oscarssojewish – DS https://www.anglinarchive.com Daily Stormer Historical Archive Tue, 04 Mar 2025 00:00:00 +0000 en-US hourly 1 https://wordpress.org/?v=6.0.17 https://www.anglinarchive.com/wp-content/uploads/2026/09/cropped-favicon-32x32.png oscarssojewish – DS https://www.anglinarchive.com 32 32 Holocaust Wins Again at the Oscars https://www.anglinarchive.com/2025/03/04/holocaust-wins-again-at-the-oscars/ Tue, 04 Mar 2025 00:00:00 +0000

If you thought that at some point in the future of the universe, Jews would stop jerking themselves off over the Holocaust, you were dead wrong, buddy.

Twenty years after winning a best actor Oscar for his Holocaust porno film “The Pianist,” the weasel Jew “Adrian Brody” one a second award for yet another Holocaust porno film, this one entitled “The Brutalist.”

This latest Holocaust porn is particularly offensive, as it is not only another crybaby whine-fest of the Jews about how mean the Germans were to them, but, following a “Holocaust survivor” as he comes to America, it portrays the Americans who welcomed the Jews into our country as evil Jew-haters who were just as mean as the Germans.

This is totally exhausting.

There was zero reason for America to have a problem with Hitler and the Germans. If anything, Nazi Germany would have been a great partner for the United States. The reason that America went to fight Germany was that Jewish bankers and Jewish media professionals, as well as Jewish political operatives, were manipulating the US government and the US people into believing that the Germans were going to drive Panzar tanks across the Atlantic and force Americans to speak German.

The reason America got involved in the war was to help the Jews. If the Jews had any shame at all, they would be thanking America for saving them. Instead, as soon as the war ended, and America “liberated” the Jews from the Germans, the Jews got to work on attacking America and blaming them for not doing enough for the Jews.

They are still doing this now, and they are making movies about it, and giving each other awards for their movies about it.

How can anyone deal with such ungrateful, entitled people?

Recently, the ungratefulness and entitlement of Vladimir Zelensky has been brought into the public mind, after his offensive temper tantrum in the White House. But what race is Zelensky? He’s not Ukrainian! If he was Ukrainian, he would still be trying to scam Americans, but he would likely have some kind of shame and at least pretend to be grateful. But the entire mindset of Jews is “the whole world owes me everything.” It’s more or less identical to the mindset of a woman.

#OscarsSoJewish

A few years ago, Jews through a fit over too many white people (many of whom were actually Jews) winning Academy Awards. They used the hashtag #OscarsSoWhite to demand that black people be given these awards. The problem, obviously, was that black people were not making movies, so there were no black movies to give the awards to. Hollywood then started a program to promote untalented blacks as directors so they would have blacks to give awards to. This went on for a few years, and then I guess with the backlash against the George Floyd movement, everyone just sort of forgot about it.

This year’s Oscars did not have any blacks, and no one is complaining about it. Instead, basically everyone was Jewish.

Anora, which is some kind of anti-Russian propaganda film, won the most awards, including best picture and best director. The director isn’t Jewish, but the lead actress, who won best actress, Mikaela Madison Rosberg (“Mikey Madison”) is Jewish. Best supporting actor went to Kieran Culkin, who is not Jewish, but was playing a Jew in a Jew movie, A Real Pain, which is some kind of Holocaust thing.

The only black face on the stage was Zoe Saldaña, who won supporting actress for some tranny movie. And is she really even black? She’s like, Dominican or something.

Notably, no one cares about any of this. No one has seen any of these movies. I hadn’t even heard of any of them, other than the tranny one, which I only heard of because it was a tranny movie.

It feels as though in 1,000 years, Jews will still be giving each other awards for Holocaust crybaby tripe, tranny and anti-Russian propaganda, and then continuing to complain that no one cares about any of it.

It’s funny that the Jews threw this huge fit about the blacks and then went ahead and threw blacks under the bus and decided to make the whole thing about Jews again. Probably, that has something to do with their whole October 7th trauma and deciding that they don’t really like black people very much because black people don’t care about the Holocaust and the second Holocaust of 7/10/23.

Since October 7, Jews have published an endless stream of news articles attacking black people for not doing enough for them.

It’s never been more obvious that Jews never actually cared about black people, and simply wanted to use them to attack whites. As soon as the blacks questioned Jews, all of the sudden the Jews ban them from the Oscars, after pretending that making them the center of the Oscars was the most important thing in history.

With the Jews having thrown the blacks under the bus, it is time for white supremacists to align with the blacks against the Jews.

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#OscarsSoJewish: 89th Oscars Ceremony Scores Second Worst Ratings Ever https://www.anglinarchive.com/2017/02/28/oscarssojewish-89th-oscars-ceremony-scores-second-worst-ratings-ever/ Tue, 28 Feb 2017 00:00:00 +0000 Eric Striker
Daily Stormer
February 28, 2017


Jimmy Kimmel, boring musicals about how fabulous famous people are and a night of Donald Trump bashing – nothing could save the Oscars.

For the 89th time in a row, Jews swept the Academy Awards, but this time, nobody cared.

This edition of the award ceremony had the second worst ratings since Nielsen started keeping track in 1974. As usual, the (((Fake News Media))) refuses to report why exactly millions of Americans didn’t bother tuning in, except as a “theory.”

It’s not that they can’t handle the truth, it’s that they have an agenda to protect, and under this umbrella is the dishonest notion that elite Beverly Hills Jews are the cultural vanguard and conscience of America.

New York Times:

The only Oscars broadcast to fare worse was the 2008 show, which had 32 million viewers and aired shortly after a writers’ strike had ended.

Last year, ABC secured broadcast rights for the show until 2028 — at a cost of roughly $75 million a year — and through the contract negotiations, the network was given a bit more creative input into the show. To wit, ABC got the host it long wanted: its late night star, Jimmy Kimmel.

…

There will most likely be a number of theories as to why viewership has dropped. Last year, the controversy surrounding #OscarsSoWhite, a movement on social media aimed at the lack of diversity among the nominees, led to speculation that viewers could be turned off by the prospect of an hourslong civics lecture. This year brought the prospect of political speeches aimed at the Trump administration from an entertainment industry that largely opposes the president.

Ratings are also often driven by the popularity of the movies in contention. “Moonlight,” which won the best picture award, was a favorite in big cities like Chicago, Los Angeles, New York and San Francisco but was ignored by much of the heartland.

I’m not prejudiced enough to dismiss every single movie or TV show about black people as bad. For example, “The Wire” and “Ghostdog” were pretty good. But judging from the vox populi reviews of “Moonlight,” a film about MoonCrickets that the New York Times claims went over “the Heartlands'” (read: white people’s) head. It’s obvious that this was an affirmative action victory in response to a phony media campaign.

But hey, there is something to the fact that Hollywood lacks diversity. Up on stage to receive the statuette for best picture (“Moonlight”) was Jeremy Kleiner, a Jewish producer who specializes in making politically anti-white movies aimed at inciting black violence (he won best picture in 2014 for “12 Years A Slave” and was nominated in 2015 for “Selma”).

With Gentiles being locked out of Hollywood, they are flocking to other parts of the country to continue cultivating the kind of well-written content (The Walking Dead, Breaking Bad, Westworld, etc.) Jews have killed with their transparent politicking.

It goes without saying that people like TWD writer Frank Darabont and Breaking Bad creator Vince Gilligan are hardline leftists, but even with their unrealistically diverse characters and gay/feminist propaganda, their shows lack the kind of gut-wrenching anti-white invective Jew-produced films like “Get Out” embody.

For this reason, Hollywood’s days are numbered.

It’s too bad Frank Davi’s idea wasn’t put into action:

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