Matt Furie causes my gaydar to go off the charts.

Matt Furie, the man who claims to have invented Pepe the Frog, is a man in denial. Pepe the Frog is a Neo-Nazi and a White supremacist who wants to put Jews in fake shower room gas chambers. That is the official interpretation of how the public currently views Pepe the Frog.

His refusal to accept this reality has led him to seek legal action against various Alt-Right and Alt-Lite personalities. It is one of the most ridiculous and absurd things you can imagine.

Ars Technica:

Matt Furie created the cartoon character Pepe the Frog in 2005 as a kind of peaceful stoner animal for his comic “Boys Club.” By 2008, the frog had become a meme at 4chan. In the 2016 election cycle, though, Pepe became something completely different—an ever-meme of the alt-right. The Anti-Defamation League characterizes Pepe as a hate symbol and has catalogued some of the most viciously racist and anti-semitic examples.

Now Furie wants his comic frog back. After years of letting it slide, Furie has lawyered up and sent demand letters to several alt-right personalities, including white supremacist Richard Spencer, Mike Cernovich, and the subreddit “The_Donald.”

Last month, Furie took legal action against a man in Texas who created an Islamophobic version of Pepe for a children’s book. That matter reached a settlement. Now, Furie’s lawyers have spoken to Vice about his determination to reclaim ownership of the image and the demand letters they have sent out.

“[Furie] was very serious when he said that we wanted to make clear that Pepe was not the property of the alt-right and couldn’t be used by the alt-right,” Furie lawyer Louis Tompros told Vice. “We’ve asked them to take [the images] down. That hasn’t happened yet, but they’re very much on notice. We plan to take action if they don’t.”

The letters demand that the alt-right commentators remove images and videos including Pepe, including one recently created by Cernovich in which he added Pepe into a video of Hillary Clinton reading a passage from her new book.

Furie probably should have thought more about his decision to lawyer up like this. Although, it’s possible that he was put up to this by the Jewish terror operation known as the Anti-Defamation League. He has been working very closely with them after they declared Pepe the Frog to be a symbol of ultimate hate.

Pepe the Frog has become cool again because Furie can’t accept the fact that Pepe is a Nazi.

What Furie and the ADL don’t seem to get is that Pepe the Frog memes were starting to get a bit stale. By claiming that the people who make or use these memes are violating copyright law, they are only helping to make these memes cool again.

This means that you are only going to see more images of Pepe the Frog dressed up as a Nazi or a Klansman. People are not going to take kindly to some control freak who is trying to dictate how people interpret art. They’ll react by making and uploading even more Pepe the Frog memes.

Can you imagine if John Carpenter took legal action against all the people making and posting Jew “They Live” memes? Carpenter went on record and claimed that the aliens who took on human form in the film weren’t meant to be representative of Jews. Many people who have watched the movie interpreted the film differently. They believed that the aliens provided an accurate representation of real life Jewish infiltration and subversion within our societies. Simply put, an artist can’t dictate how people interpret or use their art. At least Carpenter seems to understand this where as Furie does not.

But honestly, what sort of faggot would pursue legal action over the use of a cartoon frog? This is a very insane thing. Fair use protects the creation of parody content so Furie’s legal claims are quite dubious.

[Editor’s Note: Pepe the frog was not created by Matt Furry, he is an ancient Egyptian god. The Furry comic itself was ripped off of a 4chan /pol/ meme originally drawn by anon. Matt Furry only drew a version of Pepe that was not very good anyway. -AA]

The fascist government depicted in John Carpenter’s film Escape From L.A. had some pretty good ideas!

California has degenerated into a Marxist cesspool filled with mongrel savages and assorted non-White filth. To make matters worse, major cities like San Francisco have been over run with homosexuals, drug addicts, the mentally ill and other deranged weirdos. It is home to the awful Jewish run film industry and Jewish run porn industry. The state’s infrastructure is also falling apart. One could go on and on about all the things wrong with the state. Many have wisely endorsed the rising #CalExit political movement that seeks to make California its own separate nation. While this is a good initial first step, I would take it one step further. California should be transformed into the world’s largest open air concentration camp.

Considering that California is already home to such a large number of undesirables, it makes perfect sense to wall it off and use it as a dumping ground for subhuman waste. Picture what was depicted in the 1996 John Carpenter film Escape From L.A.. What the government did to Los Angeles in the movie should be done to the whole state.

People found undesirable to live in the United States would be permanently exiled to this land of the damned. The late comedian George Carlin once did a sketch where he had the idea to create state prison farms. Some of the ideas he presented could be implemented for California. He had some good insight as to the types of people who would qualify for immediate exile. Most of the people he describes would by and large be non-Whites. We’re talking about violent criminals, sex offenders and other degenerates.

Much like the border wall President Trump is getting ready to build for Mexico, there would be an initial commitment involved but the long term savings and benefits would be immeasurable. You’d save tremendous amounts of money on prisons and mental hospitals while simultaneously providing a much safer and more racially pure society for the country.

To all the people whining about human rights, there is an easy solution for that. Before being exiled, each undesirable would have the option of taking their own life by way of assisted suicide. In Escape From L.A. those exiled could choose to take their own life by way of electric chair. This could provide us with a template to model a real program off of. Providing each exiled individual the choice between death and exile should satisfy most hardcore human rights activists.

So there you have it. A final solution to the California problem. I think it makes sense. What do you think?

Pay no attention to those Nazis goyim! “They Live” was about yuppies and capitalism and not Jews!

Film director John Carpenter took to Twitter recently to specifically call out Nazis who have used his 1980s film “They Live” to expose Jews. Here’s what he said.

THEY LIVE is about yuppies and unrestrained capitalism. It has nothing to do with Jewish control of the world, which is slander and a lie.

— John Carpenter (@TheHorrorMaster) January 4, 2017

Yuppies and unrestrained capitalism you say John? When you look at the West’s major financial institutions, you will see that they are dominated by Jews. It has been that way for years. Jews were at the center of establishing the Federal Reserve back in the early part of the 20th century. They’ve run the financial industry through the Fed and Wall Street banks ever since. So by saying that the film is about capitalism is just a way to conveniently avoid being called “anti-Semitic” etc.. There is no denying that Jews have been at the forefront of modern day capitalism.

One of the major themes presented in “They Live” is how an alien race took over our systems by pretending to be humans. Specifically, the film focuses in on how they took control over banks, big business and media. Sound familiar? This is what Jews have done to the West. They have masqueraded as a member of our own people and have exploited our trusting nature to subvert our societies.

When Roddy Piper puts on the sunglasses he sees the Jew!

Quite honestly it does not matter what Carpenter’s original intention for “They Live” was. Art takes on a life of its own through the people who experience it. There are obvious similarities between the aliens depicted in the film and Jews in real life. To pretend that this connection doesn’t exist is to deny reality.

If you watch “They Live” and look at the aliens as Jews, the movie can be perceived as a documentary on Jewish power.