It’ another sad milestone for America.

Breitbart:

Broadway is giving our founding fathers gender re-assignment surgery.

The new Broadway revival of the classic musical 1776 features a cast comprised entirely of women, transgender, and “non-binary” actors. The woke staging, courtesy of the prestigious Roundabout Theatre Company and American Repertory Theater, officially opened Thursday at the American Airlines Theatre in New York, with a national tour expected to kick off next year.

1776 dramatizes the signing of the Declaration of Independence, following John Adams (played by actress Crystal Lucas-Perry) as he attempts to persuade members of the Continental Congress in Philadelphia to declare independence from Britain.

Among the transgender and “non-binary” cast members is a performer named Sav Souza in the role of founding father Dr. Josiah Bartlett, who represented New Hampshire in the Continental Congress. Souza recently declared on Instagram that transgender people existed back in 1776.

“Trans People Have Always Existed – they existed in 1776, and they absolutely exist ON BROADWAY!” the actor wrote alongside a photo displaying what appears to be her double mastectomy scars.

It’s actually a fun play.

The blacks and trannies, of course, couldn’t write their own play. They have to use a 1960s play produced by normal heterosexual white men.

To build on my latest Taki’s column, “Alexander Hamilton: Honorary Nonwhite,” about the war over which Dead White Euro-American Male to kick off the currency to make way for some (not very galvanizing) woman from American history, the current hit musical Hamilton about a heroic Latin American / West Indian immigrant Treasury Secretary rapping his way to America’s financial stability on world bond markets is not the only Broadway musical of this decade about a man on the money.

Bloody Bloody Andrew Jackson ran 120 nights on Broadway in 2010-11, closing at a loss.

Judging from this highlight clip, the musical portraying the 7th President as a foul-mouthed emo rockstar had artistic problems: e.g., electric guitars and Broadway usually don’t go together well, and the notion of Andrew Jackson as Fall-Out Boy is not one of those slap-your-forehead ideas that you can’t imagine why you didn’t think of yourself.

But, while Hamilton is portrayed in Lin-Manuel Miranda’s hit show as the unquestionable hero of the nearly all nonwhite production of Hamilton, Jackson was seen in Bloody Bloody Andrew Jackson as at best ambivalent … or an “American Hitler.” From Wikipedia:

Near the end, the play reviews Jackson’s legacy and the views attributed to him. Some believe he was one of America’s greatest presidents, while others believe him to be an “American Hitler.” The final scene shows Jackson receiving an honorary doctorate at Harvard. He reflects upon his achievements and his questionable decisions. The show telescopes out and we get a bird’s-eye view of Jackson’s damning legacy and our collective culpability (“Second Nature”).

Sounds like a rousing closing curtain.