We’re going to fight a World War against Russia and China.

Let’s just hope they don’t say anything mean, or our military will have to surrender.

Breitbart:

Shakespeare’s Globe Theatre in London has added a trigger warning before a production of the Bard’s famed tragedy of Julius Caesar to warn attendees of potentially offensive content within the 1599 play.

Despite depicting perhaps the most famous assassination in history, theatre bosses at the Globe theatre have sought fit to provide audiences with “content guidance” that their production of William Shakespeare’s Tragedy of Julius Ceasar will include weapons and fake stage blood.

“Content guidance: Depictions of war, self-harm and suicide, stage blood and weapons including knives,” the trigger warning The Sun newspaper reported.

In addition to the trigger warning, the woke theatre company has also opted for a gender-bending diverse cast, with the role of Marcus Junius Brutus — the most famed assassin of Caesar — given to Anna Crichlow, a Black-British actress.

The production heads have also cast Roman senator and Caesar assasin Cassius with a female actress and Brutus’ wife with a black actress.

The Globe, which is located on the site of Shakespeare’s original theatre, will run the production from July to September.

Silicon Valley giant Twitter censored a Shakespearean scholar in Britain for quoting a famous line from the Bard’s Henry VI, Part 2. https://t.co/14gc8YHeaE

— Breitbart News (@BreitbartNews) April 25, 2022

It is not the first time that the Globe has decided to offer trigger warnings to the public over Shakespeare’s work, with a production of Romeo and Juliet warning last year: “This production contains depictions of suicide, moments of violence and references to drug use. It contains gunshot sound effects and the use of stage blood.

“If you have been affected by any of the issues raised in this production of Romeo and Juliet please find details below of organisations offering advice and support.”

Actor Christopher Biggins commented at the time: “Do we have to have signs for everything under the sun. It’s a joke. What they are trying to do is insulting to the mentality of theatre-goers.”

The theatre also embarked last year on a project of “decolonising the plays of Shakespeare” through a series of “Anti-racist Shakespeare webinars” hosted by a far-left professor Farah Karim-Cooper.

Shakespeare is probably reaching the end of his run.

There just isn’t any place in modern society for anything thoughtful or interesting, at all.

The type of content that would’ve gotten you a knock on the door from the Secret Service under previous presidents is now “free speech” according to Jews.

Not only is portraying Trump being stabbed to death by women and minorities protected, but people who are outraged by the spectacle have no right to boycott companies that finance such content.

As we speak, well-funded Leftist/Jewish pressure groups have coordinated to attack Breitbart’s sponsors, leading to a 90% drop in revenue. This is all because they don’t like Breitbart’s editorial line. Nobody is calling this an attack on free speech because they like the outcome, but they are offended that Alt-Lites and Trump fans are now mirroring their tactics.

The disingenuous Newsweek kike Ed Simon dishonestly portrays the angry Trump fans as uptight rubes who hate Shakespeare.

Newsweek:

The recent furor in the right-wing press over the New York’s Public Theatre’s current anti-Trumpian Shakespeare in the Park production of Julius Caesar would be funny if it wasn’t so predictable.

Following on the heels of the public castigation of comedian Kathy Griffin’s inopportune tweet of two weeks ago (which in light of “ShakesGate” I’m inclined to now charitably interpret as a promotional still for a contemporary staging of Euripides’ The Bacchae ), conservative sites have gone apoplectic over the “insensitivity” of director Oskar Eustis’s decision to stage the play in Central Park’s Delacorte Theater, a production which exemplifies the observation that “Shakespeare’s political masterpiece has never felt more contemporary.”

The production’s unsubtle message was not lost on the audience when the ancient Roman dictator appeared with a ridiculous blonde bouffant, a cheap, inexpertly knotted tie hanging below his crotch, and a wife who purrs in a Slovenian accent.

As could be guessed, the clanging chorus of the conservative news media was not amused. Fox News, who share Eustis’s distrust of subtlety, disingenuously headlined one of their articles with “NYC Play Appears to Depict Assassination of Trump,” as if one of the great plays of one of our greatest playwright were simply only a “NYC Play.”

…

Despite that, both Bank of America and Delta Airlines pulled their financial support for the play, for an upstanding institution like Bank of America (which surely has never been responsible for any damage to the lives of actual people…) could not be associated with such an intemperate play as Julius Caesar.

Shakespeare has never been politically neutral, and the right-wing anxiety over a New York production of a classic play belies how little of their defense of the canon and of great literature since the heyday of academe’s Culture Wars of a generation ago was actually just disingenuous posturing.

…

But ironically, the rather immutable message of the play is provided in a playbill gloss by its director, who writes that Julius Caesar “can be read as a warning parable to those who try to fight for democracy by undemocratic means.” This, it would seem, is crucial, for in such context a production as this can be read as anti-trump without being pro-violence, with Eustis continuing by explaining that “To fight the tyrant does not mean imitating him.”

And this, I think, gets to the heart about what the right finds so dangerous about Shakespeare in this circumstance. It has nothing to do with taste or appropriateness, and everything to do with the fact that such a classic text is able to see a tyrant for precisely what he actually is.

Let’s get to the crux of the matter: most Jews and “liberals” want to impeach Donald Trump. If Robert Mueller can’t manufacture a case, they’ll settle for assassination.

Through “modern takes” on classic plays, through unfunny “comedy” portraying a decapitated Trump, and cable news coverage repeating the mantra that Trump is a traitorous Manchurian Candidate who will destroy the world if he isn’t stopped, they are hoping to slowly normalize the idea of killing Trump in our national psyche. In other words, they are hoping to inspire the next James Hodgkinson.

The Huffington Post has already stuck their toe in the water, but quickly retreated when they saw the time wasn’t right. During the campaign, journalists and “experts” casually would call for violence and military coups.

If tomorrow the president was shot, all Judeo-Leftists would roar in celebration. The typical terrorist-journalist won’t do it themselves, but they will try to meme it into reality. Which is why Trump must call on his Red Hats to go after CNN, Newsweek and the Washington Post to save his own life.

Nobody would defend an iteration of Julius Caesar showing Obama getting stabbed to death by Southerners, or Netanyahu being killed by Palestinians. But here we see something different, and it’s got nothing to do with Shakespeare.

It is the Ides of March, and it is Purim, and now comes the vote for the reunification of Crimea with Mother Russia.

The Ides of March are when Julius Caesar was murdered by Brutus 2058 years ago.  It was a date of many Roman holidays, which involved ritual animal sacrifice, and included the start of a festival for Attis, who killed himself by cutting off his own penis.

According to Plutarch, Caesar was warned by a seer that he would die before the Ides.

Four years later, on March 15, 40 BC, Octavian (Caesar Augustus) executed 300 Senators and Knights as a ritual sacrifice before an alter of the newly deified Julius.

Then you have Purim.  This is a celebration of the massacre of 75,000 non-Jews, as is recorded in the pseduo-Biblical Book of Ester.

This year, Purim begins on the evening of Saturday the 15th, and ends on the evening of Sunday the 16th.

Rev. Ted Pike tells us:

Every book in the Bible condemns the violent racism of modern Zionism… except one: the book of Esther. The source of the annual feast of Purim, Esther celebrates the Jews’ slaughter of more than 75,000 Gentiles (which included women and children). No Biblical book has so influenced evangelical attitudes toward Israel, especially in approving Israel’s brutality against Arabs. Esther thus plays a pivotal role for both Jews and Christians in their unconditional defense of the state of Israel.

For nearly 2,000 years, a minority of Christian scholars have been troubled by the book’s omission of anything truly spiritual. Athanasius, some of the church fathers, and Martin Luther rejected it as apocryphal. The book never mentions God; nor do its protagonists, Esther and Mordecai. The Jewish people are delivered from annihilation yet never resort to prayer or thanking God afterward.

Instead, this book exalts and appeals to racist Jewish tribalism and appetite for revenge. It began the now familiar Zionist theme: long-suffering Jews as victims of irrational hatred from murderous Gentiles. It celebrates the triumph of Jews who obtain peace not by faith in God but by slaughter.

Ancient as it is, Esther’s message is current. It echoes the cries of Jewish protesters in Israel last month who shouted, “Kill Arabs! Kill those who want to destroy Israel! Kill them before they kill us! “

Traditionally, this festival involved a human sacrifice to the Satanic gods of Judaism.  A Christian boy’s blood was drained and the blood used to cook cannibal matzo treats for the celebration.

I am certain that many Jews still engage in this practice today.

Judaism 101 gives us a creepy-crawly explanation of modern instances of the Purim festival, which they celebrate along with Haman’s fall:

The Pesach (Passover) seder reminds us that in every generation, there are those who rise up to destroy us, but G-d saves us from their hand. In the time of the Book of Esther, Haman was the one who tried to destroy us. In modern times, there have been two significant figures who have threatened the Jewish people, and there are echoes of Purim in their stories.

Many have noted the echoes of Purim in the Nuremberg war crime trials. In the Book of Esther, Haman’s ten sons were hanged (Esther 9:13); in 1946, ten of Hitler’s top associates were put to death by hanging for their war crimes (including the crime of murdering 6 million Jews). An 11th associate of Hitler, Hermann Göring, committed suicide the night before the execution, a parallel to the suicide of Haman’s daughter recorded in the Talmud (Megillah 16a). There are rumors that Göring was a transvestite, making that an even more accurate parallel. One of the men seems to have been aware of the parallel: on the way to the gallows, Julius Streicher shouted “Purim Fest 1946!” See: The Execution of Nazi War Criminals. It is also interesting that, in the traditional text of the Megillah (Book of Esther), in the list of the names of Haman’s sons, the letters Tav in the first name, Shin in the seventh name and Zayin in the tenth name are written in smaller letters than the rest. The numerical value of Tav-Shin-Zayin is 707, and these ten men were hanged in the Jewish year 5707 (the thousands digit is routinely skipped when writing Jewish years; there are no numerals for thousands in Hebrew numbering). They were not hanged on Purim, though — they were hanged on Hoshanah Rabbah.

Another echo of Purim is found in the Soviet Union a few years later. In early 1953, Stalin was planning to deport most of the Jews in the Soviet Union to Siberia, but just before his plans came to fruition, he suffered a stroke and died a few days later. He suffered that stroke on the night of March 1, 1953: the night after Purim (note: Jewish days end at sunset; you will see March 1 on the calendar as Purim). The plan to deport Jews was not carried out.

A story is told in Chabad (Lubavitcher Chasidic Judaism) of that 1953 Purim: the Lubavitcher Rebbe led a Purim gathering and was asked to give a blessing for the Jews of the Soviet Union, who were known to be in great danger. The Rebbe instead told a cryptic story about a man who was voting in the Soviet Union and heard people cheering for the candidate, “Hoorah! Hoorah!” The man did not want to cheer, but was afraid to not cheer, so he said “hoorah,” but in his heart, he meant it in Hebrew: hu ra, which means, “he is evil”! The crowd at the Rebbe’s 1953 gathering began chanting “hu ra!” regarding Stalin, and that night, Stalin suffered the stroke that lead to his death a few days later.

Jews have several times implied that they murdered Stalin.  You can see here that this is hinted at, though it is implied they did it with their magical powers.

Along with the human sacrifice, there is also the idea of a kind of symbolic sacrifice, making it very interesting that the Jews who masterminded the Ukrainian coup seem to be peacefully allowing Crimea to secede.  Though this is probably entirely coincidental, I have no doubt that many a rabbi is viewing this in terms of the sick religion of Judaism.

I will go ahead and predict that someone is going to die tonight in the Ukraine.  It could just be a few more assassinations by the Jew-run “Right Sector” fake Nazis (they killed two people yesterday in the lead up to Purim), or it could be someone more important.

But there will be blood.  The beast demands it.