Constructivism is real art, goy

The fake Jewish art movement of the 20th century is one of the most single most repulsive things that has ever happened on planet earth.

It so drastically displays the Godless nature of the Jewish racial spirit that this single issue alone should prove to any rational person, beyond any shadow of a doubt, that Jews do not belong in Christian society.

Daily Mail:

The Tate gallery has deemed that a celebrated British artist should be referred to with the pronoun ‘they’ – more than 60 years after her death.

Several works by Marlow Moss, a painter and sculptor who died in 1958, are on display at Tate St Ives, Cornwall, with a sign referring to her using gender-neutral pronouns.

Visitors are told that Moss’s ‘deliberately masculine appearance challenged both artistic and social conventions at the time’ and ‘their’ approach to modern art and identity ‘continues to provoke vital debate about art history, making and gender’.

Moss, who is credited for helping shape abstract art in Europe in the first half of the 20th century, has been described as a radical lesbian and changed her forename from Marjorie to Marlow in 1919, as well as adopting a masculine appearance.

Did she really adopt a masculine appearance, or did the masculine appearance adopt her?

But the decision by the gallery to posthumously change the pronouns of the Constructivist artist has prompted accusations that it was trying to erase her sex.

A page on the Tate’s website explaining its thinking – which was briefly deleted before being restored yesterday – even went as far as to suggest that Moss might identify as transgender if she were still alive.

The page said: ‘It’s very interesting trying to describe people from history like Marlow, because we have tons of words to describe gender now that didn’t exist in Britain back then.

‘Perhaps if Marlow was alive today, the artist would identify as transgender, which means that your gender is different to the one that the doctors or midwives presumed you were when you were born, or non-binary, which means that neither the word “boy” nor “girl” are a good fit for you.’

One visitor, Jo Bartosch, shared a letter of complaint she had written to the Tate on social media, but claimed she had yet to receive a reply more than a week later.

Ms Bartosch’s letter to the gallery said: ‘Like many lesbians and bisexual women of the time, (and indeed some today), Moss dressed in stereotypically male clothes.

‘It should not be surmised from this that she thought of herself as anything other than a woman.

‘This is as logical as arguing that any woman in the past who achieved recognition outside of the home was not in fact a “proper woman”, because in doing so she would break a traditional feminine role. It is a sexist, regressive assumption.’

My pronouns are “gas” and “chamber.”

Here are some of her masterpieces:

This is art. I’m telling you it’s art just in case you’re too uneducated to notice yourself.

Trannies might be disgusting freaks who make you want to vomit when you see them, but they are really a blessing to the art world.

Reduxx:

A statue being displayed at Switzerland’s Art Basel event is being described as the “first ever sculpture depicting a nude trans woman.” The figure, based on a 3D-scan of the artist’s body, depicts a naked man with male genitalia standing on a pedestal with the word “woman” carved prominently at the base.

The display was designed by American trans-identified male activist Jade Guanaro Kuriki-Olivo, who uses the moniker “Puppies Puppies” and will be publicly installed at the intersection of Freie Strasse and Bäumleingasse in Basel.

In an interview released today, Olivo, whose given name is Andrew, told The Art Newspaper: “My continued existence is revolutionary, and I need to be hyper-present in the world. It is important for me to have this sculpture in the public sphere.”

Olivo frequently poses nude in photographs and public appearances. On April 26, Olivo posted on Instagram that he had given a series of lectures as a visiting artist at Northwestern University where he spoke to a class while lying naked on a bed. The event’s description contained a warning for nudity and “sexual actions.”

The pic from the site is very blurry, maybe on purpose

That same week, Olivo boasted of having walked naked across the campus of Rice University wearing only a trans flag draped across his back.

The post was made the same day Olivo spoke at Rice University as a part of the institution’s visiting artist lecture series. “I’m ready to fuck it up… I’ll be naked, I’ll show them what trans liberation is all about,” Olivo said in an announcement he posted to social media.

Speaking with Art Review in 2020, Olivo said, “The majority of my performances for the last year have been naked. I have done four already.” The title of these performances is Naked Self (Transitioning). “I also want these performances to document the ways in which my body and appearance have changed the longer I’m on hormone replacement therapy. My testicles have shrunk. I barely produce sperm anymore.”

Graphic descriptions of Olivio’s genitals have been a central focus of his art, with Olivio having made multiple art displays based on feminizing his male genitalia.

Last October, Olivo painted the words “woman with a penis” on the outside of the Fitzpatrick Gallery in Los Angeles, where he displayed photographs of his penis and anus which he captioned, “This is not a penis. This is an enlarged clitoris” and “This is not an anus. This is a vagina with exterior ovaries.”

Olivo also recently presented an exhibition in Berlin highlighting corrections to what he deemed “transphobic” language used for genitals. Among the murals was the phrase, “Woman with a Penis,” and a definition of the term “trans woman” as a “woman with an enlarged clit and exterior ovaries.” Olivo also compared his anus to a pornographic word for a woman’s genitalia.

An April 18 post to Olivo’s Instagram denounces women he describes as “TERFs”. The term is an acronym for “trans-exclusionary radical feminist” that is used as a slur, often accompanied by a threat of violence, towards women who do not accept that men can change their sex.

“Can we take the radical out of the term TERF? There’s nothing radical about being a TERF it’s actually the majority of cis women and lesbian women,” Olivo wrote.

The exhibition also featured a pornographic video of Olivo in women’s lingerie titled, “I often feel like I’m being f*cked over by a white man.”

It’s all very normal and healthy.

Everyone feels very happy.

So, everyone will feel happy all the time – and we will live in a utopia.