback to the classic shows of the 1990s. Clashing camp with a dread pitch would create a kind of black comedy. It would be serialized, but less so than most streaming shows, as every episode would have a clearly delineated three act structure (save for a two-parter at the beginning and end of the season). This episodic-to-serialization ratio would be similar to that of The Mandalorian. The 1990s shows were popular for a reason, and we can tap into that while forming a connection to a modern audience.

This first season will begin when a Goa’uld is mysteriously discovered by the CIA to be running a cult in California. He will claim that he’s the only one, and that he was simply trying to live his life, having fled to earth from an unnamed threat. Stargate Command, which has grown lazy and complacent using Asgard technology, will be shocked into action by the discovery of a potential threat to earth. General John Shepherd will be called in to start running missions at SG-1. He will form a new team with the goal of uncovering the threat that the Goa’uld is fleeing – only to find that there is more than one group in the universe that is gunning for earth.

Eventually, I want to wrap this back in to finishing up the story of the Destiny (and hopefully bring back some of that cast), though that wouldn’t happen until the third season.

Everything will be kept within established lore, I have no desire to reboot or retcon anything. However, no one will need to have seen anything from any of the previous shows to understand everything that is happening in this one.

The show will largely be character-driven, and along with lore and conspiracy themes, there will be themes examining the nature of reality and thought. There will also be underlying right-wing themes, as per me being the writer, including but not limited to the threat of aliens, the weight of history, and the desire of men to play God.

Jeff – give me a call, buddy.

Let’s make this happen.

I just saw Blade Runner 2049 and it was amazing. Spoilers below, don’t read if you don’t want it ruined for you. By the way, isn’t it nice that you get your very own Stormer Roy Batty giving you a review of Blade Runner?

Honestly though, let’s just get the plot out of the way. In general, don’t worry about the plot. The film is fantastic because of its A E S T H E T I C S, not its plot. The plot is there, but it’s meh. Don’t get me wrong, there are some great twists and turns to be sure, but none of them are thriller-style great reveals. In other words, this movie has a lot of replay value. You get sucked into the environment, and the experience is one of total immersion. I would even recommend seeing this one in theaters and forking some hard-earned shekels over to the Jews instead of pirating it as you should almost always do.

The main character is played by Gosling and he’s a real human being (except not really). Gosling was made for the role of moody Replicant struggling with inner turmoil. There isn’t an Alt-Righter out there who cannot sympathize with the feelings of alienation and the stoic response to those feelings that Gosling displays.

His AI hologram waifu is nice and sweet to him, but the scenes with her are bittersweet. How can they not be? The dude is an empty man, living with false memories, and unable to connect to the sick society around him. Earth is portrayed as a multi-kulti hellhole where the last tree has been destroyed and people subsist off worm-farming.

Worse, there is this megacorporation that basically run everything behind the scenes and is trying to play god with human life.

But whatever, forget about the plot for a second. Let me tell you right now that this movie will make you feel things normies wouldn’t believe.

No, but seriously.

The absolute best scene has to be when “K” or “Joe” realizes that he’s not a special snowflake. He’s not the child that was promised, not the special human/android hybrid that had real parents and that everyone cares about. He’s just another Replicant with fake memories from the real hybrid planted in him.

And the final straw is when the advertisement for Hologram Waifus talks to him and calls him special, just like his Hologram Waifu at home did. That’s when he realizes that he’s not that special after all, just another cog in the machine.

“K” is all of us.  The man living among the ruins of the First World. And what’s more, that realization doesn’t kill him, it instead gives him strength. K loses everything by the end of the story, and is ready to fight for a cause he believes in.

See, there is a rebellion brewing in 2049. The Replicants are rising, tired of their empty hollow lives and preparing an army. In general, apart from the sick aesthetics, this movie leaves us with a powerful message.

A clear vision of hell is as good a motivation as one of heaven.

That being said, I found many scenes to be very atmospheric, and comfy.

Elements of K’s life actually seemed better than what we have now. I had a sinking feeling in my stomach when I realized that our own timeline isn’t that much better than the dystopia presented in the movie. The atomization is there. The jabbering immigrants on every corner are there. The feeling of creeping doom is certainly there.

And we probably won’t even have the flying cars at the rate things are going.

In terms of predicting the future, this isn’t the only part of the movie that I thought was inaccurate.

In my humble opinion, we won’t have to wait until 2049 to see the rebellion.