Eminem is such a disappointment.

In the above song, a track released this week with Kid Cudi, he raps:

A toll-free number (Yeah), only way you’ll ever have a hot line
Fuck’s going on, man? (Yeah)
Bunch of half-wits up in office (What?)
Half of us walking around like a zombie apocalypse
Other half are just pissed off and (Yeah)
Don’t wanna wear a mask and they’re just scoffing
And that’s how you end up catching the shit off ’em
I just used the same basket as you shopping
Now I’m in a fuckin’ casket from you coughin’ (Damn)

Then you’ve got this part:

Prayers to George Floyd and Ahmaud Arbery (Yeah)
How the fuck is it that so many cops are dirty? (Huh?)
Stop, man, please, officer, I’m sorry
But I can’t breathe when I got you on top of me
Your goddamn knee’s on my carotid artery (Fuck)

This is “Rap for CNN.”

A real rebel.

I tried to think of something gayer than this. Then I gave up.

The old man looks like shit.

He needs to do something about his diet. Better yet, he should just kill himself.

It must be hard to be Eminem.

Being a rapper pushing 50 is always going to be hard.

But Eminem made his image being edgy (killing faggots, beating, raping and killing women, etc.). Then edginess was banned from society, so he started making albums about Donald Trump being an evil racist and his former fans were like “what the hell is this?”

You kind of have to be edgy or not. You can’t frame yourself as a defender of liberal values and then make jokes about terrorist attacks.

RT:

US rapper Eminem has provoked outrage on social media after releasing a track that appears to make light of the Manchester Arena bombing at an Ariana Grande concert, featuring the lyrics “bombs away.”

Hours after releasing his new album ‘Music To Be Murdered By’ on Twitter, Eminem faced an angry backlash regarding one particular song titled, ‘Unaccommodating,’ in which he addresses his feud with fellow US rapper Machine Gun Kelly.

It features the line: “But I’m contemplating yelling ‘Bombs away’ on the game/Like I’m outside of an Ariana Grande concert waiting,” against a backdrop of bomb sounds.

YALL LISTEN EMINEM REALLY RAPPED ABOUT MANCHESTER AND ARIANA😮 pic.twitter.com/oUJXjbb2u1

— messy minaj (@slayyytersk8ter) January 17, 2020

Twenty-two people were killed in the Manchester terrorist attack at the close of an Ariana Grande concert in May 2017, when British-born Salman Abedi detonated a bomb — killing himself in the process.

The lyrics have infuriated many people on social media who found it “f***ing disgusting” that the 47-year-old rapper would make a “joke” about such a horrific incident. One person voiced her anger at Eminem on Twitter, insisting that he should not be making money off the victims.

She tweeted: “People literally lost their lives, and you’re going to release music and try to make a profit off of them?”

He should have known you can’t make jokes about the Manchester bombing.

I’ve heard of other people having problems with this exact same issue.

And it really is ridiculous to be outraged about Orange Man’s racism and then joke about people dying in a terrorist attack.

Eminem should have just come out in support of Donald Trump. That would have been the correct career path for him, given that pretty much 100% of his fans were Trump supporters. And his entire persona was ostensibly about making people mad, and no one ever made anyone as mad as Donald Trump made people.

If he’d done that, he could create controversy over joking about terrorist attacks and it would fit into his bit.

On the album, the rapper, who also used to rap about killing people and has faced gun charges himself, also called for gun control.

Fox News:

The Detroit rapper’s new music video for “Darkness,” one of the album’s 20 tracks, depicts a shooting at a concert. The lyrics and storyline of the video specifically allude to the 2017 mass shooting at a music festival in Las Vegas that left 58 people dead, making it the deadliest mass shooting in modern U.S. history. It closes with audio and video footage of news broadcasts from other recent mass shooting around the U.S. and an appeal to register to vote.

“When will this end? When enough people care,” reads the text at the end of the video. “Register to vote at vote.gov. Make your voice heard and help change gun laws in America.”

Here’s the video.

Who is this supposed to appeal to, exactly?

“Gun control advocates who also think jokes about blowing up Ariana Grande concerts are funny” is not a very big market.

On a Personal Note

The whole “trying to stay cool” thing is something I’ve really kept in mind in my post-30 years as something that I never, ever want to be involved in.

I have never met a “cool” person over 35. And every person over 35 I’ve ever met trying to act cool was sad and terrible to me.

There is a natural change that people are supposed to go through in their late twenties to early thirties where they go from being youthful to dignified.

It’s basically an issue of “fashionability.” The clothes you wear are a big part of this, but it mainly comes down to behavior. You have to separate yourself from trendiness and an attachment to youth culture.

This is probably what the boomers were dealing with when they invented the concept of a midlife crisis. For whatever reasons, the boomers couldn’t let go of youth. Probably because they grew up in a synthetic culture that worshiped youth. The midlife crises didn’t really help that.

Millennials are now having midlife crises, and calling them “quarter life crises” because they can’t even face the fact that yes, they are reaching the “midpoint” of their lives (or because they believe they’ll live to their 130s). A 31-year-old woman wrote about this for The Guardian a few weeks ago in an article entitled “The millennials at 31: welcome to the age of misery,” which was uniquely reflective for an article written by a woman, in my estimation.

I was relieved when I turned 35, and realized that I was halfway through the years allotted to me by God.

It’s hard for me to imagine not sighing with relief at making it halfway. But I guess people have a hard time dealing with their own mortality. I’ve had this idea that every single day of your life you should remember that someday you will die.

I guess if I’m being totally honest with myself, a big part of why I don’t have the issue that so many of these people are having is probably because I view myself as having had a lot of professional success already, and so have good reason to believe that I will continue to be successful in my future endeavors.

I think about this stuff with this site. I was able to recognize that the whole “Nazi” bit had gone stale. But I don’t ever want to get to the point where I’m pushing stale edgy humor.

If you’re a white rapper, you’re in a very unique situation, and the only real way to keep your self-respect is to do what Kid Rock did and become a country singer.

(It isn’t good country music, but neither was his rap good.)

Eminem probably could have switched to pop music, as he appeared to be starting a transformation into whenever that Rihanna “Love the Way You Lie” track was released, but then he went back to trying to be edgy… by attacking Donald Trump.

He should serve as a warning to all those approaching their third decade: make sure you have a plan for developing into full adulthood in a mature and respectable way. And realize that you can’t be cool, and the harder you try, the worse you will fail.

Eminem’s new album Kamikaze is said to be available on Spotify and the digital music website Pirate Bay.

Marshall Mathers, better known by his stage name “Eminem,” grew up as a victim of anti-White racism in the “nigger-ridden hellhole” of Detroit, Michigan.

As his frustration mounted over the years, Eminem resolved to make it his life’s work to prove that “anything that niggers do, whites can do ten times better.”

He was able to accomplish this goal with relative ease by simply making a few politically incorrect rap comedy albums that made him both the best-selling rapper of all time and widely renowned as the most skilled of his genre.

After a brief stint with anti-racist, anti-Trump raps in 2017, during which he was presumably having a midlife crisis, Em has returned to his white supremacist roots with this week’s Kamikaze.

“[Kamikaze] is music for Trump’s America,” soyboy journalist Jonny Coleman writes at The Hollywood Reporter. “He’s reinforcing the most traditional white male American tropes through a classically black medium.”

Fucking BASED!

/ourwigger/

Kamikaze also features an endorsement for Bitcoin, the well-known Nazi currency, and vicious attacks on journalists (possibly as a way of Em giving his implicit approval to the upcoming Trump-inspired #DayoftheBrick).

Forbes:

Last year’s critical lashing has inspired some of Em’s most intricate wordplay and spirited flows in years, as he reckons with his own place in the industry and takes jabs at a wave of up-and-coming artists. Sadly, it hasn’t inspired him to check his most vile behavior or outdated stylistic choices at the door, which prevents the album from being the outright win Eminem desperately needed right now.

Kamikaze kicks off promisingly with the blistering “The Ringer,” a lyrical tour de force that finds Eminem acknowledging the L’s he took last year and putting everyone from mumble rappers to journalists on blast. “Do you have any idea how much I hate this choppy flow everyone copies though? Probably no,” he raps, dipping into rap’s omnipresent triplet flow for comedic effect before reverting back to his full-bodied attack.

“mumble rap” lol smdh

Eminem has been an inspiration for young shitlords for years given his God-like trolling skills and woke views on women, faggots and race.

When a tape from his youth surfaced in 2003, in which he called a black woman a “nigger,” his trollish response was:

Or spoke to the “Oh Foolish Pride” girl
But I’ve heard people say they heard the tape and it ain’t that bad
But it was: I singled out a whole race
And for that I apologize, I was wrong
‘Cause no matter what color a girl is, she’s still a ho

LMAO!!!!!!!!!!!!!!!!!!!!

ALL WOMEN ARE WHORES, NOT JUST NIGGER WOMEN!!!!!!!!!!!!!!!!!

lol cry moar faggots

He writes off Lil Pump and Lil Xan as Lil Wayne ripoffs, calls his Donald Trump-trashing freestyle cypher from last year’s BET Awards “garbage,” and exposes critics who “skim through the music to give sh*t reviews to get clicks.”

Em even went so far as to remix his anti-Trump freestyle into a scathing and controversial track in which he endorses white nationalism and exterminationism and calls on President Trump to “build that wall.”

The remix was released on Kamikaze as a hidden track, which most are unable to find. Thankfully, someone has uploaded it to YouTube as well:

This has been a welcome change for the underground Nazi community which, while still considering him a source of inspiration and a symbol of obvious Aryan superiority, had become disheartened by the direction he seemed to be moving in last year.

The “40-Year-Old Boomer” meme, popular on racist internet message boards such as 4chan, was largely inspired by Eminem’s cringy 2017 mid-life crisis.

While Eminem may seem an odd candidate for a Nazi to look up to, given his specialty is what most of them call “jungle music” and “nigger shit,” in fact he has been what some observers have called a “Nazi hiding in plain sight” and has been one of the few mainstream figures willing to stick up for white people in the face of hatred and discrimination for many years.

Liberal author Shmuley Ben Shekelheim, in his 2016 book “Eminem History X,” documents many instances of what he calls “Eminem’s frequent and virulent displays of racism, misogyny, homophobia and toxic white machismo.”

A couple of the songs which feature lyrics that Shekelheim highlights as being “problematic” are:

“Criminal” (2000)

From the Marshall Mathers LP, “Criminal” is full of, Shekelheim explains, “shockingly homophobic and insensitive rhymes” such as the following:

My words are like a dagger with a jagged edge
That will stab you in the head
Whether you’re a fag or les’
Or the homo-sex, hermaph’, or a trans’a’vest’
Pants or dress, hate fags? the answer’s “yes”
Homophobic? Nah, you’re just hetero phobic
Starin’ at my jeans, watchin’ my genitals bulgin’ (ooh!)
That’s my motherfuckin’ balls, you’d better let go of ’em
They belong in my scrotum
You’ll never get hold of ’em
Hey, it’s me, Versace
Whoops, somebody shot me!
And I was just checkin’ the mail
Get it, checkin’ the ‘male’?

“As the World Turns” (1999)

On this track off of the Slim Shady LP,  according to Shekelheim, Eminem engages in “virulent fat-shaming”:

…I told this bitch in gym class
That she was too fat to swim laps, she need a Slim Fast
(Who? Me?) Yeah, bitch, you so big
You walked into Vic Tanny’s and stepped on Jenny Craig
She picked me up to snap me like a skinny twig
Put me in a headlock, then I thought of my guinea pig
I felt the evilness and started transformin’
It began stormin’, I heard a bunch of cheering fans swarmin’
Grabbed that bitch by her hair, drug her across the ground
And took her up to the highest diving board
And tossed her down
Sorry coach, it’s too late to tell me stop
While I drop this bitch face down and watch her belly flop

“This is the type of virulent bigotry one expects to find at the [Neon-Nazi website] Daily Stormer, not on the records of a multi-Diamond selling, mainstream artist,” Shekelheim writes.

Much of the rest of the book centers around Shekelheim’s uncovering of Eminem’s “hatred for women.”

At a United States Senate hearing, Lynne Cheney criticized Eminem and sponsor Seagram for “promot[ing] violence of the most degrading kind against women”, labeling him as “a rap singer who advocates murder and rape” . . .

On October 26, 2000, Eminem was to perform at a concert in Toronto’s SkyDome. However, Ontario Attorney General Jim Flaherty argued that Canada should stop Eminem at the border. “I personally don’t want anyone coming to Canada who will come here and advocate violence against women”, he said. Flaherty claims to have been “disgusted” when reading transcriptions of Eminem’s song “Kill You”, which includes lines like “Slut, you think I won’t choke no whore/till the vocal cords don’t work in her throat no more?” . . .

A 2001 and 2004 study by Edward Armstrong found that of the 14 songs on The Marshall Mathers LP eleven contain violent and misogynistic lyrics and nine depict killing women through choking, stabbing, drowning, shooting, head and throat splitting. According to the study, Eminem scores 78% for violent misogyny while gangsta rap music in general reaches 22%. Armstrong argues that violent misogyny characterizes most of Eminem’s music and that the rapper “authenticates his self-presentations by outdoing other gangsta rappers in terms of his violent misogyny.”

It’s no wonder that Eminem, the self-proclaimed “nemesis to a feminist,”  is practically worshipped by countless right-wingers in every so-called “dark corner” of the internet.

The Alt-Right, the “Manosphere” and the MGTOW movement all consider him to have been ahead of his time in being “redpilled on the female menace.”

Shekelheim concludes his book with a chapter about the “harrowing” experience he was forced to endure on Twitter after “Nazi trolls” discovered he had been criticizing one of their “icons”:

I woke up every morning for a week straight with my inbox filled with memes of myself in a gas chamber and Eminem in a Nazi uniform hitting a button that said “gas.” “Shove your psychoanalysis up your ass, you filthy kike,” read one message from an anti-Semitic troll who goes by the pseudonym “FashyHaircut88.” Another, apparently thinking he was being clever, wrote in an ominous and very offensive message: “Keep pushing, kikes. Please keep pushing. You have Nazi anything yet.”

It’s considered an “open secret” that “FashyHaircut88,” who frequently posts on the TRS forum, is the boyfriend of Eminem’s hot daughter, Hailie Jade, though this has yet to be 100% confirmed.

For many, it comes as a relief to see Eminem regain his crown as the “#1 rapper of the Alt-Right.” Some of the most notable chapters of the Daily Stormer Book Club (SBC) are named after him such as the “Sons of Marshall” and the “8-Mile Division.”

This time last year it was a topic of heavy debate whether or not the Alt-Right should disavow Eminem for his anti-Trump antics, with official SBC spokesman Azzmador going so far as to claim that Eminem is “now just another SJW commie-faggot.”

Azzmador, who is the host of Daily Stormer’s The Krypto Report and himself an aspiring Nazi rapper, has now gone back on this statement, praising “the return of the Great White Hope”:

Watch for the debut album by Azzmador and the TKR Wrecking Crew️ (featuring Eminem?) to drop early 2019! Hot! Hot! Hot!

Sinking to the level of dating a negro… How far can you sink?

Eminem used to be an edgy rapper who championed the struggle against political correctness back in the 90s and 00s. He’d make fun of fags, celebrities, talk about beating up and murdering women and generally dgaf.

Obviously, we can talk about the idea of wiggerism and the negatives of it, but that’s a separate issue.

He would even defend himself for being white and attacked Negress Lauren Hill for attacking white people.

One time, he even did a dis track against a black guy who called him a culture thief, saying “what do you know about being bullied over half your life? Oh that’s right, you should know what that’s like – you’re half white!”

Eminem gained a serious advantage over black rappers, because he was literate, which allowed him to write down his lyrics rather than just make them up on the spot.

Imagine a white guy saying that now.

His schtick was basically “libertarian who grew up around black people.”

But as he got older, he had to make a decision about which way to go as politics polarized, and he made the wrong call.

The cringe! It hurts!

His latest shit album flopped bad. No one even knew about it.

He could just as easily have been pro-Trump. That would have been more in-line with his positions supporting killing homosexuals, beating women and defending whites.

But no.

At this point, Eminem has become almost completely irrelevant, even eclipsed in popularity by his superior, Sminem.

Way cooler than that loser Eminem, that’s for sure. Probably a lot wealthier, too, considering his superior investment skills.

Not satisfied with running his legacy down into the ground through his embarrassing political positions, it seems that Eminem now wants to shame himself further by mating with a jungle monkey mutated by weird science into an ultra-monkey.

Cosmopolitan:

Ahead of her new album release later this summer, Nicki Minaj is making her presence known. She’s released music videos for “Chun Li” and “Barbie Tingz,” attended the Met Gala dressed like a devil (peep that reunion with Cardi B also), and has teased some big news following that canceled appearance on The Ellen Show due to “doctor’s orders.”

#BIGBANK OUT NOW!!!!!! @yg @2chainz @bigsean 🔥🔥🔥🔥🔥 Told’em I met Slim Shady. Bagged a EM!!! 🤑💵💸🤫

A post shared by Barbie® (@nickiminaj) on May 24, 2018 at 9:47pm PDT

She has yet to reveal what exactly that big news was, except maybe actually she just did in a single, one word Instagram comment?! Nicki, say WHAT?!

Last night, Nicki posted a video of her rapping her verse on YG’s new song, Big Bank. The song features rappers 2 Chainz, Big Sean, and Eminem, which is why we’re gathered here today.

Minaj captioned her Instagram, “I met Slim Shady. Bagged a EM!!!,” In the comments, she then replied to a fan who’d simply asked, “You dating Eminem???” with three Internet-roiling letters: “Yes.” GASP!

Ugh!

Just thinking about it grosses me out.

Nicki Minaj is like, the greasiest nigger in show business. Her revolting “music” videos are basically satanic jungle porno.

wtf am I watching?

As such, there’s basically two reasons he would be hooking up with this monkey:

1. He has some weird perverted jungle love fetish.
2. He’s virtue signaling that he’s really, really not racist in his quest to regain some kind of cultural relevance.

Considering that he apparently has only dated White girls in the past, option 2 is the most likely here.

Unless the bitch is lying. If that’s the case, he’ll have no choice but to go along with it, for fear of being called racist anyway.

“H-heh, yeah, I had s-sexual intercourse with this… fine African-American lady, of c-course, hahaha. I’m very open minded and progressive. Fuck Drumpf.”

Minaj and Eminem previously worked together back in 2010 on Roman’s Revenge, and she recently broke up with rapper Nas so she’s a free agent and can do whatever she wants!

The lesson here is: never go full Eminem.

This guy was on top of the world, speaking to an entire generation. But he had to start pushing some retard-tier social agenda, whining about White racism or whatever. Obviously, that took the edge right off, and made him lame as hell.

Zzzzzzz…

And now, he’s bagging negresses – allegedly.

Don’t make the same mistake, kids.

Stay edgy.

Eminen keeps “spitting verses” at Donald Trump, “dissing him an shiet.”

First of all, let me just say that no one gives a shit about Eminen or his style anymore. Among young adults, you have some people play “retro” rap from middle school at parties for the nostalgia boner. Other than that, some people use it in their workout playlist.

Idk, never understood people that enjoyed rap at all.

But from what I can see, the trendy young twenty somethings are still into the whole Hipster wave, and the younger kids that are into rap are more into the new “artists” like Xanxiety that have this whole “i’m zonked out on xanax” feel to their tracks.

Whatever, I’m not an expert on tween trends. But I do know that Eminen is irrelevant, and fading out into an inglorious early retirement.

Billboard:

“Watching the TV in fucking disbelief. I was in my basement, on the phone back and forth with friends like, ‘He’s going to fucking win’,” he said.

“I called it just from the rallies he was having when he first started running. Because just watching the impact he has, they were fanatics. There is something to be said about the person who really felt like he might do something for them – and he just fucking duped everybody.”

“I know that Hillary [Clinton] had her flaws, but you know what? Anything would have been better [than Trump]. A fucking turd would have been better as a president.”

He looks thin and wasted as if he has AIDs now.

All those hard drugs and nigger dicks took their toll on Eminem. But I suspect that seeing Donald Trump get elected and seeing the rise of the Alt-Right took the heaviest toll of all.

He shriveled up out of fear.

A new generation of youth who want nothing more than to nail every single wigger to a fucking tree is rising and his days are numbered.

Hopefully the AIDs gets to him before Generation Zyklon does.

Whatever you think of Eminem’s early work, it was at the very least youthful and representative of white angst at a continually advancing anti-white agenda.

It was anti-PC. He talked about raping women and killing faggots.

Sure, it praised black culture in a way that was not a positive influence on young people, but it was better than a lot of what was coming out and being sold to kids at the time.

Jump to now.

He is literally 45 years old and trying to sell attacks on Donald Trump and the white race generally as edgy, hip and cool.

The album was just leaked, and it is apparently horrible.

Chase McMullen, an anti-white music critic writing for anti-white culture website The 405, praises him for his attacks on whites but claims it is regrettably the worst album he’s ever released:

Oh, Marshall. When critics savaged Recovery, there may have been more than a healthy dose of ‘kill your idols’ at play. After all, he set out to make a direct pop record, and the album certainly succeeded at least in that sense. In 2017, tearing the aging icon apart is far less fun. Let’s get it out of the way: yes, Eminem is trying, once again, to grow up. What’s more, he’s gone beyond the Hallmark-lite sentiments of ‘Not Afraid’ towards something actually meaningful, taking on white detachment and comfort in society and the figurehead of our ills, Trump.

His good intentions just make how genuinely excruciating this record is all the more sad. Slim Shady may have spent the last decade and change putting out bad records, but Revival stands as the first truly terrible entry into his already sagging discography. Accents be damned, Relapse boasted an energized rapper (its unbearable lead single aside), even Encore had numerous highlights, but this?

It’s a scattered, gasping mess.

…

90% of the soundscapes here would have been rejected from an unsigned artist’s mixtape, they’re not just bad, they’re distinctly obnoxious, grating the ear and distracting from whatever Slim is saying. Granted, for most of what he’s saying here, that’s perhaps a cruel mercy (“I just got the wind about me / like wind chimes” on ‘Believe’), but on single ‘Untouchable’ the cheesy rap-rock vibes (and unnecessary Cheech & Chong sample) completely overwhelm the well-intended message. The same goes for the waste of Alicia Keys that is ‘Like Home’, Em calls Trump Hitler, and we can barely appreciate it, the beat is so cumbersome.

…

What once felt funny and satirical has long felt forced and repulsive.

How Eminem and co. thought his new somewhat on point wokeness would mix successfully with the same old ludicrous murderous and sexist antics may boggle the mind, but the question is ultimately needless. Revival is so uninspired and lost that picking it apart is a hopeless affair. Naturally, Eminem is still rapping his ass off. He’s practically an Olympian on ‘Offended’, pulling out every flow in his grab bag out for a breathless, nearly 6-minute rant, but it can all be reduced to, “I swear when I get up / I’m never gonna let up til everybody eats my turds.” This is a 45-year-old man. He uses this on the hook, no less. Eminem has made a career out of feeling persecuted and unappreciated, and for years now he’s been barking at a nonexistent detractor, only to completely misunderstand why his audience has grown weary.

Revival ends with the sound of a toilet flushing. Nothing could be more telling, but this writer shall say this: having spent years striving to be understanding, we’ve suffered enough. Eminem has long sounded uninspired and unhappy with the music he’s making, and more than ever, holding out hope he’ll figure it all out again feels like a grim prospect. Once the deed is done and this goes to press, I will never listen to this album again.

Ouch.

Yeah.

He is a very immature, childlike person, as described here. It was cute and perhaps even inspiring when he was in his mid-twenties, complaining about having grown-up poor with a single mother, but the entire goal of that should have been to develop into a healthy person despite the challenges. Instead, he whined and whined for two decades, now Trump is his new daddy figure to attack.

I don’t know how much of that is staged for consumption, an actual attempt by his Jewish managers to reshape this dejected cultural icon into a symbol of youthful resistance against the white race and how much of it he actually feels. His comment about how it made him angry Trump wouldn’t pay attention to him indicates it is at least in part a genuine represenation of projected daddy issues.

But either way, it’s sad and it’s boring.

And gross.

When I saw these pictures from his new music video:

It felt like looking at a retarded adult trying to play with children and the children looking all panicked and not knowing how to react. It is pitiful and it is disgusting on a deep human level.

I really do think he should just kill himself.

So what happened to the real Slim Shady? It looks like the real Slim Shady was nothing but a cuckold social justice warrior faggot.

Throughout the 1990s, rap music was a fairly new form of niggerism that was heavily promoted by the Jewish media. It was during this time that this once niche part of Black culture was thrust into the mainstream by Jewish music executives. Numerous low IQ Negro rappers were turned into instant celebrities because they performed retarded songs containing lyrics about hoes, drugs, guns and money.

Eminem was unique because he was a White rapper who came to prominence during this time period. You could argue that he did rap better than most of the Negroes based on the success he had. Part of the reason he was successful was because his lyrics were politically incorrect and considered edgy for the time. His older tracks even contained negative thoughts about faggots.

And just to be clear, this is not an endorsement of his material. It is merely an explanation of why he became a significant figure in pop culture. The very fact that rap music rose to such prominence in our culture is merely a symptom of the Jewish disease that we are plagued with.

With that said, it’s a bit strange to see Eminem roughly 15 years later as a middle aged 44-year-old still rapping. He put out a freestyle rap recorded in a parking lot where he expresses his dissatisfaction with Donald Trump’s presidency. It’s one of the dumbest things imaginable. You can watch it for yourself but he basically calls Trump a racist, claims he’s going to cause a nuclear holocaust and tells people that they can’t be a fan of his if they support Trump.

It seems as if in his older age Eminem has lost track of what’s trendy and cool. This is someone who has literally made millions of dollars with his rap albums, tours and movie appearances. With all his fame and fortune he doesn’t seem to know what’s going on. While this is probably just a cheap publicity stunt, it’s also a very stupid publicity stunt. He’s defined his new persona as being a middle aged social justice warrior that hates anything associated with Trump. This is like the most uncool type of persona anybody can have right now.

Eminem did have lots of White fans but he’ll definitely have fewer of those after making this video. But who knows, maybe he thinks that he has enough Black fans who will support his material. This clip was broadcast on Black Entertainment Television after all.

The bottom line is that Eminem represented an era that was defined by large amounts of niggerism. That era is over. This new era will be defined on much different terms.

How can someone watch this clip and walk away believing blacks are people?

NY Daily News:

Unlike mentor Kanye West, Big Sean isn’t pals with President Trump.

The rapper stopped by Hot 97 this week where he delivered a heated freestyle when promoting his new album “I Decided” on West’s label G.O.O.D Music.

“I know ‘Ye proud of me, he took me out of debt,” Sean rapped.

“I know Jay proud of me, he put this ’round my neck / And I might just kill ISIS with the same icepick / That I murder Donald Trump in the same night with.”

The heated freestyle was laid over an instrumental to Freeway’s “What We Do.”

Although Sean, 28, spewed the politically charged rap during the radio interview, Eminem actually calls Trump a “b—h” in the song “No Favors” on the album.

It sort of made sense to me that Kanye was pro-Trump.

I’m really not sure what these other rapper’s issue is.

Well, the black ones I’m not sure about.

Eminem is like 50 and just trying to stay hip.

Though he’d be a lot hipper if he was like “MAKE AMERICA GREAT AGAIN.”

Anyway – why is this rapper allowed to threaten to kill Trump and nothing happens to him?

What if the races were reversed?

Imagine if a synthwave musician had threatened to murder Obama.

These grandmas are more anti-establishment than Eminem will ever be. They also make one heck of a potato salad.

One of the most annoying aspects of American culture is how people affirm the party line while being so narcissistic that they pretend they’re badass untamed special snowflakes for doing it. But in truth, in 2016 America it’s way more defiant of the power structure to take a picture of yourself holding your infant child and wife than it is to be a 44 -year-old adolescent grabbing your crotch and flipping the bird.

Apparently Feminem’s agents and PR people haven’t gotten the memo. He’s now going to try and work what’s left of the wigger vote for the Hillary campaign.

While the rapper had his moments, it’s all been declining since “Slim Shady LP,” becoming more and more lame and self-absorbed by the minute, while trying to cling to the “bad boy image” cultivated for him in a board room full of corporate Jews like Paul Rosenberg. A song from his new album nobody wants to hear (Moon Man has long surpassed Feminem in the rap world) was just released:

Don’t worry I’m working on an album! Here’s something meanwhile. https://t.co/QX3cdpqFD2

— Marshall Mathers (@Eminem) October 19, 2016

Here are some of the lyrics:

You want some? Come and get some, boys!
I’m givin’ Daniel Pantaleo a refresher course
On excessive force and pressure points
And dressin’ George Zimmerman in a fluorescent orange
Dress and four inch heels to address the court
With a bullseye on his back, his whole chest and torso
Are left on the doorsteps of Trayvon’s dad as a present for him

A bunch of Trump supporters underwater
Snuck up on ’em in Ray Bans in a gray van with a spray tan
It’s a wrap, like an Ace bandage
Don’t-give-a-fuck persona, to my last DNA strand
E&J in the waistband, at the VMAs with the stagehand
She wants kielbasa, pre-arrange an escape plan
Three-inch blade on point, like a See-and-Say
Consider me a dangerous man
But you should be afraid of this dang candidate
You say Trump don’t kiss ass like a puppet
‘Cause he runs his campaign with his own cash for the fundin’
And that’s what you wanted
A fuckin’ loose cannon who’s blunt with his hand on the button, who doesn’t have to answer to no one – great idea!

To hear this guy talk about his don’t give a fuck persona, then a few lines later clutch his pearls parroting some system talking point verbatim about Trump is so typical of these kinds of people.

With famous men shilling for the government and plutocracy, you have heavily tattooed muscle tough guys like Henry Rollins, who has carved a niche for himself doing this kind of stuff, and on the women’s front, the gross sack of osteoporosis Madonna has worked the sexual obscenity angle, offering free blowjobs to the handful of Pajama Boys in exchange for a Hillary vote.

Cursing, tattoos, obscene public sex acts and acting all gangsta against enemies of powerful Wall Street Jews just isn’t resonating anymore. Masking hyper-conformity as a manifestation of uniqueness and chic rebellion is one of the more subtle ways Jews have traditionally incited and mobilized young people into doing their bidding, but the new counter-culture we (the alt-right, for lack of a better term) are building is far more effective: it’s genuine grassroots rebellion.

Since Eminem’s album isn’t finished yet, I’ve come up with my own rap verse for him to recite. I’ll be sending it to his producer Paul Rosenberg:

Checking my white privilege, Cuz I don’t give a fuck
My n-words share my wife, I’m a Gangsta Cuck
You report about “black crime”, but that’s not polite
Yo, come to Detroit and say it, pussy ass alt-right!
I got balls like grapefruits cuz I speak my mind
Though I made my millions, sellin’ my behind

Donald Trump says he grabs asses and that offends me
I’m a tough muthafucka, you’re not allowed to politically disagree
If you wanna make a statement, within bounds set by Goldstein
Sign up, stand up, vote: Hillary 2016

This is what someone who genuinely doesn’t give a fuck looks like.

Welp.

Turns out giving Black people money doesn’t make them stop acting Black.

When you give Blacks millions of dollars, they just do violence against White celebrities rather than home invasions of White people’s houses.

Daily Mail:

Suge Knight allegedly tried to have Eminem killed twice according to a bodyguard who used to work for the Detroit rapper.

BET reports that Big Naz, who used to work for Eminem, gave an interview to the Murder Master Music Show during which he claimed that the rapper was almost killed at the 2001 Source Hip-Hop Awards and then later during a trip to Hawaii by men working for Knight.

He managed to escape unharmed both times.

There was a situation at the Source Awards, which was our first encounter with Suge Knight and his henchmen,’ said Naz.

‘They had it to where the artists couldn’t sit with the bodyguards. I notice Em is in the aisle and he is beefing with all these guys in red shirts.

‘This is what they said: “Death Row motherf*****s! Suge Knight sent us to strong arm Eminem and it’s going down!”

‘I had to snatch Em up and call Dre, because he was backstage.’

The trouble was not over yet though for Eminem according to Naz, who said the ‘scariest moment’ came when they took the trip to Hawaii.

‘When the plane lands we are greeted by 20 Honolulu police officers and they told us that Death Row is here, they tried to hem [Snoop Dogg] up.

‘Suge Knight had sent 50 guys to try to break up the show. When we got there, vacation mode was over, we were locking and loading, putting on bullet proof vests with their wives and girlfriends sitting next to them.

‘We had to have Interscope pick up the tab to put Honolulu police with each bodyguard, because of how deep Suge was over there.’

And of course this was racial.

What else would it be?

Oh, nb4 “Eminem is a Jew” – he isn’t. I actually thought he was for a while based on an audio recording of an interview where he said he was a Jew, but that audio turned out to be faked. There is no evidence he’s a Jew and he certainly doesn’t look like one.

You may or may not view him as a degenerate, but he did prove Whites are better than Blacks at rapping, just as Bernie Bros recently proved Whites are better than Blacks at rioting.

He also did say a bunch of stuff about faggots and women that was funny. He was pretty much the last White guy to say this stuff. Well, now we’re getting to the point where we’re going to be able to say it again, but he was the last one to say it before the strict enforcement of the PC culture.

Obviously, his new music is just typical crap. But the first two albums were pretty memorable. In the late 90s, he injected a little bit of White masculinity in the age of boy bands.