The Jew York Times has released an 20 minute anti-white hate film about the Alt-Right.

It is a smear piece where they zoom-in on the former leader of Identity Europa, Eli Mosley.

They frame the whole thing around him, then allege at the end of the film that he falsified his military record.

Eli has released a statement saying that the NYT was only able to obtain part of his record, due to complications in his dismissal. He says he is going to get the records together.

My statement regarding the NYT hitpiece released on me earlier today: pic.twitter.com/Rfkuez8WVY

— Sheli Shmosley (@Sheli_Shmosley) February 5, 2018

I’ll believe him over the NYT. He tells the bitch in the video that he’d been in Kuwait and maybe he had said Iraq before – whatever. This is a hitjob, plain and simple. They went into this looking for some angle. If he said some thing on a drunken podcast that wasn’t exactly right – whatever. You can see the entire conclusion of the video is to use this allegation they’ve made against him to try and smear us all.

Eli has been out there fighting for a long time. Hard enough to earn him the benefit of the doubt on this.

I’m sure as hell not going to join the NYT in attacking him.

This Whole Media Thing

I have to say, I don’t really think this thing of allowing the Jewish media to follow you around and film you like this is a good idea.

In fact, I don’t agree with engaging the media at all. Straight-up. I delete emails from major media outlets every single day. The only time I ever respond is when I know there is some way to mess with them. Never would I ever dream of engaging them in good faith. I learned that in 2012, as a young lad of 28, when my first media interview was a hitjob that still gets these weird out of context quotes pulled and shown on TV because they got put in the Wiki page on Daily Stormer.

This NYT documentary should I think be a learning experience for everyone. Yes, I mess with the media and do funny things like endorse Papa John’s as the official pizza of the Aryan Master Race, and yes, Mike Enoch does funny reverse interviews with journalists that make for excellent educational and entertaining podcasts. That is on our terms, and we are not operating in good faith with these diabolical rats.

So, I don’t know about you all, but that NYT thing really leaves a bad taste in my mouth. Honestly, I don’t even recommend watching it at all.

Here’s the sickest part – a poster calling for the sodomization of right-wing men.

Yes, there are some good bits in the piece that look cool – the guys all looked great – but overall, you are just allowing them to frame an entire narrative about you any way they want to frame it.

Moving forward, let’s try to instead get our own film crews for this sort of thing, and just be a lot more wary of the media in general. These people are professional liars and con artists pushing a Jewish anti-white race-hate agenda.

It’s been a big week for racism.

I think this would all be a lot easier if someone explained, in common English, what exactly “racism” is. Because I personally still do not understand what the word actually means.

Jewish hoax film “Son of Saul” has won the Grand Prize (second place, actually – don’t know why they call that “grand”) at Cannes film festival.

The Jewish lie of the Holocaust – commonly known as the “gas fiesta extravaganza” – not only provides Jews with limitless money from governments and an inability to be collectively (or even individually) questioned in any situation – they are also able to make huge sums of money through the process of brainwashing people into believing in this hoax!

Only a Jew could say: “goyim, we need to brainwash you into believing a silly hoax so that you will not question us for controlling your society – now each of you pay us $12 to get brainwashed.”

The big prize of the festival was given to a film about Paki “refugees” fleeing to France, lol.

Can’t make this stuff up.

Times of Israel:

The harrowing Holocaust drama “Son of Saul,” offering unflinching depictions of the gas chambers of Auschwitz, claimed the runner-up Grand Prize at the Cannes Film Festival on Sunday.

Some expected Laszlo Nemes’ horrifying plunge into the life of an Auschwitz worker to take the top award, but it’s been 26 years since a debut film (Steven Soderbergh’s “Sex, Lies, and Videotape”) was given the Palme.

“This continent is still haunted by this subject,” said Hungarian director Nemes, accepting the award.

The Times of Israel’s critic, Jordan Hoffman, last week hailed “Son of Saul” as “the best film of the festival, and … perhaps one of the most striking works of art about the Holocaust yet made.” He added: “By bringing us back inside the extermination camps in a new (and dare I say artful?) way, Nemes shakes up the conventions of Holocaust films that have undeniably grown predictable. This movie shocks the system… Nemes, who worked as legendary filmmaker Béla Tarr’s assistant, has come out of the gate with a masterpiece.”

Jacques Audiard’s Sri Lankan refugee drama “Dheepan” won the Palme d’Or, the top honor of the Cannes festival.

The choice, as selected by a jury led by Joel and Ethan Coen, was unexpected. “Dheepan” is about a trio of Sri Lankans who pretend to be a family in order to flee their war-torn country for a housing project in France. While the dapper Audiard has drawn widespread acclaim for films such as “A Prophet” and “Rust and Bone,” many criticized “Dheepan” for the thriller-like conclusion of its otherwise patient depiction of immigrant adjustment.

“To receive a prize from the Coen brothers is exceptional,” said Audiard. “There’s only the Dardenne brothers (that could match it).”

Listen up, Jews: if you’re going to keep making films about this, you need to make a documentary film where you show the evidence that these gas chambers actually existed.

Because so far, none exists.  And if you have the millions to keep producing these films, you must have the money to figure out a way to show us it actually happened.  I guarantee box offices will sell out with a movie showing the actual facts of how the gassings were physically possible, and what evidence exists to prove that they took place.

Once you prove it actually happened, Jews, I’ll pay $12 to see every film you make about it.  I’ll even buy popcorn.  Get this, Jews – I’ll even film myself crying when the Jews get turned into lampshades, and post the video on YouTube.

While you’re at it, Jews, I would also like to see less films about the horrible suffering of non-Whites showing us how we need to let them in our countries and more films about the genocide of Whites in South Africa.

Seriously though guys – the director of “Dheepan” openly said he made the film with the hopes it will change European attitudes about being invaded by the third world.

The Guardian:

Jacques Audiard has said he hopes the Palme d’Or win at Cannes for his seventh feature, Dheepan, will “help the situation” for migrant workers in Europe.

Audiard’s film is the tale of a former fighter in the Sri Lankan civil war who seeks asylum in France by means of a fake family. Speaking after the ceremony, Audiard said that it was “important to reflect” on the current situation, although he wrote the script five years ago, “when it wasn’t so critical”.

“What interested me was the position of someone different in society. How the people who sell us roses when we’re sitting in a cafe live and where they come from. If it helps their situation, then so much the better.”

Audiard, 63, is a favourite at the festival. His film A Prophet, about a young French-Algerian man sentenced to six years in a French prison, took the Grand Prix, or runner-up award, five years ago. He competed subsequently with Rust and Bone.

The decision to award him the Palme d’Or at Cannes’s 68th edition was “swift” said Ethan Coen, who jointly chaired this year’s jury with his brother, Joel. “This was a film about which everyone had a high level of excitement and enthusiasm.”

Juror Gulliermo del Toro brushed off suggestions of a political agenda in Dheepan’s selection for the top prize, saying “the issue of immigration per se was not something we discussed”. But Spanish actor and fellow juror Rossy de Palma did draw parallels between the film and “the people in the streets you see and wonder where they come from. People living in very difficult and precarious circumstances. [Dheepan] is real cinema and we feel deeply concerned by what’s happening in the Mediterranean.”

I can do nothing but laugh.

It’s us against the world, brothers.

Would you have it any other way?

Yet more stupid and weird, creepy nonsense about WWII from the Jews? Who could have seen that coming?

Presently, they have invented a fairy tale about a “heroine” Czech slut who purposefully got infected with STDs and then gave them to NSDAP soldiers by seducing them.

They have honored the alleged STD whore a plaque, and are circulating the bizarre, cartoonish gibberish throughout the media.

Unsurprisingly, as is usually the case with these Jew tales, there is no evidence that this happened or that the Czech slut ever actually existed.

The Jews in the south Bohemian town of Trebon claim that the woman – a nurse who no one remembers the name of (not even the first name) – decided to take revenge on the German army after a soldier raped her in 1938. That is of course impossible, because German soldiers didn’t rape women.

Former lawyer Karel Friml, a 79-year-old who presently lives n the house the nameless STD terrorist lived in, supports the move, even though he also doesn’t know if she existed in real life.

He said: “Unfortunately, we don’t know her exact name because time and memories have failed to preserve it.

“But we know that she was assigned to look after wounded German soldiers and began affairs with them.”

We know that there was a nurse who was looking after wounded soldiers. Great.

Friml says the locals first accused her of being a typical slut, as she was getting it on with loads of soldiers who passed her way, Friml claims without explaining how or why he has this information, but when the soldiers began “disappearing or dying,” the people learned she was deliberately giving them venereal disease.

“This was her resistance and vengeance for the rape of her country and her personal rape,” he said. “She had many German lovers, maybe six, maybe ten, maybe more.

“People say that all of them disappeared after the affair with her.”

I honestly cannot believe the Jews still have the nerve to invent new stories such as this, and then publish news articles about them like they’re true. This is a story a five-year-old would make up, if he was a twisted pervert five-year-old. Like lampshades and soap, and a massive program to shave people’s hair off before you gassed them because you wanted to make it into mattresses.

What STD is it, exactly, that kills people? Or causes them to “disappear” (whatever that even means)? HIV didn’t exist then, so the only deadly one would have been syphilis, and even if this was in 1938, anyone she would have infected with that wouldn’t have died until the war was over – surely they weren’t hanging around in an infirmary with the same slutty nurse for years on end, and if they were staying for an extended period, it was presumably because they were seriously injured and thus likely to die with or without a slut nurse’s vicious vaginal wrath.

And if she did have some unknown or magical venereal infection, how did it kill soldiers (or cause them to “disappear”) while not doing the same to her?

Oh, and the regional historian cited by these news articles, the curator of the museum in Trebon Jirina Psikova, was quoted as saying “The woman is historically unrecognised with no known documents mentioning her, but several people remember her story and opinion is divided.”

So, we have a really detailed story about her, even though we don’t know her name, and maybe she didn’t actually exist, or maybe she was just a slutty nurse who liked German soldiers.

This is also an insult to Czech women, calling them whorish. Even if she did want to violate the Hippocratic oath and kill German soldiers she was charged with caring for, why would she use an STD – that she must have purposefully infected herself with somehow to begin with – to do this? Why would she just not poison them?

Ah, but why would the Germans build gas chambers instead of just shooting the Jews?

Apparently, in the 1940s, everyone was just prone to doing things comic book-style.

The Jews have lied to get us into every war we have been in for the last 200 years.  The situation in Iraq now is no different.  Though I do personally believe the beheadings are probably real (rather than staged events with actors, as some claim), this in no way leads logically to the idea that we need to invade the country for a third time.

The idea that ISIS is a danger to Americans is obviously false.  The real danger is all Muslims in our countries, and the same people telling us we need to bomb Iraq are the ones telling us we need more “diversity.”

We need to deal with our problems domestically.  The Middle East is not the problem of the West.  If Jews want to attack ISIS, they should do it themselves.