Ask not for whom the slut’s accusation tolls – for the slut’s accusation tolls for thee.

Governor Andrew Cuomo has been accused by the latest slut of being a slut-fiddler.

Lindsey Boylan, a former aide of Cuomo’s now running for Manhattan borough president, lodged these accusations on Twitter.

There are fewer things more scary than giving this man, who exists without ethics, even more control.

I saw how he wielded power for years. He takes advantage of people, including me.

I hope ⁦@JoeBiden⁩ & ⁦⁦@KamalaHarris⁩ don’t do this. https://t.co/cXxHuN8qNa

— Lindsey Boylan (@LindseyBoylan) December 12, 2020

Frankly, she didn’t really say anything specific he did – just that she was either told she wasn’t doing a very good job or she didn’t look good.

“I could never anticipate what to expect: would I be grilled on my work (which was very good) or harassed about my looks. Or would it be both in the same conversation? This was the way for years,” Boylan said weirdly.

Yes, @NYGovCuomo sexually harassed me for years. Many saw it, and watched.

I could never anticipate what to expect: would I be grilled on my work (which was very good) or harassed about my looks. Or would it be both in the same conversation? This was the way for years.

— Lindsey Boylan (@LindseyBoylan) December 13, 2020

I’m angry to be put in this situation at all. That because I am a woman, I can work hard my whole life to better myself and help others and yet still fall victim as countless women over generations have. Mostly silently.

I hate that some men, like @NYGovCuomo abuse their power.

— Lindsey Boylan (@LindseyBoylan) December 13, 2020

I hate to see it, but men get harassed about their looks more than women do, because bosses expect so much more from men. White men are expected to have competence to make up for the incompetence of the women and brown people who the government has flooded our workplaces with.

For the most part, bosses will just try to ignore women, given that all bosses know that they can’t be expected to do anything of value. The hope is that they just screw up as little as possible.

Basically, women have been trained to believe that any time anyone criticizes them, or makes them feel negative emotions (even if accidentally), they are a victim of harassment and should go whine to the world about it. So I’m not surprised that she’s saying that being told to clean up her appearance is a form of “sexual harassment” (if that is what she’s saying – it’s not really clear).

The bitch looks sloppy. She also looks like Cuomo is out of her league, by a significant margin.

That said, we can’t hardly run with that new definition, having failed to warn men of it. Can we?

Along with accusing the irate governor of sexual impropriety, she also accused him of lying about an eagle feather.

This was a completely fabricated story. He made up this memory. https://t.co/VjV0KHtFoo

— Lindsey Boylan (@LindseyBoylan) December 13, 2020

I thought that part was sort of weird, actually.

Like – wait, what?

It’s painfully obvious that this bitch is just trying to get attention for her political run.

I’m sure Cuomo is an asshole and yelled at her or whatever, but the man is not stupid. No one does workplace sexual harassment anymore, and no one intelligent has done it since at least the 1990s.

To be clear, I’m not even against it. I think women should be aggressively propositioned for sex every time they leave their homes unchaperoned, regardless of circumstance. But it is also clear that she is either lying, or that being told to clean up your appearance is a new form of sexual harassment that we didn’t know about yet.

Cuomo is probably taking this very hard. His public image is very important to him. He’s probably sitting at home crying and drinking, listening to Radiohead’s “The Bends.”

He probably feels like he was really good to this girl, and she’s betraying him.

I mean, the guy is a scumbag, but you can just tell by the way he behaves that he doesn’t view himself in his own head as the bad guy. He views himself as a hero, who deserves all of the praise the media gives him. So this has to be hard.

But yeah – they’re probably going to put him on trial and sentence him to decades in prison for telling this sloppy bitch to clean up her appearance.

Would anyone blink if some Jew judge said, “this woman says you were mean to her, and that’s against the law – you have to go to prison”?

I’ll tell you when people will blink – when Cuomo starts singing “Fake Plastic Trees” at his sentencing.

Radiohead’s Thom Yorke is not a person I would intuitively imagine would be a supporter the the genocidal Jew regime in Palestine.

However, it seems that my intuition is not always correct.

#Radiohead fans in Glasgow at #TRSNMTfest called on the band to respect the cultural boycott of Israel in solidarity with Palestinians #BDS pic.twitter.com/Ts7OZmlOp2

— Hilary Aked (@hilary_aked) July 8, 2017

Jerusalem Post:

Just a week and a half before they’re scheduled to perform at Tel Aviv’s Yarkon Park, English rock band Radiohead continued to battle the anti-Israel Boycott, Divestment, Sanctions (BDS) movement. During the band’s Friday night concert at the TRNSMT Festival in Glasgow, Scotland, several activists raised Palestinian flags as well as a “Radiohead: #canceltelaviv” sign, and held demonstrations outside the venue, causing lead singer Thom Yorke to respond.

According to Consequence of Sound, prior to the band’s performance of “Myxomatosis,” Yorke reportedly exclaimed, “Some f#cking people!” while staring out into the crowd. He was also caught giving the middle finger to the flag wavers.

Radiohead have faced a number of protests over their decision to play Tel Aviv, including at an event in Glastonbury, England last month.Speaking recently to Rolling Stone, Yorke described the situation as “offensive” and “an extraordinary waste of energy,” saying: “I don’t agree with the cultural ban at all, along with J.K. Rowling, Noam Chomsky and a long list of others…

There are people I admire [who have been critical of the concert] like [English film director] Ken Loach, who I would never dream of telling where to work or what to do or think.”

Yorke called it “patronizing in the extreme” to presume Radiohead is unfamiliar with the Israeli-Palestinian conflict, pointing out that guitarist Jonny Greenwood’s wife is an Israeli Jew.

Ah.

There you go then.

Pink Floyd was always a better band anyway, and Radiohead is pretty much just a ripoff of Pink Floyd.

Roger Waters is one prog-rocker who you can guarantee is going to gas kikes the first chance he gets.

I was pleasantly surprised to see Radiohead return with their weird, and strangely addictive, brand of angst laden introspective ambient rock. Listening to music which could, understandably, be deemed miserable and depressing has often struck me as a particular and peculiar European pass-time. What bands such as New Order or Joy Division or Nirvana or Radiohead are actually singing about is by the by, they tap into a latent melancholia which has always existed in the European soul, which European musicians, whether modern or classic, have always explored.

A brief glance at the titles of Radiohead’s songs and albums over the years reveals quite quickly where they are coming from-Fake Plastic Trees, Paranoid Android, Fitter Happier, Climbing Up the Walls, How to Disappear Completely, Life in a Glasshouse, Ok Computer, Sail to the Moon etc. Radiohead are exploring the isolation, atomization and malaise of post-modernity, the internal struggles, the dark cloud of feeling the world, and our lives on it, are superficial, that it simply ”shouldn’t be like this!” wrapped up within lead singer Thom Yorke’s emotional falsetto vocal and copious dollops of melodic brilliance.

The typical Radiohead song conjures an imagine of an obese slob who watches reality television between random bouts of wife beating, the wife being a soulless dead eyed tramp who has no dreams or longing beyond mobile phones and consumer junk. Our slob, in a one-time only moment of self awareness, steps outside himself and contemplates the dead animals which he ate without thinking, his shit job, the wars being carried out in his name which he doesn’t understand and then, allowing a solitary tear to trickle down his fat cheek, it dawns on him that when he was a boy and pure of heart, he dreamed of so, so much more.

So where is all of this stuff coming from? what drives Radiohead intellectually? what sits behind all those cryptic lyrics and lashings of operatic existential angst?

Thom Yorke describes reading Noam Chomsky’s ”Manufacturing Consent” as a ”Formative Moment”. According to Chomsky privately owned mass media, high finance, the Military-Industrial Complex and the political class, all co-operate and compliment each other in achieving convergent goals. This is ”The System” and The System has reduced the masses to a Kentucky Fried Chicken munching horde of farting retards, spoon fed ”Wars on Terror” as the last hummingbird on earth chokes to death on the noxious gasses created by the furnaces of capitalist production. Or as Radiohead put it:

concerned

an empowered and informed member of society

will not cry in public

less chance of illness

tires that grip in the wet

a good memory

still cries at a good film

still kisses with saliva

no longer empty and frantic

like a cat

tied to a stick

that’s driven into

frozen winter shit

calm

fitter, healthier and more productive

a pig

in a cage

on antibiotics

There’s obviously a good bit of meat for the Nationalist to enjoy in this interesting brand of Left Wing thought, though it doesn’t tell us anything we didn’t already know. The problems appear when we delve into precisely who, or what, is actually at the heart of The System. The System, for these thoughtful Leftists, is self perpetuating, who runs it or why isn’t important, it is the structures and power centres which drive it, regardless of who operates its control mechanisms. It spreads and grows because it must spread and grow, it’s more like The Borg from Star Trek or Islam, it’s a virus, its purpose is to perpetuate itself. You will note that this is not the same as the far more moronic and poisonous doctrines of White Privilege Theory peddled by the more recently birthed SJW school of Leftism. Indeed, it’s quite reasonable to assume that The System itself created the SJW movement to misdirect an awakening citizen-consumer as to the identity of The System’s operators.

Too Many Woods, Not Enough Trees

Any Nationalist worthy of the name should be able to cut through these Leftist webs with consummate ease.Why, if The System is simply a means to gain more power and resources and consumers, why then is it so paranoid about one relatively useless patch of desert scrub in the Middle East? To be fair to Chomsky he has been highly critical of Israel and neo-conservatism in general. He’s asked that the Holocaust be made open to public debate. But only Nationalists look deep into the inner core of The System and see, and speak, and create amusing memes about, who or what is there, and as we know, it’s members of Chomsky’s own group, the Jews. The suspicious White Nationalist mind might even go so far as to accuse Chomsky of brushing the footprints of his people out of the snow…

My issue with Radiohead is that they’re pouring heartfelt and very White emotions, melancholia and empathy into a dead-end created by the same group who, ultimately, are responsible for the creation of The System which has created the misery of the world, the misery and despair which Radiohead articulate so well.

Why weep for a tree frog when Norwegian children born today will be a minority by early adulthood? a change which The System has forced to occur within just 3 decades, a change which will overturn at least 10,000 years of history! That is the ambient rock power ballad I want to hear and it isn’t a million miles away from where Radiohead, or other thinking Leftists of this hue, are now intellectually.

Our people will never find salvation in universalist ideals because you cannot possibly defeat a power structure which imposes universalism with yet more universalism. If we establish that nature and the natural is more spiritually fulfilling than crass materialism then why not go further, why not bring it all the way home to the human and then on to the ethnic and racial and understand that we are part of nature and should be treat as such, yet for ((some)) reason the intellectual Left has no problem with introducing the equivalent of the tree frog and the scorpion into the Irish countryside if we idiotically call them social constructs. And so the destruction of The System rolls on, crunching over everything of value like a tank over skulls. There is no way out of the labyrinth of modernity for the Leftist mind, they’re trapped.

Or are they?

One of the new songs from the latest Radiohead album ‘A Moon Shaped Pool” the aptly named ”Daydreamer” features Thom Yorke wandering aimlessly through houses, streets, car parks and alleys, it’s their standard theme of the atomized individual going nowhere without purpose. The video ends with Yorke scrambling into mountains and finally resting in a snow cave, he has escaped, but he is not yet at home there.

From a strictly musical perspective Lau Nau, a young woman from Finland, is not that far from Radiohead, she deploys a similar melodic and vocal structure to Yorke, she isn’t as technically accomplished as Radiohead, few are, but she has escaped the labyrinth of The System, her music is not a damning critique of modernity or being a consumer drone, she’s passed beyond it, she’s returned home, she’s an Aryan girl in a snowfield.

Has the girl in that video read Chomsky’s work? probably not and nor should she, it’s all junk compared to the purity of spirit, the embodiment of natural innocence and belonging she seems familiar with.

And Radiohead? perhaps, just perhaps they and others like them will, one day, find their way out of the maze of modernity, but until then, we can appreciate their postcards from the heart of The System.

One fact that will probably make a lot of our readers here uncomfortable, but which is nonetheless factual, is that non-Whites know things about us that we don’t know about ourselves, simply because they are different from us and able to observe us in ways which we cannot observe ourselves.

One such notable case came across my desk today. The Black comedian Patrice O’Neal explained on a radio show why White people love Radiohead’s song “Creep.”

O’Neal said:

Black folks and any other body should know how important Neil Young is as a artist to White people – and, how important the song “creep” is!

The magic of this song “creep” – when I heard it I was like ah it’s a good song and then I seen videos and its mesmerizing to White people. They start floating – “I’m a creep, I’m a loser.” [interviewer begins playing song] Dude! I’m telling you seven people just crashed into the bay just now. They pulled over to cry or jump in the water.

It’s something about this song, it digs deep to this loserdom. White people have this innate thing where they wanna feel bad. That’s why they voted for Barack. it’s like “I’m a creep.” I didn’t own slaves, but I’m a weirdo.

The White people running the radio studio where he made these statements are disgusting, pandering to him when he is in fact mocking them, but at the same time, the obvious truth of what he is saying here simply cannot be denied. We have a soul which longs for suffering, and the depressing music we produce demonstrates this beyond any doubt.

Black people can’t understand this drive any we have to suffer any more than we can understand the drive they have to constantly murder each other, but they can see it as plain as we can see them shooting each other on the streets for no reason.

As regular readers are aware, I listen to depressing music, and thinking about it, it is hard to think of White music that doesn’t relish in sadness on some level.

Right now I’m listening to this.

Justin Townes Earle is a heroin addict and awkward weirdo singing about personal failure, it is pure misery and I love it. There is nothing I would rather be listening to. Why?

I often feel I should just quit listening to music altogether, or only listen to Gucci Mane and Rick Ross.  But here I am, everyday, listening to junkies cry about how miserable their lives are.

This part of our being is why we have Christ. Or why we had him. And why we now have White guilt. Christ as avatar channelled this drive towards misery into a quest to overcome the material realm, the challenges in it, to become something better than we are.

The lower races, having no ability to spiritually transcend, have no need for this drive towards suffering. That is why Christianity is traditionally a White religion, and when you see non-White versions of it, it is something very different.

In evolutionary biology, this suffering served to drive us to move, to need make things happen, to change the world around us. Because of this constant state of dissatisfaction that the suffering brings, we forced ourselves in an environment that required that we force ourselves.

This is why Blacks never invented the wheel or written language.  Because they are happy all the time, just beating drums, joking around, having sex and killing each other.  Creativity is a channelling of suffering.

For what it’s worth, lower IQ Whites seem to suffer less psychologically than higher IQ Whites, which has led to a situation where the more average your IQ, the more successful you are in this current system (to a certain point), with most highly intelligent White men dropping out of society, doing drugs or going to live in some third world country to forget about reality.

Now, everything has gone wrong, with our biology turning against us.  We are trapped in a loop of self-loathing, and have so turned to a form of suicidalism.  This is because we have nothing to work toward.  You can try to get a job at a corporation, or try to start some business, and maybe this will work out (probably it won’t), but on the collective level, we have no goals or direction as a race, and so suffering has become an end in itself.

We must again remember what the suffering is for, and use it for what it is meant to be used for.