I was also shocked to learn this information.

I didn’t even know King Arthur was a real person, let alone that he was trans.

LBC:

A Welsh council has included King Arthur in their LGBTQ+ history timeline because he was once mentioned to have “wore women’s clothing” in folklore.

The Welsh ruler, who is best known for attempting to find the Holy Grail, has featured in the council’s LGBTQ+ timeline as a result of his attire.

The timeline, created by Denbighshire council, documents key LGBTQ+ timeline moments throughout history, with the Welsh ruler

It formed part of the council’s mission to celebrate “local stories of sexual orientation and genre identity”.

The initiative formed part of Welsh Government commissioned training in LGBTQ+ Language and History for local libraries, museums, and archives.

Another important anal milestone from Denbigshire’s anal timeline

Just last month Welsh librarians were been told to avoid holding meetings in ‘racist’ buildings as part of a crackdown on Colonialism.

The directions, put in place by decolonisation experts, appear in training guidelines for librarians in Wales.

Now, the LGBTQ+ timeline has come in a bid to raise “awareness and understanding” of the community across wales

The earliest references to King Arthur date back to a time where he was depicted as a successful “dux bellorum” – or warlord.

Mentioned throughout the Welsh mythological book The Mabinogion, King Arthur’s sexuality has never knowingly been mentioned in scripture.

It’s since been claimed the ruler was included in the timeline because he “wore women’s clothing”.

The ‘Action Plan’ aims to tackle inequalities when it comes to LGBTQ+ issues.

It stated that: ‘Welsh LGBTQ+ history, culture, and heritage in Wales has contributed to our legacy and experiences as a nation and these stories need to be told.’

Wales is doing a great job sticking it to Donald Trump the fascist.

They don’t even have any white people in Wales anymore. They completely banned it, unless you’re a tranny.

Wales has always been the wokest part of Britain, it’s just less obvious because of how small it is

It’s not enough for whites to have their lands taken away from them. Even our history and mythology, the imaginative spaces where we take refuge from the real, are to be robbed from us too.

Guy Ritchie’s recent King Arthur movie went pretty far in bringing diversity to the Arthurian myths. Arthur was a cockney geezer who learned to fight from Chinks and was mentored by a bunch of negroes, who later became his Round Table Voodoo Posse.

But Netflix, in its new Cursed series, has gone one better, offering an even more Woke take on Arthurian legend. Now even Arthur himself is “diverse,” played by Devon Terrell, an American half-breed, offspring of a negro father and Anglo-Indian Paki mother, known previously for his role as Barack Hussein Obama in Barry.

News.com.au:

Devon Terrell has a simple message for anyone critical of his casting as the first black man to play Arthur in Cursed, the new Netflix re-imagining of the knight’s tale.

Not only is Arthur a negro; he is a negro mugger, a member of a gang of cut-throats and robbers.

Apart from the calculated desecration of European mythology, most of the standard Netflix script motifs are in there:

• Girlies engaging in hand-to-hand combat with men, and winning.
• Interracial relationships. (The chubby-faced main character, Nimue, gets cuddly with Kang Arfur).
• Intra-sexual relationships.
• Casual disparagement of Christianity. (The baddies are red-cloaked paladins, fanatic Christians who want to extirpate magic from the land.)

The cast is full of random Pakis, blacks and gooks. All the kindly, helpful characters are brown-skinned while the whites are all rigid fanatics, evil schemers, dysfunctional losers (Merlin is a drunk who has lost his magic) or members of a quasi-ethnic minority, the Fey.

The series was conceived by Frank Miller who, in the past, has shown a willingness to take a stand against political correctness. His comic series, and later movie, 300, evoked the prototypical conflict between White Civilization and Wogdom in its celebration of Spartan resistance to the Persian invasion of Greece. Later, his comments on Moslems attracted the usual charges of racism. Now, however, he seems to have capitulated to the Cult of Woke and “got his mind right.” Miller has a producer credit for the series so was presumably OK with this racial appropriation of white myth.

Cursed, like The Witcher, is another failed attempt to recreate the magic of Game of Thrones. Both add lavish lumps of vibrant seasoning to the usual fantasy recipe and both suffer accordingly. The Woke television producers forcing this drivel upon us should consider the possibility that part of what made Game of Thrones so successful was the spectacle of white people not yet afflicted by Diversity’s Curse.

It seems that no aspect of European peoplehood, not even our history or mythology, can be allowed to remain unvitiated. The King Arthur legend – originally a stirring tale of British patriotism in which the king rallied the indigenous people in the face of foreign invasion – is now perversely reworked to become an instrument of pro-invasion propaganda.

The baddies are posh white Nazis, while the heroes are a multicultural posse of negroes, chinks and working-class cockneys. In reality, of course, it is rich white guys like Guy Ritchie who are using the brownskins as an instrument of class and ethnic warfare against the ordinary indigenous people of Britain and Europe.

But negroes aren’t the only ones in the round table posse who are swart of skin. It seems “King Arthur” learned his fighting skills from a bunch of Chinamen, who set up a kung-fu school in Londonistan of what must be around the 5th century AD.

In case you weren’t getting the multicultural point yet, there is more. The baddie, Vortigern, played by Jude Law, performs a kind of Hitlerian salute to the assembled multitude.

It seems that no aspect of European peoplehood, not even our history or mythology, can be allowed to remain unvitiated. The King Arthur legend – originally a stirring tale of British patriotism in which the king rallied the indigenous people in the face of foreign invasion – is now perversely reworked to become an instrument of pro-invasion propaganda.

The baddies are posh white Nazis, while the heroes are a multicultural posse of negroes, chinks and working-class cockneys. In reality, of course, it is rich white guys like Guy Ritchie who are using the brownskins as an instrument of class and ethnic warfare against the ordinary indigenous people of Britain and Europe.