This seems symbolic.

It seems… the world is already at war.

RT:

The 2023 MTV Europe Music Awards show has been canceled due to security concerns stemming from the Hamas-Israel war. The annual event featuring live performances and attended by many artists and other celebrities was due to be held in Paris on November 5.

“Given the volatility of world events, we have decided not to move forward with the 2023 MTV EMAs out of an abundance of caution for the thousands of employees, crew members, artists, fans, and partners who travel from all corners of the world to bring the show to life,” the organizers wrote on X (formerly Twitter) on Thursday.

“As we watch the devastating events in Israel and Gaza continue to unfold, this does not feel like a moment for a global celebration. With thousands of lives already lost, it is a moment of mourning,” the statement read. The organizers added that the eventual winners will still receive their awards this year.

European countries have seen a wave of politically motivated violence and riots since the fighting between Israel and Palestinian militants erupted this month. There have also been demonstrations by pro-Israel and pro-Palestine groups.

This is like the sort of thing that happened after 911.

When I saw the headline, I thought they were planning to host it in Israel or something.

But France?

You’re shutting down major events in France because there’s a war in Israel?

It’s extreme.

On Tuesday night, MTV – which apparently still exists – aired a defamatory hate documentary about Nicholas J. Fuentes, based on two-year-old footage which they had recorded when Nick was 19 and never released.

The full video is above, but this is what they originally announced it with, hours before it aired, on Twitter:

We're investigating racism in a new documentary special, 'White Supremacy Destroyed My Life.' Former KKK member Shane Johnson talked to right-wing YouTuber Nick Fuentes about how white supremacists use "white pride" to attack racial minorities. Watch TONIGHT at 10p on @MTV pic.twitter.com/MHsunWV06y

— MTV NEWS (@MTVNEWS) December 10, 2019

That is one of the most bizarre clips I have ever seen in my life. This is a prison bitch skinhead with neck tattoos getting all aggressive with a nice young lad from the suburbs. If you watched the video without sound, you would think it was this skinhead attacking Nick for not being a hardcore neo-Nazi. The optics of it are simply unfathomable. And the bizarre way it is edited – I have never seen anything like it.

For some reason, the documentary mixes in the adventures of fat black bitches who went to meet a descendant of Robert E. Lee. They claim their mother was killed by Dylann Roof in 2015.

Basically, they’re trying to say this was Nick Fuentes’ fault.

The Lee descendant, who is a pastor, appeared on MTV in 2017 to denounce white people. And the documentary plays the clip of Nick responding to that.

They bleep out the word “cuck,” which I thought was strange.

The show then cuts to the skinhead whackjob featured in the above clip.

Shane Johnson is only 26, but he has already been a hardcore Nazi and been reformed from that, according to this show.

They then cut – there are a lot, lot, lot of cuts – to Nick at an anti-gun rally, being hilarious.

Again, that is from the original footage from February of 2017.

Then we cut to the interview with Nick and the skinhead lunatic.

I was shocked that the editing in the documentary was the same as in the Twitter preview. I thought maybe someone just did that as a promotional clip. Why would someone think jumping from camera angle to camera angle every 1.5 seconds looks good? It gives you a headache.

This guy is so obviously just a low IQ loser who got offered money to shill. He is a pathetic little worm.

This is the only scene in the whole thing where Nick for a few seconds looks bad, because he’s got this aggressive weirdo getting all up in his face, and he gets a little bit shook.

The skinhead does this thing like a black guy where he refuses to make eye-contact, while also making all of these super hostile motions.

Then, alternately, he is looking him straight in the eye in an insane way.

It’s what the blacks do before they pull a knife on you. It is the cowardly, unhinged form of aggressive posturing, and it is the most likely to end in violence. People recognize on a subconscious level that when a person is moving around like this, looking all around the room and refusing to look you in the eye, then alternatively staring at you right in the eye, they’re likely preparing to catch you off-guard with a deathblow.

I assume this guy was in prison and learned this there.

So Nick has a few moments where he looks shook.

That is literally the only way they were able to make him look bad. By sending a (reformed) skinhead gang member in to threaten him.

The film then shows the fat black bitches going to their mother’s grave.

Before cutting to the skinhead getting a tattoo of a demon over his swastika tattoo.

No explanation as to why he didn’t just get the tattoo removed. It’s basically as cheap as getting a new tattoo at this point.

Finally, we see the fat black bitches eating ice cream.

Ironically – or not – there is basically a zero percent chance that these women will die of anything related to white supremacy, while there is more or less a 100% chance they will die of obesity related disease.

So the ice cream is a lot more dangerous than white people, I can tell you that.

Just so, if MTV actually cared about helping black people, they would do much better to produce a documentary about the way obesity is decimating the black community – particularly women.

But of course, this isn’t about helping black people. It is about harming white people.

The documentary was utterly bizarre.

The editing was basically incoherent, not just in the way the specific scenes were edited with the 1.5 second camera angles, but in the way they tied all of these different things together.

But it won’t have any effect. Nick looked good, he looked normal. And anyone can see that Nick isn’t Dylann Roof.

Here’s Nick’s Twitter thread about the documentary, which he posted last night before it aired.

A guy named Pete Ritchie and his boss Jason Wolfe pitched an episode to me for the reboot of MTV True Life about young political activists which would feature me as a young conservative and an unnamed young liberal. Initially I turned them down! pic.twitter.com/XtmL8FcNuN

— Nicholas J. Fuentes (@NickJFuentes) December 10, 2019

Pete emailed me later that week and offered me a number of assurances that MTV would portray me in a good light and I would have some control or oversight over what was broadcast. After much consideration I reluctantly agreed to participate in the show. pic.twitter.com/bhqFLA18Kk

— Nicholas J. Fuentes (@NickJFuentes) December 10, 2019

Pete and a team from Karga7 came to my house and filmed for a week, doing hours of interviews, B-Roll, they filmed me doing my show and they covered my periscope of an anti-gun rally in Chicago. This is what my mother texted to Pete Ritchie at the end of the shoot: pic.twitter.com/PNdoUO50s1

— Nicholas J. Fuentes (@NickJFuentes) December 10, 2019

Jason Wolfe followed up and said the MTV True Life episode would air on February 20th. The airdate was pushed back several times until it was put off indefinitely and needless to say this episode never aired… but the footage from this shoot will premier tonight! pic.twitter.com/ZAglRaRTJl

— Nicholas J. Fuentes (@NickJFuentes) December 10, 2019

Almost two years after a shoot for an episode of True Life, MTV has repackaged the footage into a mini-doc about “White Supremacy” which attempts to portray me as a spiritual successor to this low IQ skinhead buffoon, conveniently right after Groyper Wars!https://t.co/lRrRcCq2ta

— Nicholas J. Fuentes (@NickJFuentes) December 10, 2019

At the time of this shoot I was 19 years old and had only been doing my show for a year. I initially declined to do the show because I knew “Jason Wolfe” and the media would not be kind to me but I never imagined a farce like this. Obviously I made a big mistake.

— Nicholas J. Fuentes (@NickJFuentes) December 10, 2019

This just goes to show how unscrupulous, vindictive, & evil the media is- they take DECEPTION to another level. MTV sat on this footage for two years only to dump it after the Groyper Wars in a naked and obvious attempt at character assassination. It won’t work. Fuck the media.

— Nicholas J. Fuentes (@NickJFuentes) December 10, 2019

And here’s a fancy treat – Nick streamed the show live last night, and commented on it.

Very funny.

I can reveal that this Jew Wolfe person also contacted me and wanted me to be on his show. I of course did not respond to the email. Or maybe I told him he would have to come to Nigeria and he said no, I can’t remember. It was two years ago and my emails are all set to auto-delete. But I was definitely approached about this.

You never do these things. If they were going to make you look good, they wouldn’t do it at all.

I think Nick knows this now. I guess it’s a lesson everyone has to learn. Except me, I already knew it, and have never subjected myself to any such thing.

I only go on Israeli TV.

MTV, 1990

MTV, 2018

There was a time, at some point before the industrial revolution, when entertainment was actually an art, and people actually had to be creative or inspired to become popular.

This is just no longer the case. At this stage of history, the art of appealing to the public has been pretty much gamed out and everything is already figured out. This began to happen years ago, mostly guided by enterprising Jews looking to apply Jewish psychological theories to mass communication, to convince the goy consumer class to buy whatever the goy producer class wanted sold to them.

Read this book, big-brain goys.

Now that we have A/B testing and decades and decades of data from trial and error in mass communications, there just isn’t much room left for guesswork in entertainment, especially in TV and double-especially in movies, which are expensive to produce and so very expensive to screw up.

This is basically why movies have genres, and almost any movie you can see follows a plot that you have already seen in the last ten movies you saw. It would be risking a lot of money to make something new, and it’s considered safer to just make the same thing, over and over, because the data is already in.

Using their great powers of Science, our Jewish TV oligarchs have objectively derived the formula for appealing to the American public, which is about 56% white and about half conservative:

“Annoy the shit out of them, insult them to their faces, and remind of them about politics.”

Brilliant.

Fox News:

While presenting at the 2018 MTV Video Music Awards, Kevin Hart told the audience they were “allowed to kneel,” seemingly referencing how NFL players have been protesting during the national anthem before games.

“[In] this game you’re allowed to kneel,” Hart said while presenting with fellow comedian Tiffany Haddish.

He continued: “You can do whatever you want, there’s no old white men to stop you.”

Hart, 39, also said the award show was like “a typical day at the White House.”

“Beefs pop off, bad language, people run to the bathroom and send out crazy tweets,” Hart said. “It’s basically like a typical day at the White House. In your face Trump, suck it.”

…

Rapper Logic donned a shirt that read “F— the wall” while singing his song “One Day” with Ryan Tedder. The 28-year-old singer was joined on stage by immigrant leaders, parents and children, all wearing T-shirts that read “We are all human beings,” in protest of the Trump administration’s family separation and detention policy.

Genius.

According to several anonymous sources with the Council of the Learned Elders of Zion, the original script was to just broadcast two hours of actors, dressed up like Donald Trump, being held in stockades and flagellated during the entire performance by black trannies, while chanting “racists! racists! racists!” on loudspeaker.

However, upon careful consideration, they decided that this might have the unintended effect of making mainstream entertainment completely toxic to about half of the country. They concluded that, not only would this script risk driving their prospective white audience directly into the hands of alternative outlets like the one you’re reading right now, and thereby widen the rapidly growing cultural divide in the West by tearing down any remaining cultural artifacts that everyone could rally around, but they also figured that they would lose a crap-ton of money, by alienating the whites that still form the majority of the television viewing audience in their still majority white country, and who still represent the overwhelming majority of people who even have money to spend on whatever they run ads for.

So, they went with this neutral script instead, aiming for universal appeal and ratings.

The results, of course, were spectacular.

Hollywood Reporter:

For the second straight year, the MTV Video Music Awards drew its smallest audience ever.

Monday’s show drew 2.25 million viewers and a 1.1 rating among adults 18-49. Across eight Viacom-owned channels, it drew 4.87 million viewers and a 2.2 in the demo; both sets of numbers fall short of the 2017 VMAs, which set the previous low.

Just to put this into perspective, the Daily Stormer jumped from 2,700,000 to 3,000,000 people last month (plus God only knows how many people connect through Tor), with English adding 250,000 readers and Spanish adding 50,000. We will continue to grow beyond that. Given these trajectories, we will probably be more widely consumed in a month than the MTV Video Music Awards, by this time next year.

The awards also aired on a ninth Viacom network, TV Land, for which numbers weren’t immediately available. It is highly unlikely, however, that enough people tuned in there to push the VMAs past their 2017 on-air total of 5.36 million viewers and 2.6 rating in adults 18-49.

The 2017 awards also aired opposite a huge Game of Thrones finale on HBO; the heaviest head-to-head competition on cable Monday was WWE Monday Night Raw on USA (1.1 in 18-49, 3.1 million viewers) and an NFL preseason game on ESPN (0.8, 2.66 million).

The MTV-only airing is down 15 percent in viewers and 21 percent in adults 18-49 versus 2017. The simulcast is off about 9 percent in viewers and 15 percent in the demo.

The VMAs suffered even steeper declines among MTV’s core viewership of teens and young adults. In the 18-34 demo, the show’s 1.2 rating fell by almost half — 47 percent, to be precise — from 2.2 a year ago. It declined by similar percentages in the 12-34 cohort.

So, I guess the fact that they have any viewership at all is just because of their legacy audience – which is also falling off – but in the demographic of people who are actually at the age to be interested in this sort of stuff, they basically lost half.

Has their Science! failed them?

I mean, okay – maybe, in retrospect, this was not a good a model for entertaining white people:

I think it’s pretty entertaining though, to be honest.

But, it’s political entertainment.

It’s not clear why they have chosen to abandon their legacy product – music celebrity entertainment – and venture off into political entertainment. Some people just want to forget about the real world for a while, and I don’t blame them. For those who don’t, there are a lot of outfits that are working that niche very well, so maybe it didn’t make sense to try to spoof CNN’s product, instead of just doing music. Bill Maher is genuinely higher quality “fuck white people” entertainment, for people who are into that.

If mainstream pop culture wasn’t spontaneously self-destructing, I would be plotting every day to destroy it, so as to create a cultural vaccum that we could move on in. But, they’re just going full suicide.

That just leaves me with one less thing to plot, which is great.

The Daily Stormer, as a news model, basically relies on white people being subject to constant racial abuse, both by real social conditions – mass immigration, gibs, etc – and by the mainstream media. If they ever stopped doing that, our message would stop being relevant, and so our readership would crumble.

So, on behalf of the Daily Stormer – Thank you, MTV. Thank you. We thrive on this shit.

At least the music is still appealing though, right?

Camila Cabello won video of the year honors at the VMAs for “Havana,” and Jennifer Lopez received the Video Vanguard Award.

I mean, who doesn’t like listening about white women doing sexual tourism with negros in Cuba?

Or, I guess she’s actually Cuban, so she’s singing about just doing non-tourism bestiality in Cuba, and then coming to the United States for some reason?

This gross song about coal-burning and illegal immigration actually has 1,278,000,000 hits on Youtube, so I guess people are still listening to the product itself, even if MTV, the meta-product, has become too insufferable.

This is basically all marketing and almost none of the product itself.

The product itself obviously sucks. “The story of casual sex between a negro and a latinx in a communist hermit country island” is not a product with huge mainstream appeal. As far as the purely music content of this product is concerned, the vocals actually sound virtuosic once they come out of autotune, and yeah, sure – it’s catchy.

But, let’s be real.

Anyone could spoof this style easily. The sound (except for the cringe ebonic rapping) is actually good, but it’s also exactly the same actually good sound as the last ten songs. Its popularity is basically a testament to how many people will listen to a song just because they are aware that it exists, or they already heard it on commercial radio and it got stuck in their head, or everyone else is listening to it.

Why aren’t we making our own music?

What am I even supposed to listen to? Taylor Swift?

She is basically content-neutral.

The Internet just memed her as a literal nazi because it had literally no one else.

She’s a woman, ffs.

Singing is one of the few jobs that are appropriate for a woman to do, but a female singer can never be anyone’s “voice of a generation.” 

A woman is not qualified to speak for a generation of men.

Women are not even qualified to speak in public about most subjects.

Any man who “gets it” could make catchy pop songs about modern white male issues.

You could sing about how women are cheating sluts and there isn’t enough wife material to go around. You could sing about being a minimum wage wagecuck who can’t get a real job like his boomer dad.

You could sing about your simultaneous feelings of generational resentment, and generational inadequacy, because your generation has more faggotry and slutting than the boomers ever did, and that despite the civilizational crisis that the boomers wished into being and neglected, most young men are still worse people than their own fathers, and you know it, and it hurts to know it, but you know it anyway.

You could sing about how your brother had no future, went to jail and overdosed on heroin, or about how your sister got forced into prostitution (implicity by moslems). You could just sing about how you don’t even recognize the place you grew up in, and you feel no connection to your own people.

These are the real, personal issues that define our generation.

The left would hate it, but they wouldn’t be able to do anything about it, because the message, while white and male, would be strictly implicit and so appropriate for mainstream consumption. People would listen to that. Someone could literally reach ‘voice of a generation’ tier with that,

These would resonate with real people on a personal level.

Yet, no one is singing about these issues.

And, don’t even tell me “but country music.” And don’t make me explain why country music is not a valid response to this problem. Go defend pop-rock + meme accents somewhere else.

Also, please do not think that this would have to be slow, depressing, faggy emo music. Anyone could literally just take the catchy pop music style everyone is listening to, and make the words be about something more appealing than burning coal and being an illegal immigrant.

There is obviously a huge, unsatisfied demand for this sort of material.

Do I have to do everything myself?

I just don’t have time. There is only one (1) of me, and there are literally a couple dozen things I could each individually dedicate my entire life to doing, which respond to some huge, unsatisfied demand, but which no one is doing. Apparently, everyone is literally retarded and unable to imagine new useful things, or literally soulless and just gives no fucks about anything.

I guess people who immediately need money work jobs instead of working on creative projects, and people who don’t immediately need money just play vidya or something until they need money.

We do have fashwave, sure.

I guess. Firstly, it’s self-castrating in that it is “literally fascist lol,” which works on the internet, but not in street protests, and also not in music that can be widely popular, because all successful music is personal, not political – even successful political music is only successful because it is also personal.

Aside from the messaging fail, fashwave is  “literally trying to resurrect electronic music as a medium for our ideas.”

This is not a winning model. Purely electronic music has never been really mainstream, because people prefer the personality and emotion of a human voice with a human story.

This will never change.

Fashwave is a dead end in our quest to get our ideas into mainstream culture.

And, look – I’m not trying to say that fashwave isn’t good or that I don’t like it, but what I like is just not a solid measure of what most people will like.

I’m also not trying to say that people making fashwave shouldn’t keep making it.

Some content needs to be made for reasons other than clickbaiting an ADHD public which will chuckle, forget about it, and back to business as normal.

I love you, public. Really.

Mercy on all of you.

Some content needs to be made for a small cohort of people who will deeply appreciate it and improve their own human condition as a consequence.

If it were not for Anglin content like that, if the insight here hadn’t been useful to me personally, I wouldn’t even care enough about this site enough to write for it.

I have literally neglected months of making money, just to write a book which will never be widely popular because I don’t write romance / crime / fantasy novels, not because anyone will ever read it, but simply because it deserves to exist on its own merit.

I am only telling you this so that you understand that I have no high horse to ride on here. When I say that fashwave is, by design, a failure for mass consumption, I myself am consciously guilty of this, and I am guilty of it presently, and I will continue to be guilty of this in the future.

So, yeah – I understand.

We try not to do infighting on the Daily Stormer. You literally have to get arrested for a domestic dispute involving banging your mother-in-law to get a polite disavowal around these parts. If there is ever a time to pick at our own ranks, the Master Chief would have to take the lead on it, and not I, a staff writer, so I’m definitely not looking to take a strong lead on that front.

I will say this, though – the post-election saga of the “alt-right” was basically a cleansing fire that weeded out “people with effective models” from “people with ineffective models,” and I take absolutely no joy in seeing “people with ineffective models” going down with their ships, when they could just figure out that what they are trying to do has basically crippled its own growth potential with inherent design flaws which could be remedied by just objectively comparing them to the models of more successful things.

I don’t write this to hurt feelings, but I feel like it should be said at least once, in case someone reading this is actually thinking of producing content.

If you want to make something successful, imitate what is already successful.

For example, if someone wanted to do radio, they could just look around, find something that is already successful, critically evaluate its core elements, and copy what is useful.

Alex Jones, for example, does successful radio. He has, like, 18.88 million monthly visits.

Yes, that is the exact number. Since Alex Jones has been deplatformed, his most recently statistics are literally praising Hitler. You can figure out what that means if you believe in coincidence – I don’t.

Just how pop songs are a proven, successful model that could be spoofed with the backing of objective evidence, his radio program is also that. You could just cut the ads, change the script to be racist, sexist, homophobic, etc, and keep the red meat of what makes his program work – one guy, high energy, getting PISSED OFF, and producing and marketing soundbytes that can be sold as stand-alone one-bit pieces (no one is listening to your three hour radio program dude, sorry “Alex,” it’s just too long, we have jobs and families, no one has time for that) and throw in a healthy dose of Jesus, America, the Bible, the Constitution, Monster Trucks, The 2nd Amendment, health advice, add women advice, etc.

You know – stuff people are objectively proven to like through prior experience.

Or, I mean, look – you could also just come up with your own idea for music, or your own idea for radio, and hope it works. It might work, if you have a good idea. Some people do have good ideas.

But, you know, some people don’t.

Most of my ideas are bad. I’m just lucky enough to usually discard them, sometimes with a little nudging from my friends, who I am eternally grateful for.

Some people just want an objectively guaranteed way to make popular content.

Like, for example, “physical rallies and protests as a path to mass popularity” IE “pre-charlottesville alt-right” is something that, as far as I know, has never worked – not just for white nationalist politics, but for anyone looking for popularity in any venue. I don’t think doing physical venues has even worked for musicians as an efficient path to popularity, as opposed to just selling records or getting on the radio.

Even for political campaigns, physical venues have mostly just been useful to give the image of mass popularity to consumers of digital media. Like, how many of you have been to a Trump Rally, and how many of you haven’t, but you’ve seen one on TV, or Youtube, or whatever?

Yeah, that’s what I thought.

So, retrospectively, “I’m gonna make it big if I do 200 concerts” just isn’t gonna work. The failed protest scene experiment was not “a necessary growing pain for the alt-right,” sorry, but it was literally something whose failure could have been predicted in advance by comparing it to literally anyone who had tried that model, using evidence, and logic.

And there are other guys, now, who are doing things now that will not work, or will not work as well as they should, based on these same, objectively measurable principles of collective past experience, evidence, and logic.

So, please, guys:

We need our own culture.

I can’t do it all myself.

If you are creative, please just spoof things that are proven to work, and maintain all the elements that make them work, with only those modifications necessary to make them suited to white males, and do A/B testing of models.

Or, whatever – you could also not do this, and run with a model that has never worked, for reasons unrelated to how white nationalist it is. I’ve been there too. I get it.

Like, I’m not even in the business to tell anyone how to do their stuff.

If you’re trying to “revive music for white people” or “revive electronic music,” I guess that depends on your own goals. Just, be clear to yourself about what you’re trying to accomplish.

And, look – this is just what I think, and I’m an anonymous guy on the internet, and I love all of you guys, even the ones who go “literally full MTV” in terms of useful models, and fail to reach even half of their potential due to innate flaws in their model.

But, I would love you a lot more if you would please start winning.

I want you to win.

So, now you all know what I think about content creation.

Do whatever.

Ministry has always been one of those sponsor friendly politically correct metal bands that gets played on MTV.

The decision of these shark-jumping Gen X has-beens to release a music video calling on communists to commit acts of terrorism is apparently an attempt to make being an over-sensitive and hysterical snowflake “cool.”

It’s not resonating, the video’s negative reviews outnumber the positive 4 to 1. Young people see right through this big business pro-globalist revolution-chic propaganda.

Fuck off, trendies!

Digging deeper we can see what the root of the problem is: the multi-national German corporate record label Nuclear Blast. Its owner, Markus Staiger, is personally very active in pro-Merkel regime, pro-immigration Antifa paramilitary activity. They keep their neighbors and community in line with beatings, job termination and stalking crime-thinkers.

Antifas in Germany take it upon themselves to monitor their fellow citizens criticizing immigration and then report them to the police state. How revolutionary! Staiger is quite proud to be part of this movement.

If you’re familiar with the metal scene at all, you know that Nuclear Blast is often cited as one of the big forces in introducing SJW/J-left ideology in that field of creative musical expression.

What’s left of the metal crowd doesn’t like it, but without the money and power the Judeo-Left interlopers have behind them, they are helpless minnows being swallowed up by the poz machine.

Metal music has gone from being counter-cultural to a safe fashion statement espousing the same politics as Lady Gaga.

NB is more or less a monopoly in what has rapidly declined into a niche market. If you want to make a living playing music you better loudly signal in favor of their shitty politics and stay quiet about your own. On their band page, you will see they own all the big “sellout” pop-metal bands across the rock music spectrum: Cradle of Filth, Dimmu Borgir, Lamb of God, Nightwish, Sabaton, Testament, even Slayer.

With basically every famous metal band that’s still together being at the whims of some Antifa asshole, expect this stifling and unpopular conformity masquerading as rebellion to snuff out the last breaths of a metal genre already gasping for oxygen.

Goycott all the bands that do business with Nuclear Blast.

At the end of the day, the young white men these businessmen hate are the main cash cow for any metal music enterprise. Don’t go to any concerts or buy any merchandise released by these anti-white corporate Antifas.

The Jewish media will have you believe that America will not survive without these freaks serving in the military. I would beg to differ!

In a major step forward, Donald Trump’s order to ban transgenders from military service has been made official.

Reuters:

U.S. President Donald Trump signed a memorandum on Friday that directs the U.S. military not to accept transgender men and women as recruits and halts the use of government funds for sex-reassignment surgeries for active personnel unless the process is already underway.

The memo, released by the White House, laid out in more detail a ban on transgender individuals serving in the U.S. armed forces that Trump announced via Twitter last month, reversing a policy shift started under his predecessor, President Barack Obama.

In it, Trump directed the Department of Defense and Department of Homeland Security to stop using government funds for sex-reassignment procedures unless it is necessary “to protect the health of an individual who has already begun a course of treatment to reassign his or her sex,” the memo said.

The order requires Secretary of Defense Jim Mattis to determine in the coming months how to handle transgender individuals currently serving in the military using criteria including “military effectiveness and lethality,” budget constraints and law.

The entire idea of transgenders in the military was one of the goofiest and insane things imaginable. A person who is confused about their gender identity is not a person you want running around with weapons or explosives. These are insane people who belong in mental hospitals. It is only thanks to neurotic Jews running major media institutions in America that there has been an attempt to normalize this mental illness.

Naturally, the Jewish media is acting like this is a controversial decision. Then you have morons like John Insane McCain aka Tumor McTumorFace criticizing Trump over the decision. Why? This is common sense. Having to deal with tranny freaks distracts from overall military readiness which is something I thought Tumor McTumorFace was deeply concerned with.

MTV has invited tranny military members to attend their annual Video Music Awards show. This is obviously designed to counter Trump’s decision to ban these horrible freaks. Speaking of which, can we just ban MTV off the airwaves? Can we get their domain seized by the registrar? This is warranted as they produce lots of offensive material that is microaggressive and violates my safe space.

Even though this is definitely a step in the right direction by Trump, much more progress is needed. Homosexuals, minorities and women need to be banned next. Trump should start with the faggots and work his way down the line!

Thanks for doing our job for us, you wacky Blacks.

MTV has produced one of the worst videos ever in celebration of Black History Month.

The video features a White male, who we are shown is totally stupid, saying that he wishes there was a White History Month. A magical Negress then appears and explains to him that Blacks invented everything and created America.

People actually believe things like this. I’m serious. There are people that will watch this and say “well, I know Blacks don’t see very smart, but they must be because they invented everything and created America.”

As soon as you hear statistics, you should generally assume you are being Jewed with. However, generally, people assume the obvious – that a statistical statement must be true because it is mathematical.

As this article (read in the above video) proves, MTV was Jewing you when they made the claim in their hoax documentary “White People” that Whites are more likely to get into college than non-Whites.

Regardless of math, this was obviously a lie on the face of it, given that we know about all of these “affirmative action” programs, which are designed to hurt White people. But there are the facts of the issue.

I was surfing on Storm Front and ran across this post that General Gage made calling people to sign the petition that calls for MTV’s “White People” to be shut down.

As I write this, the petition has been signed by 1088 people. I just signed it; now it’s your turn.

As Gage points out in this video, the last petition that was passed around the pro-White community went viral. Remember the one about White people’s right to escape their genocide in South African and return to Europe? It got enough signatures and enough attention to get noticed.

We can do the same with this one.

This is the full MTV hate film against Whites produced by Jews and starring the world’s most famous deformed Filipino troll.

What does it mean to be white? MTV’s ‘White People’ is a groundbreaking documentary on race that aims to answer that question from the viewpoint of young white people living in America today. The film follows Pulitzer Prize-winning journalist and filmmaker, Jose Antonio Vargas, as he travels across the country to get this complicated conversation started. ‘White People’ asks what’s fair when it comes to affirmative action, if colorblindness is a good thing, what privilege really means, and what it’s like to become the “white minority” in your neighborhood. For more information on ‘White People,’ and to join the conversation, head to race.lookdifferent.org.

I haven’t watched it yet, but the trailer was unbelievable. Appeared as satire of SJWism and anti-White hatred, though apparently it isn’t.

The good news is that the film has gotten a whole lot of negative press. White people are more abused than any group in history, and the Jews at MTV decide its time to kick them when they’re down.

Maybe we should interview Jose about Filipino culture? See if we can figure out why exactly it is he decided to abandon his own people to join hated White society?

To be honest, I like Philippines and Filipino people, and don’t think Vargas in any way represents them. Most all Filipinos love their country and their people, and when you meet them in any other country they just moan about how they want to go back to the Philippines.

On top of that, they love White people, and Americans in particular, and will constantly thank Americans for everything they did for their country during the colonial period.

So Vargas is atypical, a traitor to his own people, as well as utterly ungrateful to Whites for allowing him to leave the poorest country in Asia and come live with them.

Really a diabolical figure, as his physiognomy shows.

What he does in the film (from the bits I’ve seen so far) is find the weakest and most pathetic Whites, then abuses them.

We don’t see any MMA fighters or motorcycle riders or farmers or auto mechanics or heavy metal guitarists or soldiers or Neo-Nazi newspaper men in the film.

Instead we see guys like this:

He finds the most pathetic among us – people who should feel bad about themselves – and then shames them to promote his invasionist agenda.

I think in a lot of ways, this film represents the end of the line for SJWism.

They are now just openly mocking us, in a childlike fashion, as they demand to suck us dry of everything we created. And the masses are finally beginning to see just how contradictory and abusive this relationship we have with these brown people actually is.