Them niggas been up der in da Angargtic. They be do a research.

But dem niggas been wake up da elder ones, make them niggas been wilin.

ANTARCTICA: Imagine being stranded at a remote research facility in Antarctica for 10 to 15 months with no way to escape. Now, imagine one of your colleagues suddenly turns violent, attacking you and your fellow scientists. That’s the grim reality unfolding at South Africa’s… pic.twitter.com/rrX8uCT1lR

— @amuse (@amuse) March 19, 2025

Trapped Antarctic scientists beg for help after ‘assault and death threats’ from colleague

A South African research team in Antarctica is stuck there for the next 10 months without a way to leave with a crew member who has allegedly become erratic and violent.

Maybe next time… pic.twitter.com/knL0iIs4fO

— Art Vandelay (@nononomoreon) March 18, 2025

Yall people in da communididy need be think firs for you get up to da Angargtic and starts to be open dem ancient ruins, yall muthafukas know them old gods been freeze in dat mutha aint got no pasitive thanking for communididy people.

Niggas gots to thank firs, and be think if dey doin’ good when dey be do dey research ifn dey shad been woke dem elder ones. Them muthafukas be creeby as hell an aint never done nothin fo no nigga.

But a nigga dees days, he be thinkin “mights well woke dem bitches up, see what dey got goin on.” Next thang, niggas be wilin like a mf, dey trap wit dem elder ass bitches, make dey ass gone goofy.

Folks gots to understan that we needs to be have a concern fo da community. If you did a research, you seen dem elders in dat ice, you leave da muthofucka on ice. Aint wake his ass up. Think fo yo keeds, bitch. Folks gon be callin in da angent casmic horror return da earf, aint nothin go right wit dat.

Old British man visiting Providence’s only tourist attraction

It was only a matter of time before they came for Lovecraft.

He didn’t really love black people or the Jews.

The Post Millennial:

Providence, Rhode Island has officially designated September 10 Edward Mitchell Bannister Day as a tribute to the trailblazing 19th-century African-American painter. While some simply celebrated the move, others used it as an opportunity to suggest that the city’s other artistic giant, HP Lovecraft, should be canceled.

GoLocal Providence ran an editorial piece on Monday urging Providence to erase any trace of the acclaimed horror author, citing statements he had made about black people and Jews.

“With the celebration of African Bannister’s contributions to the city’s vibrant art community, Providence, once, and for all, needs to sever any and all official ties to Lovecraft,” the outlet wrote. To not do so undermines the city’s efforts to celebrate its racially and ethnically diverse past and present.”

They’re comparing the quadroon who made these mediocre paintings to the greatest horror writer of all time

While the authors described Lovecraft as a “talented horror writer,” they accused him of also being a “documented anti-Semite and racist,” pointing out that there is an online game wherein players have to choose whether a given quote is attributable to him or Adolf Hitler.

“These weren’t the ‘antiquated’ musings of America’s slave-holding founding fathers; nor were they of the Civil War era,” they explained. “They were the beliefs of a documented racist and anti-Semite well into the 20th century, at the very moment the seeds were being sewn for the Second World War and the Holocaust.”

The authors cited Lovecraft’s claims that black people were “fundamentally … biological inferior of all white and even mongolian races,” as well as one instance where he wrote that, “Just as some otherwise normal men hate the sight or presence of a cat, so have I hated the presence of a Jew.”

Are there people who claim that blacks are not fundamentally inferior ot whites and mongolians?

Are there normal men who can tolerate the presence of a Jew?

What are we saying here, exactly?

What did Lovecraft do wrong?

This is the diverse present of Providence you’re supposed to celebrate

They’re finally making a big budget H.P. Lovecraft TV series.

As a major Lovecraft fan, I was happy to hear about this. I personally believe that Lovecraft has some stories which would work very well in both film and television, and have been heavily saddened by the fact that the industry has failed to produce anything good from his work.

HBO has a mixed track record with their original programming, but they’ve definitely done some good stuff, and they would have the resources to make a legitimate Lovecraft TV series that was legitimately good.

There’s just one problem…

It’s all blacks!

Literally, this is a black show!

Nothing in it but a bunch of black people!

Clearly, this is Jordan Peele – the black film director who produced Lovecraft Country – taking a shot at the legacy of Lovecraft himself. Lovecraft was an infamous racist, not just in his personal life, but as a writer. Many of his stories feature beastlike negroes, wily Asiatics and conniving hook-nosed Jews.

If Peele would say, “you know, I know Lovecraft didn’t think much of my kind, but I really love the guy’s work, and I’m going to make a show that will be something that he would be proud of,” then a lot of people would have respect for that.

Instead, he’s said, “those passages in Lovecraft about black beasts really rustled my jimmies, so I’m going to shit all over him, and make a show that would disgust him as a way to insult the legacy of an infamous racist.”

This was something that was done with the 2018 Aquaman film as well, which featured Lovecraftian themes but made a point to attack the author. Some other show also did this, and The Verge claimed it was a trend.

I don’t know why, if these people don’t like Lovecraft because he was a racist, they don’t just leave him alone and let him rest in peace. Basically, he was not especially popular in the modern era, specifically because his works went out of publication because the Jews who run the publishing industry were offended by it.

So why not let it lie? Why keep doing these attacks on him?

In actuality, this show isn’t based on Lovecraft at all, but on a 2016 novel called “Lovecraft Country” that is about a black man fighting against racism, and features parallels between cosmic horror and racism. Because the one thing scarier than gigantic hell-monsters from outer space is someone hating the color of the skin.

The author of that book, Matt Ruff, is everything you would expect and worse.

Jordan Peele has had a lot of success using horror themes that are popular with normal white people to push his black racial nonsense on people who otherwise would not be interested.

However, the people are left wondering if it is his plan or the plan of his weasel-faced Jew wife.

Peele actually is a talented comedian, and a talented writer insofar as he was the writer of the various good sketches on his comedy show “Key & Peele.” However, his movies are simply not good. I had to watch “Get Out” simply because it was a cultural phenomenon and I wanted to know what was going on with it, and it was everything that E;R’s review said it was.

I did not watch “Us,” though I’ve heard it was not as bad.

The Twilight Zone television show that Peele produced was not a black race propaganda show, but it sucked.

Peele may be a talented black artist. I’m not against the possibility of such a thing. In fact, I would like it if there were more productive black people, as that could potentially lead to black people pursuing pursuits other than murder and mayhem, which would be a positive development for everyone. However, at this point, I have seen nothing at all to make me believe that Peele is good at anything other than shucking and jiving.

I will not be watching this Lovecraft show, and will not review it. However, I have been occasionally reading from a complete works collection of Lovecraft, and I might write some reviews for this site. Actually, I was also thinking about writing a piece of fan fiction.

The premiere episode of Lovecraft Country airs on August 16 on HBO and rarbg.to. 

Be ready to turn the cassette over when instructed

I knew this movie sucked before they even made it, because I’ve seen a lot of adaptations of Lovecraft’s writings, and every single one sucked to varying degrees.

And even featuring the greatest actor of all time, this one sounds pretty bad…

Slash Film:

One thought kept running through my head as I watched Color Out of Space: “What the fuck is this?” It’s become almost a cliche at this point to highlight how “weird” and “bonkers” the latest Nicolas Cage movie is. But even those well-versed in the art of Cage’s self-titled Nouveau Shamanic acting style won’t be prepared for what’s in store with Richard Stanley‘s adaptation of H.P. Lovecraft’s story. The prospect of Cage uniting with such a fascinating director as Stanely – whose career hit a major roadblock after the disaster of shooting The Island of Doctor Moreau – is too intriguing to pass up. But is the end result actually worthwhile? Or just so damn weird that it has to be seen to be believed?

Nathan (Cage) and Theresa Gardner (Joely Richardson) are living a seemingly idyllic farm life in rural New England, raising alpacas and ignoring the outside world. The family has gone through a recent trauma in the form of Theresa’s breast cancer, but the family – which also includes Wiccan teen daughter Lavinia (Madeleine Arthur), stoner teen son Benny (Brendan Meyer), and young child Jack (Julian Hilliard) – seem to be in a good place for the time being. That won’t last, though. Because one night, a meteorite crashes onto the Gardner farm, unleashing a wave of madness and what-the-fuckery designed to drive both the family – and the film’s audience – out of their minds.

Of course they (((modernized))) the family, which in the original story are decent, salt of the earth type farmers who probably wouldn’t know what an alpaca is.

You can’t have any of that in CURRENT YEAR, it’s illegal.

Also, this inane human drama they always force into every adaptation runs against the main point of cosmic horror, which is the complete insignificance and helplessness of the human species in front of the infinite void and the horrors that inhabit it.

Calling Color Out of Space weird seems like an affront to weirdness. This movie transcends the weird, dipping into territory that I don’t think they’ve invented words for yet. Part of that has to do with the schizophrenic tone at play. Stanley has conjured up some truly nightmarish imagery, most of it involving body horror that turns people into mutated spider-like abominations. But the film also apparently wants to be some sort of gonzo comedy, and that never quite coalesces with the horror.

The comedy comes almost entirely from Cage, who appears to be acting in a completely different movie than everyone else. As the meteorite unleashes all sorts of alien toxicity into the air and slowly drives the family insane, it’s Cage’s Nathan who goes the craziest, which means we get to watch scene after scene of Cage screaming about alpacas, peaches, his father, hospitals, bad smells, and more. The crazier his character gets, the more out-there Cage becomes, often using the same goofy voice he employed as the yuppie bloodsucker in Vampire’s Kiss.

Make no mistake: watching Cage lose his shit is an absolute blast, and it’s nearly impossible not to burst into laughter as the actor goes off. The problem is that Cage’s work is so far removed from everything and everyone else in the movie that you start to resent any scene that doesn’t focus on him. It doesn’t help that the rest of the cast is alarmingly lackluster. Richardson does well with a somewhat undercooked part, but the remaining actors are oddly limp, delivering their lines as if they just learned them a second ago. Madeleine Arthur, in particular, is distractingly bland as Cage and Richardson’s witchy daughter. Sadly, she becomes the default main character, and it becomes quite difficult to care much about her actions.

This sounds more like a Junji Ito parody than anything Lovecraft would write.

Really doesn’t make me wanna watch it.

All of this works to create a sensory overload, resulting in a film that drains you emotionally and mentally. As things grow more dire and mad for the Gardners, don’t be surprised if you find your eyes starting to water and your head starting to pound. It’s not an altogether pleasant experience, but it’s probably the exact sort of nightmarish, unquantifiable situation that would make H.P. Lovecraft proud.

Yeah, no.

Lovecraft would probably not watch it in the first place because one of the characters is played by a half-Chink, and two of the things Lovecraft hated the most were Chinks and mongrels (and that’s assuming he wouldn’t have hanged himself the first time he saw a child tranny dancing for money in a fag bar).

He really didn’t like mongrels

There are no good movies based on Lovecraft’s work, and there probably will never be.

I could name ones I’ve seen that are far worse than this one, but even the better ones are just mediocre at best.

Now that these useless vermin are running out of things to reboot, they’re probably gonna use Lovecraft’s work next, since he’s been getting more popular lately, and all his works are in the public domain, so I expect the first movie about stunning and brave tentacled trannies ass-raping Trump voters to death within the next 5 years or so.

But you don’t need any of this – everything he wrote is available for free, and if you’re lazy like I am they’re also widely available as audio books from a lot of different narrators, many of them very good.

That’s the best we’re ever gonna get.

His non-fiction is just as good, BTW.

This story is about Jews of the communist variety. I wanted to make sure you guys knew in case Lovecraft was being too subtle.

Lovecraft, like all men of the time, was a White Supremacist.

Lithub:

So long as modern stories of white genocide, superpredators, and the alleged master race find fertile ground on American soil, the contemporary relevance of Lovecraft will extend beyond what some fans care to admit. His bigotry and race-inflected narratives can’t be wished away, cherry-picked, or swept under the rug in favor of his more widely known literary techniques and accomplishments—especially as hell-bent right-wing insurgents proudly claim him as a true elaborator of reactionary horrors. His stories and politics are still breathing, even the most defiled and rotten among them.

Making no efforts to conceal his bigoted theories, Lovecraft took to pen and publication with the most grotesque appraisals of those he deemed inferior. His letters overflow with anti-Semitic conspiracy theories of an underground Jewry pitting the economic, social, and literary worlds of New York City against “the Aryan race.” He warned of “the Jew [who] must be muzzled” because “[he] insidiously degrades [and] Orientalizes [the] robust Aryan civilization.” His sympathies with rising fascism were equally transparent. “[Hitler’s] vision . . . is romantic and immature,” he stated after Hitler became chancellor of Germany. “I know he’s a clown but god I like the boy!”

And his contempt for blacks ran even deeper. In his 1912 poem entitled “On the Creation of Niggers,” the gods, having just designed Man and Beast, create blacks in semi-human form to populate the space in between. Regarding the domestic terrorism of white minorities in the predominantly black Alabama and Mississippi, he excused them for “resorting to extra-legal measures such as lynching and intimidation [because] the legal machinery does not sufficiently protect them.” He lamented these sullen tensions as unfortunate, but nevertheless says that “anything is better than the mongrelisation which would mean the hopeless deterioration of a great nation.” Miscegenation permeates his letters and stories as his most corporeal fear; he insists that only “pain and disaster [could] come from the mingling of black and white.”

He whined a lot about Hitler. Because he thought he was silly. Even though he agreed with all his politics. Which is somewhat interesting.

He was a much better writer of short horror stories than Edgar Allen Poe, but has been kept out of the schools because of how vocal he was about the kikes.

Last time I checked (I haven’t been paying that much attention, tbh), 22 people were confirmed dead in Texas. The French are mocking them.

Now, far be it from me to criticize people for mocking people who die tragically.

But, um.

Isn’t that defacto illegal now?

Aren’t you supposed to get totally kicked off the internet and turned into an unperson if you do that?

Fox News:

On its newest cover, controversial French magazine Charlie Hebdo appears to mock Texans, depicting them as neo-Nazis caught in the deluge of tropical storm Harvey.

The magazine’s cover reads “God Exists! He Drowned All the Neo-Nazis of Texas.” The words accompany an illustration showing swastika flags and arms raised in a Nazi salute — all submerged in water, the New York Post reports.

The cover has sparked criticism on social media.

…

The weekly magazine is known to cause controversy with its cartoons, which often create a backlash against the magazine – including a terrorist attack in 2015 in which two gunmen opened fire on the publication’s staff in their Paris offices for mocking an ISIS leader.

More recently, the magazine’s cartoonists depicted British Prime Minister Theresa May as decapitated and linked the vehicular terror attack in Barcelona to Islam.

The cover showed the words, “Islam: religion of peace … eternal,” with a cartoon showing mowed down people on the street.

It would seem that some jokes about the recently deceased are more equal than others.

I would of course fight for these Hebdo kikes if they had been kicked off the internet, because I understand that censorship is a beast that is always hungry.

But they aren’t. And they won’t be.

Btw, hat-tip to Tiana Lowe of National Review for figuring out the incomprehensible French language in order to tell us about this story.

An evil, despicable cover. Also, the losers at Charlie Hebdo have a God-given right to publish it, & no one has the right to shoot them pic.twitter.com/isOVjkXPR0

— Tiana Lowe (@TianaTheFirst) August 30, 2017

Tiana is a conservative commenter who non-perverts actually want to fuck… until they see the profile shot of her prehistoric underbite.

tfw her Twitter profile literally says “Kafkaesque.”

She said it.

I ain’t say it.

Well actually I also said it.

She’s probably Jewish. Kafka was Jewish. Which is sort of what makes his writing interesting. Jews are a deformed, insectlike species which pretends to be human. And in certain bits of their own literature that nature shines through. Certain rare reflective Jews, like Kafka, are haunted by it.

My personal favorite Jew (yes, Nazis are allowed to have those – it is maybe even a requirement), David Cronenberg, covered this idea of a Jew reverting to his true form as an insectoid being in The Fly. Cronenberg specifically chose a Jewish actor – Jeff Goldblum – to play the character transformed into an insectoid in the film.

You think this is just some arbitrary connection of some rambling Nazi – think again. Cronenberg is a fan of Kafka and wrote the introduction to a new translation of Metamorphosis. Translated by a Jew. Jews are fixated on this work. (Update: The Paris Review published the full introduction.)

In fact, most of Cronenberg’s films had plots revolving around a monstrous evil within. The best of which is of course Videodrome.

Just as another note here: H.P. Lovecraft, a full-on Nazi, wrote science fiction from the opposite angle, with the “other” rather than the self being an embodiment of an alien creature hiding in a human form. He is my favorite short story author, and he has been wrongfully overshadowed by contemporary Jews such as Kafka for the simple fact that he was not Jewish and indeed hated them.

Point being: what is going on with female conservative commenters that they are all deformed in some way?

Or is it just women in general? 

Wait wait – let’s go back to this French thing.

Is the joke just that everyone from Texas is a Nazi?

Is that a joke that makes sense in French?

Because I don’t actually get the joke.