Surf’s up!

AFP:

Two Iraqi children, aged six and two, have been found dead in the Aegean Sea off the Turkish resort of Cesme while trying to reach EU member Greece, the Dogan news agency reported on Wednesday.

The corpses of the two children were found floating in the sea by local fishermen who then handed them over to the local Izmir region coastguard, it added.

Turkish media reports said the two had been among 200 migrants seeking to reach Greece by crossing the Aegean, all of whom had otherwise been rescued.

Some 650,000 migrants, often from Iraq and Syria, have tried to cross the Aegean Sea this year in search of better lives in the European Union. But an estimated 500, including many children, have died in the often perilous crossing.

That’s 1 in 1300.

These are pretty good odds, one would think.

But I don’t know how bad the camps in Turkey these people are fleeing actually are. They don’t look that bad.

But the Jewish media will never acknowledge the obvious fact that these people are coming from Turkey, meaning they are not fleeing a war. They just keep chanting, along with the politicians, that they are fleeing a warzone.

This is like if someone’s house is on fire and they run across to the other side of town and kick in your front door, starting eating all of your food and raping your wife, then say “I am fleeing a fire.”

Where’s the Media Storm?

When the original Beach Boy, Alain Kurdi, was photographed taking a permanent nap on a Turkish beach, the entire landscape of the globe was changed. The picture was everywhere, and it ultimately led to Merkel telling every Moslem in the world to make the same journey Kurdi died on (which was a very weird response to the picture).

We were told that we were all responsible for the personal decision of this boy’s father to smuggle him from Turkey (where the family was living normally on over $1000 a month).

The narrative quickly collapsed when it was revealed that the father was coming to the EU to get free dental work. It was also revealed that he was the captain of the smuggling ship. But the media storm had been so severe that at that point it didn’t matter. Damage was done.

However, these dead boys are not even a top headline. Other kids have drown since Kurdi as well, and not gained serious media coverage.

Maybe it’s because there are no tear-jerking pictures.

Gerry T. Neal
Council of European Canadians
September 29, 2015

It is said that “a picture is worth a thousand words” and, like most familiar adages, there is much truth in this statement. A single picture is capable of conveying, instantly and powerfully, what it might take a long time and many words to get across verbally. Furthermore, pictures have the ability to speak to the emotions with a voice which drowns out that of the rational argument which speaks only to the intellect.

Pictures, therefore, are dangerous weapons in the wrong hands, for, like words, they can convey falsehoods as well as truths. Moreover, a lie spoken through a picture can have a lasting impact even after it has been exposed and that impact can be stronger than the words through which the truth is revealed.

The media recently treated us to an example of this as they splashed across our television and computer screens and the front pages of our newspapers the image of the body of a drowned, three year old boy, lying dead on a Turkish beach. Virtually every detail of the story that accompanied this image, even down to the name of the boy as initially reported, has subsequently been demonstrated to be at least partially false, yet its emotional impact continues to linger on, exerting a baleful influence on the Western world’s response to the flood of migration from the Middle East and Africa. Due to the sheer numbers involved, the situation calls for realism, cool heads, and long-term thinking, but instead, thanks to this picture, we are getting grandstanding gestures, reeking of sentimentality.

The death of a three year old is a terrible thing, of course, but it is not ordinarily world news, much less world changing news. The purpose of the highlighting of this story by the world media was to present a message, not about the boy himself, but about the wave of migration that is being called a refugee crisis. That message is that thousands of people, displaced by the war in Syria, will die like this young toddler, unless taken in by the countries of the West, as the victims both of the war and of Western heartlessness.

That is the message carried by the first stories that accompanied the image and which, due to the law of first impressions, is the message that endures, regardless of the countless subsequent retractions of the details of the initial reporting. This is a media technique that Professor Bruce Charlton calls “first-strike framing” in his recent book Addicted to Distraction.

There has been plenty the media have had to retract, or at the very least, redact, about this story. Whatever else Alan Kurdi might be a victim of, he is not a victim of either the war in Syria or Western heartlessness. His family had fled ISIS in Syria, yes, but they were already living in safety in Turkey. Nor, as it turns out, had they been turned away by the Canadian Ministry of Immigration, for, contrary to the initial claims of the father and aunt of the boy, the only application that had been filed had been for the boy’s uncle, Mohammed. Yet even if such an application had been filed and rejected, it could scarcely have contributed to the death of the boy, whose destination on this ill-fated boat trip was not Canada, but the Greek island of Kos. Indeed, from the testimony of the other survivors, it is apparent that the responsibility for the boy’s death falls squarely on his father, Abdullah, who has been using the soapbox the world media gave him to point fingers at everyone but himself. According to these other survivors he is a people smuggler and was driving the boat himself when it capsized.

Just as the story about the Kurdi family does not bear up under scrutiny, neither does the larger narrative about the so-called refugee crisis. While undoubtedly many genuine refugees have been created as people have been dispossessed and displaced by the war between the rebels and the Assad government in Syria, especially after the creation of ISIS and the wave of religious persecution that ensued, there is a world of difference between those who have fled to Jordan, Lebanon, and Turkey to escape immediate danger and persecution, and the hundreds of thousands, soon to be millions, flooding into Europe across the Mediterranean. To accept these indiscriminately, as the media, humanitarian organizations, leftist politicians, and bleeding heart clergymen demand, without making the vital distinctions between a true refugee and a migrant, and between a migrant and an invader, could only destroy our own countries. It would also do no good for real refugees as we would be letting in the kind of people they are fleeing from along with them and potentially recreating the conditions from which they are trying to escape in our own countries.

According to statistics gathered by the European Union, only about a fifth of those pouring into Europe are actually from Syria. Even more significantly, almost three quarters of these are men. Whatever their country of origin, it is from safe locations to which they have already arrived that they are flooding into Europe. All the evidence points to the conclusion that, contrary to the media narrative, what we are seeing is not the kind of emergency situation that demands a humanitarian response of immediate and unconditional acceptance of any and all claiming asylum but an invasion that must be repelled if Western civilization is to survive.

If progressives in the West are loathe to accept this conclusion, others elsewhere clearly see this invasion for what it is. How else can we explain Saudi Arabia’s offer to pay for the construction of 200 mosques for the migrants in Germany? Refugees are people forced out of their homes, looking for temporary asylum until it is safe to return. This project tells us that in the eyes of the Saudi Arabians, who have not offered to take in their fellow Muslims themselves, this is something much more permanent.

Those who are unwilling to accept this conclusion, inevitable as it is to those with the proverbial eyes to see, hurl against those who bravely speak the forbidden truth, such words as “racist” and “xenophobic” or “inhumane” and “heartless”. These are among the few words in our language that have a power comparable to that of pictures because they too speak to the emotions in a way that the words of a rational argument cannot. It is a power that is abused every time these words are spoken, for they cannot be used in good faith being accusatory words that pronounce their verdict upon the heart, known only to God, while denying the accused what in our legal and judicial tradition is a basic right, that of the presumption of innocence.

These words are weapons in the arsenal of the invaders for this is not a force armed with horses and bowmen, swords and spears, tanks, aircraft, guns and bombs. No, it has much more effective weapons than all of those. It is an invasion force like that described in Jean Raspail’s prophetic novel The Camp of the Saints, armed with our own liberalism and humanitarianism. Its chief offensive weapons, the swords against which we must quickly develop shields or perish, are our self-accusations of racism, and the picture of a drowned three year old boy.

Here is a Dutch choir singing a song about how immigrants are welcome to invade their country.

These are the lyrics to the inspirational tune.

You are welcome!
Welcome in my country.

You are welcome!
Stranded here all of a sudden [?]

I want to learn about you!
I want to know who you are!
Tell me all your stories.
I want to understand [you should]

I saw you on a boat.
I saw you on the news and in the papers.

Fear only on your face.
Your daughter in your arms.

So many died…
[Can’t hear what they sing in the next line]

But you made it!
And now I feel your pain.

You are welcome!
Stranded all of a sudden.

I want to learn about you!
I want to know who you are…

Tell me your story
I want to understand what’s it like… [no you don’t!]

Here you are safe.
All your worries will be gone.

We want to help.
We will stand beside you.

We want to laugh and cry with you [mostly crying I think]
You can depend on us! [who needs enemies when one has friends like these!]

You are welcome!

Inspired this, I called up my friend Brian Wilson, and we decided to write a song for the two Kurdish Beach Boys who died in a surfing accident caused by White people in Canada.

Brian said he hadn’t been out of bed in weeks, but that for this, he would call in the heavy machinery to get him into a chair.

I met with him in his living room in sunny California.

“It is a true shame that those boys never got to go surfing in the USA, where surfing is so much safer and the dental care is better” Brian said.

And I was like, “Hey, let’s roll with that.”

In honor of Alan Kurdi and his brother whose name I don’t even know because the media never said it, this is what we came up with:

Co-Written by Brian Wilson and Andrew Anglin

You’re surfing with Allah, now, Alan.

Or deflowering dozens of young sky-sluts. Or whatever.

Allah bless you, and Allah bless all the millions of brown people who get to Europe to live on welfare or die trying.

Rapper 50 Cent, who I am also close friends with, also wanted to be involved in the project and is in the process of doing an Alan Kurdi remix of “Get Rich or Die Tryin.”

He will be remixing the song “money.”

Instead of “Nigga I don’t give a fuck about these hoes, I focus on the money,” the lyric will be sung “Nigga I don’t give a fuck about my kids, I focus on the dental work.”

Hilariously, the Jew media is attacking ISIS for using pictures of Beach Boy as propaganda.

This is after the West has used pictures of Beach Boy as part of the biggest propaganda coup in recent memory, blaming White people for his death.

Also funnily enough, ISIS is apparently against immigration into Europe.

TIME:

The photo of Alan Kurdi, whose name was initially misreported as Aylan Kurdi, lying lifeless on a Turkish beach has been printed in ISIS’s English magazine Dabiq, the Guardian reports, in an article titled, “The Danger of Abandoning Darul-Islam” — or, the Islamic homeland.

“Sadly, some Syrians and Libyans are willing to risk the lives and souls of those whom they are responsible to raise upon the Sharī’ah – their children – sacrificing many of them during the dangerous trip to the lands of the war-waging crusaders ruled by laws of atheism and indecency,” the article says.

Well, I definitely like the ISIS policy a lot better than the Merkel stratagem.

Better days. pic.twitter.com/sdKqfT0zyA

— Andrew Anglin (@stormer9k) September 11, 2015