So I’m just, you know, browsing the internet for stuff about Jews. Keeping close tabs on these greasy rats and their filthy goddamn swindles and perversities.

And I come across this.

Broad City is a show I’d never heard of on Comedy Central.

I am interested in this Buzzfeed piece because it’s an explicitly Jewish article, on an explicitly Jewish topic, written by a woman with an explicitly Jewish name – in an implicitly goy outlet. Based on that context and the titles, it is encouraging the goy reader to think Jews are good.

So let’s take a look here at the first paragraph…

Buzzfeed:

While tripping heavily off a strong dose of shroom-laced yogurt, Ilana Wexler, one of the two titular broads in Comedy Central’s Broad City, stands in front of a bathroom mirror. She’s about to have a threesome, but her typically horny self can’t seem to get in the mood. “I’m brave and I am super cool,” she proclaims. “It’s me…Nicki Minashkenazi!” merging the inimitable rapper’s moniker with that of Ilana’s own Eastern European Jewish heritage.

Yeah.

That’s about what I expected this to be about.

It just never ends with these people.

We goyim go on to learn about all that Jews have contributed to our culture, and how this drug orgy comedy show has been a welcome addition to that tradition.

Jewish humor isn’t exactly a new addition to popular culture, and the list of Broad City’s television predecessors, from Rhoda to Seinfeld, is long. But Abbi and Ilana’s particular take on the contemporary Jewish experience resonates deeply with me, as a millennial Jewish woman. They Skype through the final hours of a Yom Kippur fast; Ilana screams “this is the happiest day of my liiiiife!” in response to learning that Abbi is pegging her hot neighbour — at her grandmother’s shiva.

“Pegging” means a woman fucking a man in the ass with a strap-on dildo.

You probably already knew that.

If you did know that, you knew it because of Jews. If you’re learning about it now, you’re learning of it because of Jews.

If it were not for Jews, no one would know what “pegging” was, and there wouldn’t be a word for it.

Traditionally, Jewish humor has centered around tropes of guilt and self-deprecation. Consider Joan Rivers, whose zingers were based on putting herself, and others, down. (“I was so ugly that my parents sent my picture to Ripley’s Believe it or Not. They sent it back and said, ‘We don’t believe it,’” went one of her classics). On television, being Jewish has often been used as a self-deprecating punchline — see Larry David buying fraudulent High Holiday tickets off a scalper and being accused of being a self-hating Jew for listening to Wagner on Curb Your Enthusiasm — or it’s downplayed altogether (think of Jerry Seinfeld’s fascination with dating “shiksas” on Seinfeld or Ross’s neutered, nebbish character on Friends).

Broad City’s lineage, then, could be more rightly traced to The Nanny, the 1993 sitcom starring Fran Drescher as a nasal, unabashedly Yiddishe fashion queen turned caregiver to a waspy Upper East Side family. Drescher’s character, Fran Fine, was a glamorously packaged bridge between the immigrant generation (her grandmother, Grandma Yetta, would frequently appear hilariously befuddled and bedazzled, with a Romanian-meets-Queens rasp) and the modern, assimilated New York Jew. And though, yes, Fran could border on the stereotypical (her zest for a good sale and a rich husband were mentioned in virtually every episode of the show), she was endearing and unapologetic. And the Broad City creators’ affection for Drescher is clear; she even guest-starred as Ilana’s Aunt Bev in a Season 4 episode, arguing with Ilana’s mother over who will inherit their late mother’s engagement ring.

Yeah, Seinfeld, Curb Your Enthusiasm, Friends, The Nanny – all of these shows are designed to normalize disgusting Jewish behavior and make white society safer for Jews. That is always the purpose of putting Jews in media made for goyim.

Abbi and Ilana’s Jewishness, like Fran’s, has been front and center since Episode 1, when Ilana answers a classified ad placed for “two Jewesses” to clean a stranger’s apartment wearing lingerie. From there, that cultural — if not necessarily religious — identity has been a central current running through Broad City (Jacobson and Glazer have talked about growing up in Reform Jewish families, but neither is especially observant; Glazer described herself in a 2014 interview with Forward as “more Jewy than Jewish”). In the show, Ilana takes pride in her frizzy, curly hair, though her pride was hard-earned; in a flashback episode to 2010, Ilana straightens her hair to fit in with her waspish college roommates. She relentlessly teases Abbi about her “goyish” looking schnoz.

And as much as they love being Jewish, Abbi and Ilana aren’t afraid to dole out nuanced burns best appreciated by those who grew up in the community. Take “Jews on a Plane,” the third season finale, which was widely shared among my friends. The episode, a parody of Birthright trips to Israel, featured Abbi and Ilana stuck on a plane with seating arrangements organized by “match potential” and sporadic, summer camp–style chants of “Jews! Jews! Jews!”

I’m now starting to wonder how it is that this show was on for five seasons and I never knew about it.

This season saw the show’s deepest exploration into the duo’s Jewish identities with the episode “Lost and Found.” Ilana takes a genetic test that reveals she is 100% Ashkenazi Jew (“Yeah, no shit, ever seen a mirror?” her mother replies). She also discovers that she has “the richest history a millennial Jew can have” — a 16th cousin named Saul who lives in Manhattan and is a Holocaust survivor. Ilana is titillated (maybe a little too titillated) at the thought of grilling him about his experiences, and so she and Abbi visit Saul at his assisted living facility. He convinces them to sneak him out of the home. While at a drag brunch, he suddenly takes off (“We cannot be losing Holocaust survivors, not now, when the world is gaining Nazis somehow!” exclaims a panicked Ilana) and the duo are forced to go on a hilarious and a revelatory journey through Jewish New York. They start at the famed deli Zabars, take a sobering detour at the Holocaust Memorial Museum, and end at a really good sale. When they finally do find Saul — at Ikea, of all places — he says, “You know my motto: Never forget. Also, don’t remind me.”

The fact that Broad City has leaned so heavily into the duo’s Jewish identity in its final season feels pretty intentional. In response to the 2016 election, Glazer and Jacobson rewrote parts of the third season, setting the perennially summertime show in the dead of winter and bleeping Trump’s name. “I think the messaging that we’re more aware of now was always there, but now it’s much more urgent to articulate and name,” Glazer told the Daily Beast in 2017. And just this past fall, Glazer had to cancel an event at a Brooklyn synagogue because of anti-Semitic graffiti.

The show’s increasing embrace of Abbi and Ilana’s Jewishness makes sense to me. I never thought too much about my Jewish identity growing up. I lived in a Jewish neighborhood in suburban Toronto, attended Jewish private school, and came from a fairly observant Jewish home. My family checks most of the requisite boxes: closely knit, and with a fondness for Florida. Hilarious, too — my father came out the womb spouting self-deprecating jokes. (An annual family tradition is riding around town on Christmas Eve to admire the light displays, only to wisecrack about the fact that we can’t do the same.)

But as I’ve gotten older, embracing my Jewishness has become more of my “thing.” Like Ilana, I get a kick out of wearing oversized hoop earrings with dangling diamanté Jewish stars. I’ve changed my Instagram bio to “Big Jew” a few times (and then promptly removed it, for fear of trolls). And I’ve taken to sharing more of my family’s rituals, from decorating the seder tray to lighting the Sabbath candles. Because in the face of the world’s current state, it feels pretty damn good to champion my heritage on my own terms.

Have you taken mushrooms and pegged anyone?

Oh, wait – just googled the writer’s picture, and now realize that is a stupid question.

This bitch is the pegging queen.

In the closing scene of “Lost and Found,” Ilana — wearing a Hebrew nameplate necklace layered over a Jewish star necklace and hoop earrings that spell “Jewess” — sits cross-legged in front of her laptop, writing an entrance essay for grad school. She narrates in her best Carrie Bradshaw: “I couldn’t help but wonder…I used to think being Jewish meant IBS, Tay Sachs, inherited trauma, and childhood contact lenses.” She takes a toke of her very fat joint, exhales, and continues. “But now I know being Jewish is about being resilient, having the strength to survive the Holocaust and perpetual exile, as well as being able to carry a stag table to the parking lot of an Ikea at 91 years old.”

Yeah, it’s all there.

The Holocaust, pegging, threesomes, marijuana… these are the Jews.

It is bold to come out with these types of articles at this time in history. Because for every person that reads this and thinks “uh, okay,” there is going to be one that says “yeah, okay, now I understand that whole Hitler thing a little better.”

We have reached peak Jew and they’re just not stopping. Everyone is going to end up exhausted with all of their filth and tricks. In fact, I think everyone already is exhausted.

They are hoping that this exhaustion leads simply to suicide and fentanyl overdoses.

But it could well lead to an immune response on a scale they’ve never seen before.

The point of satire is to laugh at the naked emperor. We see this with iconic works of literature like George Orwell’s Animal Farm – which was a way to blow off steam about the Bolshevik hypocrite gatekeepers of (((New York intelligentsia))). Many great figures of the political and literary world have used satire to test pointless cultural mores, or even mock kings and despots to their faces.

Naturally Jews and leftists have held a monopoly on the matter. Their goal is to destroy everything in society (including what’s good), replace it with something unnatural, then destroy it again to replace it with something even worse.

USA Today:

Daily Show veteran Jordan Klepper’s upcoming Comedy Central talk show now has a name: The Opposition With Jordan Klepper.

What’s he opposed to? Anything mainstream, as Klepper described the late-night show (Sept. 25, 11:30 ET/PT) to writers during Comedy Central’s session at the summer TV press tour Tuesday.

During the 2016 campaign, Klepper, who will be based in a studio but will venture occasionally into the field, met people who rely on information from alternative media sources. Some accused him of being “Fake News” and even a member of the “Deep State.”

Klepper’s show will lampoon the alt-media, left and right, and the world of conspiracy theories.

“The outsider is the new thing. Donald Trump calls himself the outsider as he tweets inside the Oval Office. Breitbart was the outsider but Steve Bannon now is in the West Wing. Who is the outsider other than somebody who is upset and anti the mainstream, anti-facts” Klepper said. “That’s why we are the opposition. We are not mainstream, we are not establishment, we are not listening and we are definitely not helping.”

Klepper will portray an alter ego, a heightened character of the alt-media.

“I’ll be playing a know-nothing provocateur who fights for the forgotten man and I may, at times, also forget that man,” said Klepper, who hasn’t talked to Comedy Central alum Stephen Colbert about playing an alter ego.

Back when Colbert was doing this, it was genuinely funny and to an extent did speak truth to power. While some liberals really hated Bush, the elites on both sides supported and enabled his (((administration’s))) worst endeavors. For example, The New York Times’ Jews were instrumental in setting the stage for the Iraq war with fake news. The Jews at The Atlantic, The New Republic, Al Franken, etc all supported the war and engaged in similar deception.

But what now? As much as Jeffrey Goldberg’s Atlantic fluffs Jordan Klepper, the guy’s not funny.

He plans to make fun of non-Jewish controlled media – but what of it? Is it really “satire” to aim your snark at the only entities that are actually telling us what is going on in our country?

Maybe if the “alt-media” Klepper’s Jew handlers have put in their iron sights was stronger in 2003, we would’ve avoided killing millions of people and losing thousands of troops for nothing in Jewish wars.

That’s the real reason they hate it.

John Oliver, Trevor Noah, Samantha Bee, Seth Meyers, Bill Maher, Stephen Colbert – apparently there aren’t enough snarky TV show personalities giving the same exact globalist SJW/J-E-W opinion.

Maybe if you add one more, the Goyim will stop knowing.

I’m not sure that this won’t be sort of funny.

I’ve watched Alec Baldwin’s Trump, and really done my best to separate from the politics of it – something I’m very good at – and just watch it on merit and I just don’t think it’s funny.

This guy, Anthony Atamanuik, played him in a Fusion special that really sucked.

But he appears to have maybe gotten better at it?

If Comedy Central doesn’t make it a nasty hate show, and instead makes it endearing to conservatives (in the way Steven Colbert was endearing to conservatives on his troll show), maybe they’ll literally use Trump to save their failing network.

They are failing real bad. They hired that affirmative action nog to do the Daily Show, and basically every other original series they’ve tried in the last half decade has failed miserably. It’s basically the South Park channel. And with South Park only doing ten shows a year, they are in very bad shape.

Black bastard John Legend, who is apparently a singer of some sort, recently appeared on the Daily Show with the ratlike Jew Jon Leibowitz to discuss Southern Rites, his new HBO documentary about alleged racism in Georgia.

The Jew Leibowitz described the propaganda film as “heartbreaking.” Because a Jew’s heart breaks for the Blacks. Unless they’re in Israel, in which case a Jew’s heart calls them “infiltrators” and locks them in concentration camps.

“I’m just struck by the anger and defensiveness on the side of people when you say racism still exists in America,” Leibowitz said.

“Some racism is very easy to identify, the Donald Sterlings of the world, the people who use the N-word in a malicious way,” the nigger responded. “But a lot of racism is structural.”

Legend then mumbled, confused, about a gigantic racist conspiracy in the criminal justice system, citing sentencing, indictments and jury selection as part of a White agenda to hurt Black people for reasons yet unknown. He said: “all of these things that end up discounting the value of black lives.”

“We don’t want to talk about racism all of the time. If it weren’t here, if we didn’t have to deal with it every day, we would love for it not to be the subject of conversation,” he lied “We would love not have to keep bringing this up but it’s killing our kids, it’s resulting in so much pain and suffering for our community, so we have to bring it up.”

He did not explain how it was “killing our kids,” but we can assume he wants us to continue to believe that Trayvon and Big Mike were innocent victims shot to death by Whites out of pure hatred, even while the court system has already shown that both of these rabid monkeys were killed in self-defense after attacking a Mexican and a White man, respectively, for no reason.

This has all gotten so incredibly goofy.

Leibowitz went on to attack anyone who questioned Michelle Obama’s bizarre “the President and I are victims, you are all victims as well” speech at Tuskegee University last weekend.

Legend smugly replied: “It’s hard being a White male conservative in America.”

As a White male conservative, I can confirm this, John. But I cannot imagine how it compares to the difficulty of being born into a protected minority class with virtually unlimited privileges in university applications, job hiring and welfare allotment, among other things. A minority worshipped by the majority as possessing feelings which are sacred and above objective reality, a minority which commits crimes on a massive scale and yet is never collectively questioned for their behavior, a minority which now appears to be successfully lobbying for the right to attack and kill members of the majority with impunity.

Man, it must be hard. And you’re in the hardest spot, being a member of this group that evil White people decided to make a celebrity and hand over millions of dollars to out of pure hatred.

I feel for you, bro. It’s an act of heroism for you to even get up in the morning, knowing that the whole world is against you.

Stephen Colbert will be leaving the popular Colbert Report to take over Dave Letterman’s The Tonight Show in 2015. Comedy Central recently announced that Colbert’s replacement will be Larry Wilmore, an unfunny black comedian whose routine consists of commenting on his blackness. Wilmore has appeared on The Daily Show as the program’s “senior black correspondent”.

From the Blaze:

Comedy Central said Friday that Wilmore will host “The Minority Report” at 11:30 each week night. An African-American, Wilmore will add a different perspective to a late-night landscape dominated by white males…

Wilmore has written for three shows, “The Bernie Mac Show,” “In Living Color” and “The Jamie Foxx Show.”

For an example of Wilmore’s lame black humor, here is a short video featuring his “random black thoughts”.

Note the complete lack of creativity and actual comedy. The other clips of Wilmore on youtube are almost all in the same vein.

Given the show’s title and Wilmore’s history of racial humor, it is clear that The Minority Report will deliver 30 minutes of non-white ridicule of European Americans. While Colbert’s show certainly mocked conservative White Americans as well, Colbert is undoubtedly much more talented than Wilmore. Maybe this new affirmative action hire is in response to Colbert’s “racist” Asian tweet . Or maybe this obviously anti-White choice has been in the works for some time.

It will be interesting to see how The Minority Report will fare with ratings. While the self-hating SWPL’s who watch Comedy Central would never have the racist gall to admit that they don’t actually like Wilmore, in the privacy of their own homes they might have the courage to not watch him.